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This book is a basic introduction to lost-wax casting with emphasis on jewelry making. It is designed to be used both as a textbook and a reference book and is directed primarily at beginners. Experienced casters, however, will probably find some useful ideas; they may even find some new techniques. Heavy emphasis is placed upon understanding why things are done in a particular way, rather than simply presenting a set of cookbook rules that will always work. The book is also available in a 8.5x11 inch comb-bound version for use in the shop or classroom. See ISBN 0-9679600-1-0.
Mr. Hiroshi Tsuyuki, the Japanese authority on Jewelry Wax Modeling, uses an innovative approach to teaching the technique of wax modeling. Often a process is easier shown than described in so many words. This book was conceived through the author's teaching experience -- more photos and sketches and less text resulting in less over-the-shoulder supervision. By introducing new techniques in each project, his students were able to progress more rapidly towards independence in design concepts. While preparing a model for casting and the actual casting process are adequately explained in most casting books, very little space is devoted to the design and creation of wax models. Mr. Tsuyuki presents 11 basic projects in this book, each one designed to teach the use of certain tools and types of waxes in a progressive manner as one's skills improve. Each step of every project is accompanied by a photo and text and in some cases supplementary sketches and notes are provided to clarify those particular processes. Paying careful attention to the photos, noting the demonstrator's hand position and the type of tool being used, eliminates any confusion which may result from the text. After each basic model is completed the author offers a number of sketches suggesting design possibilities using the techniques learned in the construction of the basic model. Mr. Tsyuki states that by conscientiously completing each project, the student should be well on the way to becoming a designer/modeler. This book is 112 pages and has 283 photos and illustrations.
Wax carving is like sculpture for jewellery and allows enormous creativity, as so many different forms can be made. This practical guide introduces the techniques to this age-old method through a series of guided exercises and projects, and demonstrates how exciting it can be. Drawing on the experience of two master wax-carvers, it also gives invaluable advice on the finish of your cast pieces and how to reproduce them. With over 400 colour photos, it give advice on setting up for wax carving, tools, tool-making and materials. There are exercises that introduce the beginner to using wax and then build ideas and confidence to try more complex designs. Included are advanced techniques that show how to use stones in a carving and how to add texture and surface detail. Finally, finished examples demonstrate the potential, excitement and versality of the method.
Expands on the original work that first introduced artists and artisans to the materials, tools and techniques used to create original wax models for jewelry - both fine pieces and costume jewelry. The ancient method of lost-wax casting and traditional casting techniques of modeling in wax free that artist from many of the restrictions of traditional wax modeling, to provide greater freedom and spontaneity in creation, along with a newly achieved speed in execution. &break;&break;The author combines this understanding of the methods with his own practical experience to present the techniques in a concise, step-by-step format. He details the necessary materials and tools, and introduces the reader to their various characteristics and their roles in the jewelry-making process. He guides the artist through the various processes of wax modeling in several projects.
Detailed information and photographs show how to construct equipment and jewelry, castings, molds, and patterns for jewelry and metal.
Mould making and the lost wax casting of metals for fine art are long-established techniques, which involve both artistic and material science considerations. The methods described in Fine Art Metal Casting cross a broad range of disciplines, from ceramics and glass through to jewellery and areas of conservation, archaeology, and palaeontology, where replicas must be made. This book provides a unique, all-encompassing, visually-based demonstrative source which will prove invaluable for art-, craft-, and design-based practitioners, art historians and curators, scientists and conservators, and researchers and students.
"I highly recommend this book of technical information and procedures for anyone wanting to learn wax modeling techniques? this book is clear and well organized. Good large step-by-step explanatory black and white photos illustrate the points made in the concise, strictly informational text. This is the second in a series of books on professional wax working for lost wax casting. It might be useful to have read the first volume - 'Basic Wax Modeling' before this volume but it is still a good stand-alone text". - Charles Lewton-Brain (internationally known lecturer, author, designer, inventor of Fold-Forming) from his review on Ganoksin. DESCRIPTIONIn this book jewelry wax modeling techniques are introduced and explained in detail, illustrated with step-by-step photographs.Some special features of Practical Wax Modeling include:a) Practical applications when using a variety of waxesb) Mitsuro and its usesc) Demonstrations of a variety of texturesd) Methodology of finishing castings.Practical Wax Modeling was written as an applied compilation of projects for the authors' introductory book Basic Wax Modeling.
Featuring exquisite photos of more than 800 contemporary and historic works, this first-of-its-kind book reveals how the process of casting--pouring material into a mold--has transformed our world through its history and omnipresence. In these image-rich pages, craft, fine art, design, and everyday objects offer us perspectives on casting's unique possibilities, its place in history, and its role in contemporary object creation. Comprehensive and insightful, the book includes writings on casting as it relates to Art History (by Suzanne Ramljak), Large-Scale Metal (by Joseph Becherer), Ceramics (by Ezra Shales), Glass (by Susie J. Silbert), Jewelry (by Jen Townsend), and Alternative Materials (by Elaine A. King). A multi-disciplinary approach--including everything from traditional lost wax casting in non-ferrous metals to casting rubber, glass, porcelain, plaster, and some very unexpected materials--makes this an essential resource for artists, craftspeople, historians, designers, and everyone interested in the objects that populate our world.