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Jessica Farm fuses serialized adventure, fantasy and psychological horror and stamps it with Josh Simmon’s signature macabre sensibility. Like a Lynchian take on Alice in Wonderland,Jessica Farmopens with an exterior of what could be any Midwestern farmhouse. Once inside, we track our titular heroine as she bounds out of bed on Christmas and goes about her morning routine, eventually breakfasting with her grandparents. The banality of the situation is subverted by a ratcheting sense of dread, as we discover that Jessica’s increasingly nightmarish house is filled with creatures around every corner: some whimsical, some sexual, some despairing and some malevolent. Most terrifying of all is Jessica’s father, whose promise of presents under the tree is loaded with the threat of violence.
"Jessica Wyeth is too young and unaware to understand why she is not welcomed into the lucrative family business of training and racing horses. When she is falsely accused of the brutal murder of the last person who could protect her, she runs. Jessica becomes a master at hiding in plain view, but the process of rebuilding her life is derailed when she is recognized by the organization that destroyed her family. Her search for the truth draws her into the cold reality of a network of terrorist cells. Set in the rolling hills of Kentucky and the streets of Boston, Jessica learns that she is not the only one hidden in the daylight."--Back cover.
I simply cannot praise the book enough! The prose is positively brilliant. It is full of sparkling gems of insight and astonishing, concise yet profound formulations. The nature passages remind me of Annie Dillard. It is truly a remarkable achievement! Miranda Shaw, Ph.D., Professor of Religion, University of Richmond
When Margaret Williams posted an ad for a husband, she expected Paul Connealy to arrive, but instead, his older brother, Joseph, came...and he brought four children with him.
There is no place an American can go without being watched or tracked. In public, the internet, a vehicle, at work or in your own bed you are being recorded in some fashion. Jessica and crew try to disrupt this legal invasion of privacy. Some will call it treason, others will called it long over due. You can't make America great again if it's rotten to the core. ""Scary and appalling, selling Americans down the river to make money. Instead of lamenting about all the ways you turn over your personal data you should be hiding under your bed."" DLF Review ""America is dying like any dynasty before it. Only action by its people can stop the free-fall. Great story."" Reviews by Edgar
This anthology includes the Best Plays from the Strawberry One-Act Festival produced by The Riant Theatre, NYC. Make Her Happen by L.E. McCullough: A waitress at a roadside diner jumps at the opportunity to get discovered and make her dreams come true. The Squeegee Man by Nick Vigorito, Jr: A reporter finds inspiration for stories through the squeegee man on the street corner outside her office. Monkey Rhythms by John Baldi: Three generations of a family deal with their love for each other. Hidden in the Past by Michael A. Casano: A young girl interviews her grandmother to find out more about her family's history. Pension Check by Jonathon Ward: An out-of-work steelworker tries to support his family in the wake of his father's illness. Other plays include: The Boy Who Was Born With A Tail by Matt Casarino, The Kissing Booth by David Risk, The Last Night Of The World by Cody Daigle, On Top by John Patrick Bray, Kate's Ballad by Roy O'Connor, Big Crunch by Helen Hill, Difficult Subjects by Deborah S. Greenhut, Et Tu, Kelly by Debra C. Victoroff, Anything But Black by Fred Rohan Vargas, and A Punch In The Face by Jeffrey L. Gurian.