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About the Book : - The first-ever study of one of the most outstanding collections of gemstones and jewellery of a fabulously wealthy dynasty of India that ruled the Deccan for seven generations. Sometimes worn but never shown, these jewels belonged to the Nizams of Hyderabad, once reputed to be the richest men in the world. Finely crafted from gold and silver and exquisitely enamelled, the jewels are set with Colombian emeralds, Golconda diamonds, Burmese rubies and spinels, and pearls from Basra and India. About the Author : - Usha R Bala Krishnan is a jewellery historian, lecturer and fine arts consultant based in Mumbai.Bharath Ramamrutham is internationally recognised as one of the foremost photographers in India of the built, human and natural environment.
A delectable mix of Arabic, Mughlai and traditional South Indian influences, today's Hyderabadi cuisine is the legacy of the Nizams of Hyderabad, whose khansamas were skilled in the use of spices to bring distinctive flavours to the table. Digging into the 400-year-old history of the royal kitchens of the Nizams, Geeta Devi brings to you a scrumptious array of Hyderabadi recipes to stimulate the palate. From Patthar ka Gosht and Paneer Golkonda to Haleem and Gajar-Methi ka Salan, from Kacche Gosht ki Biryani and Jhinge ka Achaar to Shahi Tukde and Anokhi Kheer-this book reveals the secrets behind a mouth-watering range of delicacies that will delight the modern gourmand. Illustrated with beautiful images, Geeta Devi's recipes are accessible and easy to follow, whether you want to serve up a quick vegetarian snack, a complex main course of mixed meats, an unusual variation on the biryani, a tangy pickle or a rich dessert fit for a feast. Accompanied by a glossary of commonly used ingredients in the Indian kitchen, this is a thoughtfully designed and compact book that you can easily carry into your kitchen while you try out the recipes!
The Last Nizam is the story of an extraordinary dynasty, the Nizams of Hyderabad, and how the heir to India's richest princely state gave up a kingdom and retired to the dusty paddocks of outback Australia. With vivid detail and anecdotes, John Zubrzycki charts the rise of the Nizams to fabulous wealth and prominence in the detritus of the Mughal empire, giving a rich and vibrant portrait of a realm soaked in blood and intrigue. Above all he describes the strange and sometimes tragic life of Mukarram Jah, His Exalted Highness, the last Nizam, the man who left behind the diamonds of Golconda and the palaces of Hyderabad to drive bulldozers in the Australian bush. Meticulously researched, The Last Nizam adds a crucial chapter to the history of India, capturing the conspiracies and machinations that kept the Nizams in the news while simultaneously deepening their legend.
Published to accompany the exhibition "Bejewelled Treasures: The Al Thani Collection," held at the Victoria and Albert Museum, 21 November 2015 - 28 March 2016.
- This exhibition catalog showcases some 300 pieces carefully selected from over 30 lenders worldwide, many of these works have never before been on public display- Among the lenders are Nasser Khalili Foundation, V&A, Doha Museum of Islamic Art, Musée Barbie-Mueller, Cartier, Van Cleef & Arpels, Chaumet, British Museum, Al-Sabbakh Collection, Mauboussin, and scores of private collectors from around the world- Special place is devoted to two of India's leading jewelry houses - Munnu-Gem Palace and Bhagat famous for their glamor, creative design and fine craftsmanshipIndia, Jewels that Enchanted the World presents for the first time the remarkable history and unique legacy of 500 years of Indian jewelry, from the 17th century to the present. The essays, all written by leading international scholars, explore the rich, distinctive, and unique heritage of Indian jewelry; the striking boldness of South Indian ornaments; the delicate refinement of the Mughal period; the dazzling jewels of the post-Mughal maharajas; the cross-cultural influences between Europe and India in the 19th and early 20th centuries; and the creations of leading contemporary designers whose jewels display the enduring beauty of Indian design and craftsmanship. Published to accompany a major exhibition at the State Museums of the Moscow Kremlin organized jointly with the Indo-Russian Jewellery Foundation, this lavishly illustrated catalog brings together royal, ceremonial, and personal Indian jewels to showcase the entire range and variety of the jeweler's art in India.
It was a scandal that rocked the highest echelons of the British Raj. In 1891, a notorious jeweller and curio dealer from Simla offered to sell the world's largest brilliant-cut diamond to the fabulously wealthy Nizam of Hyderabad. If the audacious deal succeeded it would set the merchant up for life. But the transaction went horribly wrong. The Nizam accused him of fraud, triggering a sensational trial in the Calcutta High Court that made headlines around the world...
A book about Delhi's secret and seldom-visited monuments.
The Tears of the Rajasis a sweeping history of the British in India, seen through the experiences of a single Scottish family. For a century the Lows of Clatto survived mutiny, siege, debt and disease, everywhere from the heat of Madras to the Afghan snows. They lived through the most appalling atrocities and retaliated with some of their own. Each of their lives, remarkable in itself, contributes to the story of the whole fragile and imperilled, often shockingly oppressive and devious but now and then heroic and poignant enterprise. On the surface, John and Augusta Low and their relations may seem imperturbable, but in their letters and diaries they often reveal their loneliness and desperation and their doubts about what they are doing in India. The Lows are the family of the author's grandmother, and a recurring theme of the book is his own discovery of them and of those parts of the history of the British in India which posterity has preferred to forget. The book brings to life not only the most dramatic incidents of their careers - the massacre at Vellore, the conquest of Java, the deposition of the boy-king of Oudh, the disasters in Afghanistan, the Reliefs of Lucknow and Chitral - but also their personal ordeals: the bankruptcies in Scotland and Calcutta, the plagues and fevers, the deaths of children and deaths in childbirth. And it brings to life too the unrepeatable strangeness of their lives: the camps and the palaces they lived in, the balls and the flirtations in the hill stations, and the hot slow rides through the dust. An epic saga of love, war, intrigue and treachery, The Tears of the Rajas is surely destined to become a classic of its kind.
Originally published on the occasion of the 2010 exhibition at David Zwirner in New York, Who is sleeping on my pillow marked the first time Andersson and Nordstrom presented their work in concurrent solo shows. The book showcases their work from the late 1980s to 2010 in over two hundred full-color plates, as well as numerous reproductions of family snapshots and source material. The Swedish artist couple Mamma Andersson and Jockum Nordstrom have been at the forefront of contemporary figurative art since the late 1980s. Updating Vuillard for a post-Hitchcock age, Andersson paints beguilingly eerie interiors and landscapes. Nordstrom’s detailed collages, watercolors, and drawings occupy a more folkloric realm peopled by historical and contemporary characters enacting sexual and social roles across broad narrative panoramas. Included in Who is sleeping on my pillow are texts by Paolo Colombo and Anders Kruger, a poem by Stig Claesson, and an interview with Nordstrom by Marcel Dzama. As Colombo notes in his accompanying essay, “The miracle is that Jockum and Mamma spent more than half of their life together, and that over the years their complicity has guided them into the artists they are, each the complement and the best sounding board for the other.” The publication was reissued to coincide with Nordstrom’s 2014 exhibition, For the insects and the hounds, at David Zwirner in London, and Andersson’s 2015 presentation, Behind the Curtain, at the gallery in New York.