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Jesus was a king of Edessa 600 pages of gnosis. Colour Images. This is the book that the Catholic Church has been dreading for the last 1700 years. This is the book that will end Christianity as we know it. And this is not advertising hyperbole, this really is the end of the Christian fairytale. We now know who Jesus was. Visit his city, see the ruins of his citadel, gaze upon his statue, handle his coins. In reality, Jesus was a son of King Abgarus of Edessa, a king with a small realm, a large treasury, and even bigger ambitions. Thus Jesus' true history undermines much of the biblical fairystory that the gospel authors crafted, and so Christianity will never be the same again. The jacket image shows Jesus wearing his Crown of Thorns, the ceremonial crown of the Edessan monarchy. We suggest that readers start with 'Cleopatra to Christ' and then 'King Jesus'. The wait before arriving at the last episode in the trilogy will be worthwhile, for if a book could be valued on its 'eureka moments' then this final book would be priceless. The 'King Jesus Trilogy' Latest version v12.1 2024 Book three of the King Jesus Trilogy (in four parts). Followed by 'The Grail Cypher'. .
“Both the knowledge of a scholar and the imagination of a poet are brought to bear upon Jesus as child, boy, and man. . . . A bold speculative adventure” (Harold Brighouse, Manchester Guardian). In Robert Graves’s unique retelling, Jesus is very much a mortal and the grandson of King Herod the Great. When his father runs afoul of the king’s temper and is executed, Jesus is raised in the house of Joseph the Carpenter. The kingdom he is heir to, in this version of the story, is very much a terrestrial one: the Kingdom of Judah. Graves tells of Jesus’s rise as a philosopher, scriptural scholar, and charismatic speaker in sharp detail, as well as his arrest and downfall as a victim of pitiless Roman politics. Bringing together his unparalleled narrative skill and in-depth expertise in historical scholarship, renowned classicist and historical novelist Robert Graves brings the story of Jesus Christ to life in a strikingly unorthodox way, making this one of the most hotly contested novels Graves ever wrote—and possibly one of the most controversial ever written. It provides a fascinating new twist to a well-known story, one that fans of this historical period are sure to love. “This is not reading for the easily shocked; it definitely presents Jesus as a sage and a [poet], if not divine. It moves, as does all Mr. Graves’ writing, at a brilliant fast pace, and with a tremendous style.” —Kirkus Reviews
The Image of Edessa, also later known as the Mandylion, was a relic of Christ, a cloth imprinted with his features which he had used to wipe his face, and subsequently used to cure King Agbar of Edessa, the first Christian ruler. This book collects and provides parallel translations of all the available written evidence for the image, along with detailed analysis of the history of the image. Guscin deftly seperates fact from legend, for while the story of King Agbar is certainly mythical, an image of some sort did definitely exist by the mid tenth century when it was translated to Constantinople.
According to legend, the Mandylion was an image of Christ’s face imprinted on a towel, kept in Edessa. This acheiopoieton image (“not made by human hands”) disappeared in the eighteenth century. The first records of another acheiropoieton relic appeared in mid-fourteenth century France: a long linen bearing the image of Jesus’ corpse, known nowadays as the Holy Shroud of Turin. Some believe the Mandylion and the Shroud to be the same object, first kept in Edessa, later translated to Constantinople, France and Italy. Andrea Nicolotti traces back the legend of the Edessean image in history and art, focusing especially on elements that could prove its identity with the Shroud, concluding that the Mandylion and the Shroud are two distinct objects.
New 2015 edition. *** Jesus discovered in the historical record *** This is the book that the Catholic Church has been dreading for the last 1700 years. This is the book that will rock the foundations of Christianity as we know it - for the biblical Jesus has at last been found in the historical record. We now know who Jesus was, where he lived, and who his family were. Visit his city, see the ruins of his citadel, gaze upon his statue, handle his coins. In reality, Jesus was a son of King Abgarus V of Edessa, a princeling with a small realm, a large treasury, and even bigger ambitions. But the wise prince of northern Syria came up against an intractable Rome and his many plans for revolution crumbled to dust. As readers might imagine, the true history of this region undermines much of the biblical fairy-story that the gospel authors crafted, and so Christianity will never be the same again. The jacket image shows Jesus wearing his Crown of Thorns, the ceremonial crown of the Edessan monarchy. Jesus was crucified wearing this same crown, because he was a king of Edessa. In fact, Jesus was crucified in the Kidron Valley along with two other leaders of the revolt, but was taken down early and survived, just as the history of Josephus Flavius relates. This is a scholarly study of all the available historical evidence, including the Tanakh, Talmud, Josephus Flavius, the Roman historians, and venerable Syriac historians like Moses of Chorene and Yohannes Drasxanakertci. This is the final book in a trilogy, and so we suggest that readers start with 'Cleopatra to Christ' and then 'King Jesus'. The wait before arriving at the last episode in the trilogy will be worthwhile, for if a book could be valued on its 'eureka moments' then this final book would be priceless. Sequel to: 'King Jesus' v 10.5 . A message to readers from the author: A review of this book by Thomas Verenna is now on many web-pages. Please note that Thomas Verenna is not an academic, he is a failed student with a religious axe to grind. Verenna has admitted that he has not even read this book, and created his poor review from hearsay and rumour. Some of Verenna's many errors include: Verenna says that Ellis absurdly conflates four kings into one. Yet in reality, the book does not even mention two of the kings that Verenna cites. Verenna says that Ellis does not realize and does mention, the fact that Adiabene and Edessa are two separate locations. Yet in reality, the juxtaposition between Adiabene and Edessa is the central topic of the entire book. Verenna says that Queen Helena was never the Queen of the Jews. Yet Queen Helena was a Jewess who saved Judaea from famine, furnished the Temple of Jerusalem, and owned the largest palace and tomb in Jerusalem. Was she not, perforce, the defacto Queen of Judaea? Verenna says that King Abgar bar Manu VI could not be the biblical Jesus, as Ellis claims, because he lived in the wrong era. Yet in reality, Ellis never mentions King Abgar bar Manu VI - not once. As readers can probably see, the so-called review of 'Jesus, King of Edessa' by Thomas Verenna is a travesty, designed to undermine scholarly research into the life of Jesus. The reality is very different, for 'Jesus, King of Edessa' can and does prove that the biblical Jesus was actually a well-known monarch of Edessa, whose real life and times have been effectively erased from history by Josephus Flavius and a succession of later Christian chroniclers.
Roman Edessa offers a comprehensive and erudite analysis of the ancient city of Edessa (modern day Urfa, Turkey), which constituted a remarkable amalgam of the East and the West. Among the areas explored are: * the cultural life and antecedents of Edessa * Edessene religion * the extent of the Hellenization at Edessa before the advent of Christianity * the myth of an exchange of letters between a King Abgar and Jesus.
The secrets of Arthurian history revealed
The Image of Edessa was an image of Christ, which, according to tradition, was of miraculous origin. It was taken from Edessa to Constantinople in 944, and disappeared from known history in the aftermath of the Fourth Crusade in 1204. It generated, however, a vast amount of literature and hundreds of copies in churches all over the Byzantine world. This book is a study of the literature, paintings, icons and other aspects related to the Image of Edessa. It examines how it was used as a tool to express Christ’s humanity and for various other purposes, and how some of the related literature became completely decontextualised and used as a magical charm, especially in the West.
Presented here are two volumes of apocryphal writings reflecting the life and time of the Old and New Testaments. Stories told by contemporary fiction writers of historical Bible times in fascinating and beautiful style.