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Crucial comic book stories about the Holocaust and interviews with their artists and writers, with a cover drawn especially for this book by Neal Adams. An amazing but forgotten chapter in comics history. Long before the Holocaust was taught in schools or presented in films such as Schindler's List, the youth of America was learning about the Nazi genocide from Batman, the X-Men, Captain America, and Sgt. Rock. Comics legend Neal Adams, Holocaust scholar Rafael Medoff, and comics historian Craig Yoe bring together a remarkable collection of comic book stories that introduced an entire generation to an engaging and important subject. We Spoke Out is an extraordinary journey into a compelling and essential topic.
Nireh Or is an artistic and spiritual journey through the Torah. Each page offers a unique artistic response and thoughtful prompt for spiritual growth and exploration. Influenced by the Talmud, Torah commentators, and Hasidic masters, each entry offers the reader an access point to understanding Torah and bringing it into one's life. Nireh Or's art pieces explore the themes of the Torah through color, light, and the Hebrew letters. Nireh Or means "we will see light." You are invited on a journey of seeking and noticing light in the Torah, and where that same light glimmers in your life and in the world.
Teenage boys have come a long way since the staid 1980s when they were all lumped into the Breakfast Club categories of Brains, Druggies, and Jocks. Crisscrossing the country -- meeting with boys from different cultures, and socioeconomic backgrounds -- journalist Malina Saval introduces readers to the next generation of male teens by creating new archetypes and redrawing the ever-expanding social map. The Secret Lives of Boys offers an uncensored look into boyhood that reveals the spine-tingling confessions, heartrending sadness and isolation, unbridled optimism, and seemingly boundless resilience of male teens today. Saval asks the pertinent questions: Who are these boys? What do they think of themselves? A compelling and candid look at male adolescence in the twenty-first century, The Secret Lives of Boys uncovers what our young people want you to know.
Read Julie Klausner's posts on the Penguin Blog In the tradition of Cynthia Heimel and Chelsea Handler, and with the boisterous iconoclasm of Amy Sedaris, Julie Klausner's candid and funny debut I Don't Care About Your Band sheds light on the humiliations we endure to find love--and the lessons that can be culled from the wreckage. I Don't Care About Your Band posits that lately the worst guys to date are the ones who seem sensitive. It's the jerks in nice guy clothing, not the players in Ed Hardy, who break the hearts of modern girls who grew up in the shadow of feminism, thinking they could have everything, but end up compromising constantly. The cowards, the kidults, the critics, and the contenders: these are the stars of Klausner's memoir about how hard it is to find a man--good or otherwise--when you're a cynical grown-up exiled in the dregs of Guyville. Off the popularity of her New York Times "Modern Love" piece about getting the brush-off from an indie rock musician, I Don't care About Your Band is marbled with the wry strains of Julie Klausner's precocious curmudgeonry and brimming with truths that anyone who's ever been on a date will relate to. Klausner is an expert at landing herself waist-deep in crazy, time and time again, in part because her experience as a comedy writer (Best Week Ever, TV Funhouse on SNL) and sketch comedian from NYC's Upright Citizens Brigade fuels her philosophy of how any scene should unfold, which is, "What? That sounds crazy? Okay, I'll do it." I Don't Care About Your Band charts a distinctly human journey of a strong-willed but vulnerable protagonist who loves men like it's her job, but who's done with guys who know more about love songs than love. Klausner's is a new outlook on dating in a time of pop culture obsession, and she spent her 20's doing personal field research to back up her philosophies. This is the girl's version of High Fidelity. By turns explicit, funny and moving, Klausner's debut shows the evolution of a young woman who endured myriad encounters with the wrong guys, to emerge with real- world wisdom on matters of the heart. I Don't Care About Your Band is Julie Klausner's manifesto, and every one of us can relate.
Have you been single longer than the Jews wandered the desert? Or are you newly single and hoping to hook up with a hot MOT (Member of the Tribe)? Either way, Tamar Caspi is on a mission to help you find your Chosen One . . . and who better to do that than the advice columnist from the massively popular dating site JDate.com? In How to Woo a Jew, your very own Jewish Carrie Bradshaw takes you through each facet of the dating world—from traditional Jewish matchmaking and mixers to modern online dating portals, from honing your Jewdar to kosher sex. Whatever mishegas you’ve made of your love life, Caspi has words of wisdom—and a few enlightening quizzes, charts, and illustrations—to help you find your Jewish soul mate.
In this gritty "Memoir Noir," Royal Young reexamines his turbulent childhood and adolescence in New York City of the 1990s. Grappling with issues of sexuality, addiction, and self-definition, he doggedly pursues every possible path to stardom, only to find himself mired in mangled relationships. His story is an unapologetic and ultimately profound, poignant commentary on celebrity culture and love in all its forms. "Royal Young has accomplished a rare feat in his fresh and riveting debut: he manages to recount his fascinating youth and unconventional family with a mixture of humor, scathing honesty & tenderness. Much more than simply a book about a kid who dreams of stardom, Fame Shark is a thoughtful, hilarious and moving love letter to his family and the Lower East Side of New York City." -Kristen Johnston, Emmy Award-winning actress and New York Times bestselling author of Guts "Royal Young stands out as heir apparent to ... literary Jews from early Philip Roth to any-time Jonathan Ames ... Some books you like, some you enjoy, some you feel the need to command the air waves and scream to the masses that they either have to read immediately, or live artistically stunted lives ... " - Jerry Stahl, author of Permanent Midnight "Royal Young's memoir is about a dreamer, set in the post-apocalyptic celebrity world of today, and Young, who grew up in New York-like Holden Caulfield if he wanted to be famous-is looking for adventure and action and becomes entangled in all sorts of romantic and sordid relationships. He points out the perplexing tragedy (and good fortune, I think) of what it means to be talented and rebellious, but not a celebrity." -Lily Koppel, bestselling author of The Astronaut Wives Club and The Red Leather Diary "Courageously confessional ... Royal Young's searing emotions burst through the page. At times I read Fame Shark through tears." - Jaime Lubin, The Huffington Post "Fame Shark is American Psycho meets Call It Sleep. A no-holds -barred saga of the extremes a human being can go to in his or her quest for attention. Young has the precocity and audacity of Shelley and the fearlessness of Philippe Petit." -Francis Levy, author of Erotomania: A Romance and Seven Days in Rio "Shameless, elegant, obscene." -Leopoldine Core, Poet and Center for Fiction Fellow "Fame Shark chronicles the hip and hilarious adventures of a neurotic, broke New York bookworm named Hazak who's trying to escape his name, his history, his shrink parents and his Jewish guilt. Not easy when he's surrounded by his father's penis paintings, rich and famous friends and the ambitious heartbreaking city itself." -Susan Shapiro, author of Speed Shrinking and Five Men Who Broke My Heart "Fast, funny, and sometimes a squirmingly uncomfortable ... Young's unflinching memoir adds much to the dialogue about America's quest for adulation, or at least some shiny, sparkling lights." -Whit Hill, author of Not About Madonna: My Little Pre-Icon Roommate and Other Memoirs
Prize-winning historian Peter Novick illuminates the reasons Americans ignored the Holocaust for so long -- how dwelling on German crimes interfered with Cold War mobilization; how American Jews, not wanting to be thought of as victims, avoided the subject. He explores in absorbing detail the decisions that later moved the Holocaust to the center of American life: Jewish leaders invoking its memory to muster support for Israel and to come out on top in a sordid competition over what group had suffered most; politicians using it to score points with Jewish voters. With insight and sensitivity, Novick raises searching questions about these developments. Have American Jews, by making the Holocaust the emblematic Jewish experience, given Hitler a posthumous victory, tacitly endorsing his definition of Jews as despised pariahs? Does the Holocaust really teach useful lessons and sensitize us to atrocities, or, by making the Holocaust the measure, does it make lesser crimes seem "not so bad"? What are we to make of the fact that while Americans spend hundreds of millions of dollars for museums recording a European crime, there is no museum of American slavery?
Greasy foreheads. Spiky frosted hair. Oiled-up faces dripping with Tag Body Shot spray. Armani Exchange T-shirts and rank cologne wafting off their backs like fetid pollen clouds as they pump their fists and attempt to grind into any hotties nearby. Young beauties oblivious to the hulking monstrosity clutching at their butts like snapping turtles on Red Bull. From sea to douchey sea, ours is a culture plagued by this festering blight. By the dark forces of über-douchebaggery. How did this happen? What can we do to confront the douchebag/hottie plague that rots our collective souls like boils sent by a wrathful and angry God? And how can you recover if you or your loved one is 'bag? Now, for the first time, there is an answer to those questions that haunt our collective will and sap our culture of any claim to societal advance: Why hottie/douchebaggery? Why now? And why are douche-faces so silly? In this book we dissect, analyze, contemplate and mock the rank douchescrotes that pollute our country's hottie supply on a daily basis. Every branch of the douche-tree will be examined. Every corner of our cultural rot will be exposed. And if we can lust after their hotties along the way, then all the better.
While all have reason to celebrate the greening of Christian-Jewish relations since the Shoah and the promulgation of Nostra Aetate (4), few will deny that much work remains to be done by Christians and Jews seeking the best way forward that they might best serve God's purposes in the world, the mission of God. This book addresses that need by first surveying how each community has historically conceived of its own mission and from that stance assigned an identity to the other. The text illuminates how such construals have often impeded progress and therefore need to be upgraded and supplemented. But how shall this be done? Converging Destinies proposes an eschatological vision and practical suggestions to summon Jews and Christians to prepare for that day when each will be both commended and reproved by the judge of all, sounding a call for more determined action, greater humility, and cooperative effort as together Jews and Christians serve the mission of God, accountable to him for how they have served him and each other in the world that he has created according to his will.
“A virtuosic debut [and] a wry look at immigrant life in the global age.” —Vogue Having left Odessa for Brighton Beach, Brooklyn, with a sense of finality, the Nasmertov family has discovered that the divide between the old world and the new is not nearly as clear-cut as they had imagined. With the collapse of the Soviet Union, returning is just a matter of a plane ticket, and the Russian-owned shops in their adopted neighborhood stock even the most obscure comforts of home. Pursuing the American Dream once meant giving up everything, but does the dream still work if the past refuses to grow distant and mythical, remaining alarmingly within reach? If the Nasmertov parents can afford only to look forward, learning the rules of aspiration, the family’s youngest, Frida, can’t help looking back—and asking far too many questions. Yelena Akhtiorskaya’s exceptional debut has been hailed not only as the great novel of Brighton Beach but as a “breath of fresh air … [and] a testament to Akhtiorskaya’s wit, generosity, and immense talent as a young American author” (NPR).