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This book presents the lives and works of eleven Jewish women authors who lived in the Soviet Union, and who wrote and published their works in Russian. The works include poems, novels, memoirs and other writing. The book provides an overview of the life of each author, an overview of each author’s literary output, and an assessment of each author’s often conflicted view of her "feminine self" and of her "Jewish self". At a time when the large Jewish population which lived within the Soviet Union was threatened under Stalin’s prosecutions the book provides highly-informative insights into what it was like to be a Jewish woman in the Soviet Union in this period. The writers presented are: Alexandra Brustein, Elizaveta Polonskaia, Raisa Bloch, Hanna Levina, Ol'ga Ziv, Yulia Neiman, Rahil’ Baumwohl’, Margarita Alliger, Sarah Levina-Kul’neva, Sarah Pogreb and Zinaida Mirkina.
This book presents the lives and works of eleven Jewish women authors who lived in the Soviet Union, and who wrote and published their works in Russian. The works include poems, novels, memoirs and other writing. The book provides an overview of the life of each author, an overview of each author’s literary output, and an assessment of each author’s often conflicted view of her "feminine self" and of her "Jewish self". At a time when the large Jewish population which lived within the Soviet Union was threatened under Stalin’s prosecutions the book provides highly-informative insights into what it was like to be a Jewish woman in the Soviet Union in this period. The writers presented are: Alexandra Brustein, Elizaveta Polonskaia, Raisa Bloch, Hanna Levina, Ol'ga Ziv, Yulia Neiman, Rahil’ Baumwohl’, Margarita Alliger, Sarah Levina-Kul’neva, Sarah Pogreb and Zinaida Mirkina.
"In this study, Carole Balin introduces us to dozens of Jewish women who wrote in late nineteenth- and early twentieth-century Tsarist Russia. She concentrates on five who were among the most prolific and whose extant literary remains include not only fiction, poetry, drama, translations, and essays, but also memoirs, autobiographies, diaries, and letters. Balin devotes a chapter to each of these women, contextualizing her works within the culture in which she lived and wrote."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Kosher pork -- an oxymoron? Anna Shternshis's fascinating study traces the creation of a Soviet Jewish identity that disassociated Jewishness from Judaism. The cultural transformation of Soviet Jews between 1917 and 1941 was one of the most ambitious experiments in social engineering of the past century. During this period, Russian Jews went from relative isolation to being highly integrated into the new Soviet culture and society, while retaining a strong ethnic and cultural identity. This identity took shape during the 1920s and 1930s, when the government attempted to create a new Jewish culture, "national in form" and "socialist in content." Soviet and Kosher is the first study of key Yiddish documents that brought these Soviet messages to Jews, notably the "Red Haggadah," a Soviet parody of the traditional Passover manual; songs about Lenin and Stalin; scripts from regional theaters; Socialist Realist fiction; and magazines for children and adults. More than 200 interviews conducted by the author in Russia, Germany, and the United States testify to the reception of these cultural products and provide a unique portrait of the cultural life of the average Soviet Jew.
In this “extraordinary family memoir,”* the National Book Award–winning author of The Future Is History reveals the story of her two grandmothers, who defied Fascism and Communism during a time when tyranny reigned. *The New York Times Book Review In the 1930s, as waves of war and persecution were crashing over Europe, two young Jewish women began separate journeys of survival. Ester Goldberg was a rebel from Bialystok, Poland, where virtually the entire Jewish community would be sent to Hitler’s concentration camps. Ruzya Solodovnik was a Russian-born intellectual who would become a high-level censor under Stalin’s regime. At war’s end, both women found themselves in Moscow. Over the years each woman had to find her way in a country that aimed to make every citizen a cog in the wheel of murder and repression. One became a hero in her children’s and grandchildren’s eyes; the other became a collaborator. With grace, candor, and meticulous research, Masha Gessen, one of the most trenchant observers of Russia and its history today, peels back the layers of time to reveal her grandmothers’ lives—and to show that neither story is quite what it seems. Praise for Masha Gessen “One of the most important activists and journalists Russia has known in a generation.”—David Remnick, The New Yorker “Masha Gessen is humbly erudite, deftly unconventional, and courageously honest.”—Timothy Snyder, author of On Tyranny
Anna Pavlovna Vygodskaia's autobiography, originally published in 1938, is a rare and fascinating historical account of Jewish childhood and young adult life in Tsarist Russia. At a time when the vast majority of Jews resided in small market towns in the Pale of Settlement, Vygodskaia liberated herself from that world and embraced the day-to-day rhythms, educational activities, and new intellectual opportunities in the imperial capital of St. Petersburg. Her story offers a unique glimpse of Jewish daily life that is rarely documented in public sources—of neighborly interactions, children's games and household rituals, love affairs and emotional outbursts, clothing customs, and leisure time. Most first-person narratives of this kind reconstruct an isolated and self-contained Jewish world, but The Story of a Life uniquely describes the unprecedented social opportunities, as well as the many political and personal challenges, that young Jewish women and men experienced in the Russia of the 1870s and 1880s. In addition to their artful translation, Eugene M. Avrutin and Robert H. Greene thoroughly explicate this historical context in their introduction.
Spanning nearly three decades, Hidden Heroes gives an insider's view of the modern-day exodus of Soviet Jews from the Soviet Union, a period of Jewish history that has rarely been told and is in danger of being forgotten. This deeply personal narrative explores the grassroots Soviet Jewish emigration movement through the eyes of one of its indefatigable leaders, focusing on the actions of heroic refuseniks in the Soviet Union as well as courageous individuals in the West - described by Natan Sharansky as the "army of students and housewives" who waged the battle to free Soviet Jews. From Russia, Ukraine, and Lithuania to the distant republics of Central Asia, refuseniks come to life, discovering their identity, protesting on the streets, defending themselves in courtrooms, defying jailers in their prison cells, and struggling to survive in Siberian labor camps. This engrossing memoir tells the story of the resistance and moral courage of men and women inside the Soviet Union and of those in the West who relentlessly crusaded on their behalf. A very important memoir.... Pamela portrays many Jewish leaders...from different communities all over the United States, as well as Jewish refuseniks from different places all over the Soviet Union. It is this personal, intimate connection between these two groups that gave inspiration, encouragement, and strength to the people on both sides of the Iron Curtain and made our struggle...so powerful
Finalist, 2023 National Jewish Book Award Winners in Women’s Studies In Women Writing Jewish Modernity, 1919–1939, Allison Schachter rewrites Jewish literary modernity from the point of view of women. Focusing on works by interwar Hebrew and Yiddish writers, Schachter illuminates how women writers embraced the transgressive potential of prose fiction to challenge the patriarchal norms of Jewish textual authority and reconceptualize Jewish cultural belonging. Born in the former Russian and Austro‐Hungarian Empires and writing from their homes in New York, Poland, and Mandatory Palestine, the authors central to this book—Fradl Shtok, Dvora Baron, Elisheva Bikhovsky, Leah Goldberg, and Debora Vogel—seized on the freedoms of social revolution to reimagine Jewish culture beyond the traditionally male world of Jewish letters. The societies they lived in devalued women’s labor and denied them support for their work. In response, their writing challenged the social hierarchies that excluded them as women and as Jews. As she reads these women, Schachter upends the idea that literary modernity was a conversation among men about women, with a few women writers listening in. Women writers revolutionized the very terms of Jewish fiction at a pivotal moment in Jewish history, transcending the boundaries of Jewish minority identities. Schachter tells their story and in so doing calls for a new way of thinking about Jewish cultural modernity.
This publication is significant within the field of Jewish studies and beyond; the essays include comparative material and have the potential to reach scholarly audiences in many related fields but are written to be accessible to all, with the introductions in every chapter aimed at orienting the enthusiast from outside academia to each time and place.
Here is a detailed glimpse into the lives and times of Yiddish writers enthralled with Communism at the turn of the century through the mid-1930s. Centering mainly on the Soviet Jewish literati but with an eye to their American counterparts, the book follows their paths from avant-garde beginnings in Kiev after the 1905 revolution to their peak in the mid-1930s. Notables such as David Bergelson—who helmed the short-lived Yiddish periodical called In Harness—and Der Nister and David Hodshtein come to life as do Leyb Kvitko, Peretz Markish, Itsik Fefer, Moshe Litvakov, Yekhezkel Dobrushin, and Nokhum Oislender. Gennady J. Estraikh charts the course of their artistic and political flowering and decline and considers the effects of geographyprovincial vs. urbanand party politics upon literary development and aesthetics. No other book concentrates on this aspect of the Jewish intellectual scene nor has any book unveiled the scale and intensity of Yiddish Communist literary life in the 1920s and 1930s or the contributions its writers made to Jewish culture.