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The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artistS. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-12-1938 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 108 VOLUME NUMBER: Vol. III, No. 24. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 1808-1811, 1813-1859, 1861-1872, 1874-1889, 1891-1901 ARTICLE: 1. The Wonders of Wireless 2. AIR At Work VII. The Talks Department AUTHOR: 1. Trouble Shooter 2. Unknown KEYWORDS: 1. Automatic Volume Control, The Tuning Indicator, Civilian Wireless Reserve 2. Talks Assistant, Madras, All India Radio Document ID: INL - 1938 ( J-D) Vol -I (24)
Ideal for students and general readers, this single-volume work serves as a ready-reference guide to pop culture in countries in North Africa and the Middle East, covering subjects ranging from the latest young adult book craze in Egypt to the hottest movies in Saudi Arabia. Part of the new Pop Culture around the World series, this volume focuses on countries in North Africa and the Middle East, including Algeria, Egypt, Iran, Iraq, Israel, Jordan, Kuwait, Lebanon, Libya, Morocco, Saudi Arabia, Syria, the United Arab Emirates, and more. The book enables students to examine the stars, idols, and fads of other countries and provides them with an understanding of the globalization of pop culture. An introduction provides readers with important contextual information about pop culture in North Africa and the Middle East, such as how the United States has influenced movies, music, and the Internet; how Islamic traditions may clash with certain aspects of pop culture; and how pop culture has come to be over the years. Readers will learn about a breadth of topics, including music, contemporary literature, movies, television and radio, the Internet, sports, video games, and fashion. There are also entries examining topics like key musicians, songs, books, actors and actresses, movies and television shows, popular websites, top athletes, games, and clothing fads and designers, allowing readers to gain a broad understanding of each topic, supported by specific examples. An ideal resource for students, the book provides Further Readings at the end of each entry; sidebars that appear throughout the text, providing additional anecdotal information; appendices of Top Tens that look at the top-10 songs, movies, books, and much more in the region; and a bibliography.
An authoritative guide to the whole of the cradle of civilization.
Traces the development of Mesopotamian art from Sumerian times to the late Assyrian and Neo-Babylonian periods. This text also covers the art and architecture of Asia Minor and the Hittites, of the Levant in the second millennium BC, of the Aramaeans and Phoenicians in Syria, and of Ancient Persia.
Mr. Sladen found that Cairo included a glorious mediaeval city of the Arabian Nights, with innumerable monuments of medieval Arab architecture and unspoiled native life. To this he strives to call attention in a book that he hopes to make "chatty and interesting." And he unquestionably succeeds. Mr. Sladen at his best is easily capable of writing. By reading the book the toursit will learn "How to Shop in Cairo," as well as how to enjoy the "Humors of the Esbekiya" and countless other entertaining features of this variegated modern capital. He will even know the "Artist's Bits in Cairo," and will receive explicit directions how to find them. In other words, he need no longer be a "tame tourist" in the hands of a masterful dragoman.