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A global history of Jewish music from the biblical era to the present day, with chapters by leading international scholars.
Menahem Schmelzer, widely recognized for his expertise in Jewish manuscripts and piyyut, has also influenced Jewish liturgical research of the past half century. This collection of sixteen academic studies, by Israeli, European, and American scholars, honors Schmelzer's contribution. The contributors represent three generations, and their topics and methods testify to the vast subject area that Jewish liturgy has become. The articles explore a wide variety of texts and ritual occasions, the relationship between text and worship experience, and implications for related areas such as mysticism; most apply the methods of other subject areas such as liguistics to liturgical study and its implications for related fields. "...this volume, as a whole, is as much a testimony to the enduring centrality of the librarian in scholarship as it is a collection of essays on "the experience of Jewish liturgy." Wide ranging in scope, these essays are an accurate snapshot of the state of research, illustrating the wealth of material awaiting publication, the need for revisiting prior assumptions, and also the limits of our scholarship." Yoel Kahn, Congregation Beth El, Berkeley
In Judaism and Islam One God One Music, Merav Rosenfeld-Hadad offers the first substantial study of the history and nature of the Jewish Paraliturgical Song, which developed in the Arabo-Islamic civilization between the tenth and the twentieth centuries. Commonly portrayed as clashing cultures, Judaism and Islam appear here as complementary and enriching religio-cultural sources for the Paraliturgical Song’s texts and music, poets and musicians, as well as the worshippers. Relying chiefly on the Babylonian-Jewish written sources of the genre, Rosenfeld-Hadad gives a fascinating historical account of one thousand years of the rich and vibrant cultural and religious life of Middle Eastern Judaism that endured in Arabo-Islamic settings. She convincingly proves that the Jewish Paraliturgical Song, like its people, reflects a harmonious hybridization of Jewish and Arabo-Islamic aesthetics and ideas. The link to Dr. Merav Rosenfeld-Hadad's international book launch can be found here: International Book Launch Judaism and Islam: One God One Music
Volume 1: Jewish prayers from table and synagogue; Subapostolic Era: the Didache, Clement of Rome, Ignatius of Antioch, Pastor Hermas; Second Century: Justin Martyr, Irenaeus of Lyons, Melito of Sardis; Third Century: Tertullian, Cyprian of Carthage, Hippolytus of Rome, the Didascalia of the Apostles, Origen, the Apostolic Church Order; and others.
Presenting new insights into the history and interaction between Jewish and Christian liturgy and worship, the various contributions offer a deeper understanding of the identity of Judaism and Christianity. It addresses issues such as: – Is the Eucharistic Prayer a ‘Berakha’ and what information is available for the reconstruction of the history of the Jewish ‘Grace after Meals’? – How does Jewish liturgy rework the Bible, and are Christians and Jews using similar methods when they create liturgical poetry on the basis of a biblical text? – Which texts of the Cairo Genizah are of direct importance for the history of Christian liturgies, and are Christian creeds in fact Prayers or Hymns? – What does it mean that both Jews and Christians recite Isaiah's "Holy, Holy, Holy" at important points in their respective liturgies? Questions like these brought together scholars and specialists from different disciplines to share their recent insights at a conference in Aachen, Germany, and to offer the reader a fascinating discourse on a broad range of aspects of Jewish and Christian liturgies.
Reform Judaism is constantly evolving as we continue to seek a faith that is in harmony with our beliefs and experiences. This volume offers readers a thought-provoking collection of essays by rabbis, cantors, and other scholars who differ, sometimes passionately, over religious practice, experience, and belief. Its goal is to situate Judaism in a contemporary context, and it is uniquely suited for community discussion as well as study groups.
In Song of Exile, David Stowe reconstructs the rich and varied reception history of Psalm 137 using textual analysis, historical overview, and a study of the psalm's place in popular culture. He weaves together the fascinating story of how the psalm has both shaped and been shaped by our understanding of violence, pain, oppression, and justice.