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Queenship in Britain 1660-1837 looks at the lives of successive Queens, Princesses of Wales and royal daughters, and considers how they used their powers of patronage and operated within the confines of royal family politics. With contributions from an international group of scholars this book brings together new approaches in gender history and court studies to present a re-evaluation of this previously neglected area in the study of the British monarchy. An explanation of these new approaches is contained in a substantial introduction. While the essays perform detailed discussions on a variety of more specific subjects, from how the foreign and Catholic wives of the restored Stuarts coped with a libertine court and a Protestant nation, to the travails of Princesses of Wales, the marriage options of royal daughters, and the question of whether Queen Adelaide (wife of William IV) was a harmless philanthropist re-establishing royal respectability or a real political influence behind the throne.
The definitive reference for jewelry makers of all levels of ability--a complete, profusely illustrated guide to design, materials, and techniques, as well as a fascinating exploration of jewelry-making throughout history.
This study examines representations of early modern female consorts and regnants via extra-literary emblematics such as paintings, jewelry, miniature portraits, carvings, placards, masques, funerary monuments, and imprese.
Staid respectability and ineffectualness. A special feature of the book is a collective biography of all 1,525 men, women, and children at the court of Queen Anne, the first such study of the personnel of any large institution of later Stuart government.
First published in 1998, Engraved on Steel focuses on engraving and engravers, exploring the use of steel engraving in both the decorative arts and in printing, Basil Hunnisett also describes the context of the steel engraver’s work. The processes by which steel engraving became one of the most widely used forms of printing in the 19th century are described in detail as the developments in the print industry, paper manufacture and publishing that determined its history. The activities of print publishers are also examined, including those of art unions.
A detailed discussion of the meaning and significance of the terms used to describe the clothing of Chaucer's religious and academic pilgrims. Religious and academic dress in the middle ages functioned as a metaphorical signifier of spiritual and intellectual standards, implied a given social status, signalled the rejection or possession of garment wealth, and, in the details, suggested the wearer's spiritual state. This book presents the first sustained analysis of the characterizing dress worn by Chaucer's pilgrims who are in holy orders and/or affiliated with universities; the author uses approaches from a variety of disciplines [received criticism of late medieval literature, developments in political, economic and social history, the visual arts, and material culture] in order to present the complex ideas and rhetoric the pilgrims' dress expresses. She also makes the religious, intellectual, and material culture of Chaucer's day accessible to modern audiences through the reconstruction of the significance of fabrics, dyes, accessories, garments, and assembled costumes, and an explanation of technical details and specialist vocabularies for cloth-making, clothing, accessories, and their images in the visual arts.
In 1714 George Ludwig, the fifty-eight year old elector of Brunswick-Luneburg became, as George I, the first of the Hanoverian dynasty to rule Britain. Until his death in 1727 George served as both elector of Hanover and British monarch. An enigmatic figure whose real character has long been concealed by anti-Hanoverian propaganda, George emerges in this ground-breaking biography as an impressive ruler who grasped the responsibilities the accession brought him and set out to bring culture to what he considered the unsophisticated English nation. Ragnhild Hatton's biography is the only comprehensive account of George's life and reign. It draws on a wide range of archival sources in several languages to illuminate the fascinating details of George's early life and dynastic crises, his plans and ambitions for the British nation, the impact of his rationalist ideas and his accomplishments as king. The book also examines George's personal life, his family relationships in both Prussia and England, his private interest in music and the arts and the improvement of his British and Hanoverian properties. Ragnhild Hatton was professor of international history at the University of London and the author of 'Charles XII of Sweden' (1968), 'Europe in the Age of Louis XIV' (1969) and 'Louis XIV and his World' (1972). Jeremy Black, who has written a new foreword for this edition, is professor of history at the University of Exeter.
A comprehensive illustrated survey of the subject by Michael Poynder, who ensures that curious and intriguing details are balnced by sound historical, practical and technical information. At the same time he is at pains to describe and illustrate a comprehensive selection of hundreds of examples from all periods and at all price ranges, relating the number of illustrations directly to the types of jewellery most readily available and the largest number of the many colour plates to the most prolific period of production - the 19th century. The prices given are fully up to date and the text is profusely illustrated in colour and black and white, with detailed captions.
Drawing on the popular jewellery collection at the Victoria and Albert Museum, 'Jewels & Jewellery' explores every aspect of this fascinating subject within a broad historical framework. Famous pieces are highlighted in special features.