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Through its missionary, pedagogical, and scientific accomplishments, the Society of Jesus-known as the Jesuits-became one of the first institutions with a truly "global" reach, in practice and intention. The Oxford Handbook of the Jesuits offers a critical assessment of the Order, helping to chart new directions for research at a time when there is renewed interest in Jesuit studies. In particular, the Handbook examines their resilient dynamism and innovative spirit, grounded in Catholic theology and Christian spirituality, but also profoundly rooted in society and cultural institutions. It also explores Jesuit contributions to education, the arts, politics, and theology, among others. The volume is organized in seven major sections, totaling forty articles, on the Order's foundation and administration, the theological underpinnings of its activities, the Jesuit involvement with secular culture, missiology, the Order's contributions to the arts and sciences, the suppression the Order endured in the 18th century, and finally, the restoration. The volume also looks at the way the Jesuit Order is changing, including becoming more non-European and ethnically diverse, with its members increasingly interested in engaging society in addition to traditional pastoral duties.
Many of us have questions about the Bible: Can we believe the Bible? What was Jesus’ mission? What is sin? Does hell exist? Is anyone beyond God’s forgiveness? In A Jesuit Off-Brodway, James Martin, SJ, answers these questions about the Bible, and other big questions about life, as he serves as a theological advisor to the cast of The Last Days of Judas Iscariot. Grab a front-row seat to Fr. Martin's six months with the LAByrinth Theater Company and see first-hand what it's like to share the faith with a largely secular group of people . . . and discover, along with Martin, that the sacred and the secular aren't always that far apart.
The relationship between the Catholic Church and theatre has a long and complicated history. This collection of fourteen critical essays seeks to demystify the ties--both practical and ideological--that have long bound Catholicism to theatrical production. This volume offers insights into medieval theatre, Jesuit drama, ballet and opera, modern stagings of medieval liturgical drama, Lorca and Lope de Vega as Catholic playwrights, Italian Catholic women's drama, Catholic play-wrighting and acting, and the unique challenges of teaching theatre in Catholic universities.
A survey of Jesuit schools and universities across Europe from 1548 to 1773 by Paul F. Grendler. The article discusses organization, curriculum, pedagogy, enrollments, and relations with civil authorities with examples from France, Germany, Austria, Italy, Portugal, Spain, and eastern Europe.
This book tells the story of the Jesuit mission to Cluj, Transylvania (now Romania) from 1693, when the Jesuits were allowed to return after almost a century of restricted activity in the region, until 1773, when the order was suppressed. During these eight decades the Jesuits created a complex, multi-faceted community whose impact reached throughout Transylvania and beyond into neighbouring regions. In addition to an ongoing missionary program in this predominantly non-Catholic region, the Jesuits established a cluster of schools and a university that trained the elite, introduced Baroque architecture, music and literature, and became the masters of extensive properties. The Jesuits' schools staged dramas in several languages, their printing press produced a wide range of publications, including a Hungarian 'ABC for Girls' and a catechism in Ukrainian, and Jesuit scientists, including Miksa Hell, later Court Astronomer in Vienna, conducted experiments and observations. Among the unique features of this study are the accounts of how Jesuits sought to impose social conformity on the ethnically and religiously diverse community, the Jesuits' project to develop a 'Uniate Church' that would retain the Eastern Rite while acknowledging the authority of Rome, and the story of the long-forgotten Jesuit 'brothers', who contributed their talents as craftsmen and artists to the Jesuit enterprise. A chapter is devoted to the ill-fated 1743 mission to Moldavia, in which Transylvanian Jesuits hoped to establish a missionary and educational outpost in this Ottoman-dominated principality. Special attention is given to Jesuit interactions with the many minority groups present in Cluj: Armenians, Jews, Roma (Gypsies), and German speaking 'Saxons', as well as encounters with ethnic Romanians, who made up the majority of the population of Transylvania and among whom the Uniate Church was promoted. Cluj, a city where the cultures of Eastern and Western Europe meet, represented the furthermost penetration into Orthodox Europe of the Baroque aesthetic and of the domination of the Habsburgs, supported and glorified by the Jesuits. The successes and failures of this religious order helped shape the history of the region for the next two centuries.