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"A planning guide for church musicians and clergy for selecting hymns, songs, and anthems, for the three-year liturgical cycle following the Revised Common Lectionary"--
A new edition of the comprehensive resource linking hymns and anthems to lectionary readings. The final volume in a three-volume series of planning guides for church musicians and clergy, this resource identifies hymns and anthems that are connected to the scripture appointed for Sundays and feast days. In addition to identifying hymns and anthems appropriate for each Sunday of the church year, this volume also offers suggestions about where in the liturgy each selection can best be used. Featuring hymns from hymnals authorized for use in the Episcopal Church, the Evangelical Lutheran Church in America, and the Moravian Church in America, as well as anthems from a variety of sources, Liturgical Music for the Revised Common Lectionary helps liturgical planners add musical variety to services and links congregational and choral singing to the lectionary.
Written late in his life, J. S. Bach’s The Art of Fugue has long been admired—in some quarters revered—as one of his masterworks. Its last movement, Contrapunctus 14, went unfinished, and the enigma of its incompleteness still preoccupies scholars and musical conductors alike. In 1881, Gustav Nottebohm discovered that the three subjects of the movement could be supplemented by a fourth. In 1993, Zoltán Göncz revealed that Bach had planned the passage that would join the four subjects in an entirely unique way. This section has not survived, but, as Göncz notes, it must have been ready in the earliest phase of composition since Bach had created the expositions of the first three subjects from its “disjointed” parts. Göncz then boldly took on the task of reconstructing the original “template” by putting together the once separate pieces. In Bach’s Testament: On the Philosophical and Theological Background of The Art of Fugue, Göncz probes the philosophic-theological background of The Art of Fugue, revealing the special structures that supported the 1993 reconstruction. Bach’s Testament investigates the reconstruction’s metaphysical dimensions, focusing on the quadruple fugue. As a summary of Zoltán Göncz’s extensive research over many years, which resulted in the completion of the fugue, this work explores the complex combinatorial, philosophical and theological considerations that inform its structure. Bach’s Testament is ideally suited not only to Bach scholars and musicologists but also intellectual historians with particular interests in 18th-century religious and philosophical ideas.
Johann Nikolaus Forkel's 'Johann Sebastian Bach: His Life, Art, and Work' is an in-depth exploration of the life and music of one of the greatest composers in history. Forkel delves into Bach's compositions, highlighting his groundbreaking innovations in music theory and the profound emotional depth of his work. The book not only provides a close analysis of Bach's musical style but also offers a comprehensive look at his personal life and the historical context in which he lived and worked. Forkel's writing is both scholarly and accessible, making it a valuable resource for music enthusiasts and scholars alike. With detailed discussions of Bach's most famous works and insightful commentary on his legacy, this book serves as a definitive study of the composer's lasting impact on music history. Johann Nikolaus Forkel, a respected musicologist and biographer, was uniquely positioned to write about Bach, having been a contemporary of many of Bach's students and colleagues. As the first biographer of Bach, Forkel's work laid the foundation for future scholars to explore the life and music of the renowned composer. His passion for music and meticulous research shine through in this seminal work. For anyone interested in delving deeper into the life and music of Johann Sebastian Bach, Johann Nikolaus Forkel's 'Johann Sebastian Bach: His Life, Art, and Work' is an essential read. This comprehensive study offers a rich exploration of Bach's genius, providing valuable insights into the mind of a musical master.