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Biblical interpretation is not simply study of the Bible's meaning. This volume focuses on signal moments in the histories of scriptural interpretation of Judaism, Christianity, and Islam from the ancient period to the early modern, and shows how deeply intertwined these religions have always been.
From Halakhic innovation to blood libels, from the establishment of new mendicant orders to the institutionalization of Islamicate bureaucracy, and from the development of the inquisitorial process to the rise of yeshivas, universities, and madrasas, the long thirteenth century saw a profusion of political, cultural, and intellectual changes in Europe and the Mediterranean basin. These were informed by, and in turn informed, the religious communities from which they arose. In city streets and government buildings, Jews, Christians, and Muslims lived, worked, and disputed with one another, sharing and shaping their respective cultures in the process. The interaction born of these relationships between minority and majority cultures, from love and friendship to hostility and violence, can be described as a complex and irreducible "entanglement." The contributors to Entangled Histories: Knowledge, Authority, and Jewish Culture in the Thirteenth Century argue that this admixture of persecution and cooperation was at the foundation of Jewish experience in the Middle Ages. The thirteen essays are organized into three major sections, focusing in turn on the exchanges among intellectual communities, on the interactions between secular and religious authorities, and on the transmission of texts and ideas across geographical, linguistic, and cultural boundaries. Rather than trying to resolve the complexities of entanglement, contributors seek to outline their contours and explain how they endured. In the process, they examine relationships not only among Jewish, Christian, and Muslim communities but also between communities within Judaism—those living under Christian rule and those living under Muslim rule, and between the Jews of southern and northern Europe. The resulting volume develops a multifaceted account of Jewish life in Europe and the Mediterranean basin at a time when economic, cultural, and intellectual exchange coincided with heightened interfaith animosity. Contributors: Elisheva Baumgarten, Piero Capelli, Mordechai Z. Cohen, Judah Galinsky, Elisabeth Hollender, Kati Ihnat, Ephraim Kanarfogel, Katelyn Mesler, Ruth Mazo Karras, Sarah J. Pearce, Rami Reiner, Yossef Schwartz, Uri Shachar, Rebecca Winer, Luke Yarbrough.
The scientific debates on border crossings and cultural exchange between Judaism, Christianity, and Islam have much increased over the last decades. Within this context, however, little attention has been given to the biblical Exodus, which not only plays a pivotal role in the Abrahamic religions, but also is a master narrative of a border crossing in itself. Sea and desert are spaces of liminality and transit in more than just a geographical sense. Their passage includes a transition to freedom and initiation into a new divine community, an encounter with God and an entry into the Age of law. The volume gathers twelve articles written by leading specialists in Jewish and Islamic Studies, Theology and Literature, Art and Film history, dedicated to the transitional aspects within the Exodus narrative. Bringing these studies together, the volume takes a double approach, one that is both comparative and intercultural. How do Jewish, Christian and Islamic texts and images read and retell the various border crossings in the Exodus story, and on what levels do they interrelate? By raising these questions the volume aims to contribute to a deeper understanding of contact points between the various traditions.
Modern historical biblical criticism, while having many strengths, often operates under the pretensions of objectivity, as if such scholarship were neutral and disinterested. Examining the history and roots of modern biblical scholarship shows that such objectivity is elusive, and was never intended by the method’s earliest practitioners. Building upon his earlier work in Three Skeptics and the Bible and Theology, Politics, and Exegesis, Morrow continues this historical investigation into the political and philosophical roots of modern biblical criticism in Pretensions of Objectivity, in the hope of developing a criticism of biblical criticism and of making space for theological exegesis.
Through close textual analysis as well as a study of historical and literary context, this book shows how the amoraic midrashic collection Pesikta deRav Kahana developed a new homiletical language in an age of religious outreach and persuasion.
This volume analyzes the emergence of Jewish and Christian discourses of religious violence within their Roman imperial context with an emphasis on the shared textual practices through which authoritative scriptural traditions were redeployed to represent, legitimate, and indeed sacralize violence.
In Jewish, Christian, and Classical Exegetical Traditions in Jerome’s Translation of the Book of Exodus: Translation Technique and the Vulgate, Matthew Kraus offers a layered understanding of Jerome’s translation of biblical narrative, poetry, and law from Hebrew to Latin. Usually seen as a tool for textual criticism, when read as a work of literature, the Vulgate reflects a Late Antique conception of Hebrew grammar, critical use of Greek biblical traditions, rabbinic influence, Christian interpretation, and Classical style and motifs. Instead of typically treating the text of the Vulgate and Jerome himself separately, Matthew Kraus uncovers Late Antiquity in the many facets of the translator at work—grammarian, biblical exegete, Septuagint scholar, Christian intellectual, rabbinic correspondent, and devotee of Classical literature.
In the book of Genesis, God bestows a new name upon Abram--Abraham, a father of many nations. With this name and his Covenant, Abraham would become the patriarch of three of the world's major religions: Judaism, Christianity, and Islam. Connected by their mutual--if differentiated--veneration of the One God proclaimed by Abraham, these traditions share much beyond their origins in the ancient Israel of the Old Testament. This Very Short Introduction explores the intertwined histories of these monotheistic religions, from the emergence of Christianity and Islam to the violence of the Crusades and the cultural exchanges of al-Andalus. Each religion continues to be shaped by this history but has also reacted to the forces of modernity and politics. Movements such as the Reformation and that led by seventh-century Kharijites have emerged, intentioned to reform or restore traditional religious practice but quite different in their goals and effects. Relationships with states, among them Israel and Saudi Arabia, have also figured importantly in their development. The Abrahamic Religions: A Very Short Introduction brings these traditions together into a common narrative, lending much needed context to the story of Abraham and his descendants. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Most studies of the history of interpretation of Song of Songs focus on its interpretation from late antiquity to modernity. In My Perfect One, Jonathan Kaplan examines earlier rabbinic interpretation of this work by investigating an underappreciated collection of works of rabbinic literature from the first few centuries of the Common Era, known as the tannaitic midrashim. In a departure from earlier scholarship that too quickly classified rabbinic interpretation of Song of Songs as allegorical, Kaplan advocates a more nuanced reading of the approach of the early sages, who read Song of Songs through a mode of typological interpretation concerned with the correspondence between Scripture and ideal events in Israel's history. Throughout the book Kaplan explores ways in which this portrayal helped shape a model vision of rabbinic piety as well as of an idealized vision of their beloved, God, in the wake of the destruction, dislocation, and loss the Jewish community experienced in the first two centuries of the Common Era. The archetypal and idealized language of Song of Songs provided, as Kaplan argues, a textual landscape in which to imagine an idyllic construction of Israel's relationship to her beloved, marked by mutual devotion and fidelity. Through this approach to Song of Songs, the Tannaim helped lay the foundations for later Jewish thought of a robust theology of intimacy in God's relationship with the Jewish people.
This collection of essays investigates signs of toleration, recognition, respect and other positive forms of interaction between and within religious groups of late antiquity. At the same time, it acknowledges that examples of tolerance are significantly fewer in ancient sources than examples of intolerance and are often limited to insiders, while outsiders often met with contempt, or even outright violence. The essays take both perspectives seriously by analysing the complexity pertaining to these encounters. Religious concerns, ethnicity, gender and other social factors central to identity formation were often intertwined and they yielded different ways of drawing the limits of tolerance and intolerance. This book enhances our understanding of the formative centuries of Jewish and Christian religious traditions. It also brings the results of historical inquiry into dialogue with present-day questions of religious tolerance.