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Study of a vital immigrant institution and the formation of American ethnic identity. Landsmanshaftn, associations of immigrants from the same hometown, became the most popular form of organization among Eastern European Jewish immigrants to the United States in the late 19th and early 20th centuries. Jewish Immigrant Associations and American Identity in New York, 1880–1939, by Daniel Soyer, holds an in-depth discussion on the importance of these hometown societies that provided members with valuable material benefits and served as arenas for formal and informal social interaction. In addition to discussing both continuity and transformation as features of the immigrant experience, this approach recognizes that ethnic identity is a socially constructed and malleable phenomenon. Soyer explores this process of construction by raising more specific questions about what immigrants themselves have meant by Americanization and how their hometown associations played an important part in the process.
New York Jews, so visible and integral to the culture, economy and politics of America's greatest city, has eluded the grasp of historians for decades. Surprisingly, no comprehensive history of New York Jews has ever been written. City of Promises: The History of the Jews in New York, a three volume set of original research, pioneers a path-breaking interpretation of a Jewish urban community at once the largest in Jewish history and most important in the modern world.
Artist Raphael Soyer (1899-1987), whose Russian Jewish family settled in Manhattan in 1912, was devoted to painting people in their everyday urban lives. He came to be known especially for his representations of city workers and the down-and-out, and for his portraits of himself and his friends. Although Soyer never identified himself as a "Jewish artist," Samantha Baskind, in the first full-length critical study of the artist, argues that his work was greatly influenced by his ethnicity and by the Jewish American immigrant experience. Baskind examines the painter's art and life in the rich context of religious, cultural, political, and social conditions in the twentieth-century United States. By promoting an understanding of Soyer as a Jewish American artist, she addresses larger questions about the definition and study of modern Jewish art. Whereas previous scholars have defined Jewish art simply as art produced by people who were born Jewish, Baskind stresses the importance of an artist's cultural identity when defining ethnic art. As Baskind explains how Soyer negotiated his Jewish identity in changing ways over his lifetime, she offers new strategies for identifying and interpreting Jewish art in general. Her analysis of Soyer's work places the artist in a necessary context and provides a valuable new approach to the study of modern Jewish art.
"From Suburb to Shtetl" is an outstanding ethnography that moves beyond simple demographics. Mayer weaves an intricate tapestry of how family, school, and community leaders influence each other. Whether discussing the role of the rebbe or the matchmaker, those who know these communities will find what he says as relevant today as it was when first penned. This is hardly surprising, for the ultra-Orthodox community takes great pride in not changing, in maintaining itself as it was in Europe despite the allure of modern American society. His discussion of synagogue life is particularly informative and evocative. Those in charge of helping immigrants adopted the path of least resistance, allowing and even encouraging them to retain their identities except for those few aspects that might threaten the country's national interests. The American Orthodox community was tremendously augmented by the arrival from Europe, after World War Two, of thousands of Orthodox Jews who remained devoted to that way of life. Egon Mayer was himself part of a smaller, but significant group of Jews who came to the U.S. and settled mostly in Boro Park in the wake of the 1956 Hungarian Revolution. The interaction between the Hasidim and their less fervent Orthodox counterparts described and analyzed in this volume tells us a great deal about how people negotiate their beliefs, values, and norms when forced into close contact with each other in an urban setting within the larger American culture. By exploring these and many other related issues Mayer has given us the chance to assess and forecast the future of American Jewish life as a whole.