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This book analyzes Jewish tropes in popular science fiction ranging from Star Trek and Marvel to other prominent franchises. Sometimes the representation is subtle and thought-provoking; other times, it is limited to cliché and oversimplification of characters. The chapters in this collection examine the representation of Jewish characters in films and franchises including Superman, Lord of the Rings, The Mandalorian, The Twilight Zone, and more to shed light on the broad range of representations of the Jewish experience in popular science fiction and fantasy.
The classic first collection in its genre, "Wandering Stars" reminds readers that many are still studying, still suffering, still making jokes and myths, and still trying to figure out what it means to be Jewish--even in science fiction and fantasy. A 25th anniversary classic reprint.
In the Hebrew Bible and stories loyal to it, Goliath is the stereotypical giant of folklore: big, brash, violent, and dimwitted. Goliath as Gentle Giant sets out to rehabilitate the giant’s image by exploring the origins of the biblical behemoth, the limitations of the “underdog” metaphor, and the few sympathetic treatments of Goliath in popular media. What insights emerge when we imagine things from Goliath’s point of view? How might this affect our reading of the biblical account or its many retellings and interpretations? What sort of man was Goliath really? The nuanced portraits analyzed in this book serve as a catalyst to challenge readers to question stereotypes, reexamine old assumptions, and humanize the “other.”
Collects twenty short stories of Jewish science fiction and fantasy from the 2000s, including Eliot Fintushel's "How the Little Rabbi Grew," Neil Gaiman's "The Problem of Susan," Tamar Yellin's "Reuben," and others.
Here are science fiction stories that bend and twist the limits of imagination. Best of all they have a yiddishe taam, a taste of the Jewish supernatural.
Following the Holocaust, American literature experienced a resurgence of Jewish themes, characters, and contributions. This book focuses on the genres of science fiction and fantasy of the post-Holocaust period and argues that while the era was colored by grief, it also offered a renaissance of Jewish creative expression. The author provides an overview of texts beginning with the rise of Jewish speculative fiction anthologies in science fiction and fantasy and delving into emerging subgenres such as alternate history, post-apocalyptic, cold war, second-wave feminism, counterculture parodies, new wave, postmodernism, and cyberpunk to illustrate how Jewish culture made its mark on popular culture. The book also covers the Silver Age and Bronze Age of comics which saw Stan Lee, Jack Kirby, Julius Schwartz, and Marv Wolfman form new superhero teams to battle prejudice and draws parallels with some of the most impactful shows made by Jewish creators, including Star Trek, Twilight Zone, and Doctor Who. The analysis also looks beyond the American context to include texts from Germany, the Soviet Union, Brazil, and Israel.
Suddenly Judah, a Manhattan comic book editor, is caught up in an enchanting sci-fi fable of the future, a time when Jews, once again, are persecuted and driven not only out of their lands, but off Earth and onto a strange new world. Not only do the characters of this story (and its sequels) mirror Judah's life, but they provide him with materials that become the best selling comic novels of all time.
Winner of the 2021 National Jewish Book Award for Con­tem­po­rary Jew­ish Life and Prac­tice Finalist for the 2021 Kirkus Prize in Nonfiction A New York Times Notable Book of the Year A Wall Street Journal, Chicago Public Library, Publishers Weekly, and Kirkus Reviews Best Book of the Year A startling and profound exploration of how Jewish history is exploited to comfort the living. Renowned and beloved as a prizewinning novelist, Dara Horn has also been publishing penetrating essays since she was a teenager. Often asked by major publications to write on subjects related to Jewish culture—and increasingly in response to a recent wave of deadly antisemitic attacks—Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present. Horn draws upon her travels, her research, and also her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study—to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish past—making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity.