Download Free Jewish Historiography And Iconography In Early And Medieval Christianity I Josephus In Early Christian Literature And Medieval Christian Art Ii Jewish Pictorial Traditions In Early Christian Art Book in PDF and EPUB Free Download. You can read online Jewish Historiography And Iconography In Early And Medieval Christianity I Josephus In Early Christian Literature And Medieval Christian Art Ii Jewish Pictorial Traditions In Early Christian Art and write the review.

Series: Compendia Rerum Iudaicarum ad Novum Testamentum Section 1 - The Jewish people in the first century Historical geography, political history, social, cultural and religious life and institutions Edited by S. Safrai and M. Stern in cooperation with D. Flusser and W.C. van Unnik Section 2 - The Literature of the Jewish People in the Period of the Second Temple and the Talmud Section 3 - Jewish Traditions in Early Christian Literature
It is a remarkable fact that the writings of Philo, the Jew from Alexandria, were preserved because they were taken up in the Christian tradition. But the story of how this process of reception and appropriation took place has never been systematically research. In this book the author first examines how Philo's works are related to the New Testament and the earliest Chritian writing, and then how they were used by Greek and Latin church fathers up to 400 c.e., with special attention to the contributions of Clement, Origen, Didymus, Eusebius, Gregory of Nyssa, Ambrose, and Augustine. Philo in Early Christian Literature is a valuable guide to the state of scholarly research on a subject that has thus far been investigated in a rather piecemeal fashion.
A Companion to Josephus presents a collection of readings from international scholars that explore the works of the first century Jewish historian Flavius Josephus. Represents the first single-volume collection of readings to focus on Josephus Covers a wide range of disciplinary approaches to the subject, including reception history Features contributions from 29 eminent scholars in the field from four continents Reveals important insights into the Jewish and Roman worlds at the moment when Christianity was gaining ground as a movement Named Outstanding Academic Title of 2016 by Choice Magazine, a publication of the American Library Association
First published in 1998, the present volume aims to help the researcher locate visual motifs, whether in medieval art or in literature, and to understand how they function in yet other medieval literary or artistic works.
This book addresses common doubts and concerns Christians have concerning God and the Bible, including: claims from the 'New Atheism'; disputes over Bible archaeology; questions about the historical accuracy of the Bible; questions about the original texts of the Old and New Testament; questions about what the Bible really teaches concerning topics such as baptism, heaven and hell, satan and demons; questions about the value and relevance of the Bible's moral and ethical teachings.
Alumni directory issue, 1859-1951: v. 44, no. 4/v. 45, no. 1.
These images, which reached a broad and socially varied audience across Western Europe, appeared in virtually all artistic media, including illuminated manuscripts, stained glass, sculpture, metalwork, and tapestry.".
Vols. for -1960 include Proceedings of the annual meetings of the Society.
In Dark Mirror, Sara Lipton offers a fascinating examination of the emergence of anti-Semitic iconography in the Middle Ages The straggly beard, the hooked nose, the bag of coins, and gaudy apparel—the religious artists of medieval Christendom had no shortage of virulent symbols for identifying Jews. Yet, hateful as these depictions were, the story they tell is not as simple as it first appears. Drawing on a wide range of primary sources, Lipton argues that these visual stereotypes were neither an inevitable outgrowth of Christian theology nor a simple reflection of medieval prejudices. Instead, she maps out the complex relationship between medieval Christians' religious ideas, social experience, and developing artistic practices that drove their depiction of Jews from benign, if exoticized, figures connoting ancient wisdom to increasingly vicious portrayals inspired by (and designed to provoke) fear and hostility. At the heart of this lushly illustrated and meticulously researched work are questions that have occupied scholars for ages—why did Jews becomes such powerful and poisonous symbols in medieval art? Why were Jews associated with certain objects, symbols, actions, and deficiencies? And what were the effects of such portrayals—not only in medieval society, but throughout Western history? What we find is that the image of the Jew in medieval art was not a portrait of actual neighbors or even imagined others, but a cloudy glass into which Christendom gazed to find a distorted, phantasmagoric rendering of itself.