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Fashion AND fairies? An unbeatable combination! The Fashion Fairies use their magic accessories to make sure that fashion everywhere is fun and fresh. But when jealous Jack Frost steals their magic away, it could lead to a fashion flop! Luckily, Rachel and Kirsty are ready to dive into another fairy adventure. . . . Without Jennifer the Hair Stylist Fairy's magic brush, bad hair days are happening every day! Can Rachel and Kirsty come to the rescue?
Rachel and Kirsty must find Brooke's magic camera or everyone's picture will be a big blur.
WHAT IS THIS BOOK ABOUT? Everyone feels small or inadequate at some point in their lives. The Tiniest Tumbleweed is a story written to help children learn more about what they can do to become their best selves, despite whatever may be making them feel small or limited. The characters are two Sonoran Desert neighbors, a tiny tumbleweed and a baby house sparrow, who are both small for their age. Guided by the loving encouragement of their parents, they learn to work within their physical limitations to grow to be the best they can be, rather than measure themselves against others. As a result, they also learn how they can help one another, providing a lesson about the synergy between living things and the boundless opportunities those relationships provide. WHAT MAKES IT UNIQUE? The proven psychological concepts for building self-efficacy combined with a children's literature writing method that helps young readers believe in limitless opportunities are what make The Tiniest Tumbleweed unique. The connection between the characters in the book, a tiny tumbleweed and a sparrow, provides a fascinating look into the real-life desert relationship between tumbleweeds and birds. Following the story, a well-researched curriculum guide captivates young readers, helping them develop a deeper respect for nature.
Erin, a non-Chinese teenager living in San Francisco's Chinatown, ghostwrites an online advice column, but when a reply to her ex-best friend backfires, Erin's carefully constructed life takes a crazy spin.
Jack Frost steals the fashion fairies magical accessories when he decides to start his own fashion label.
Can Rachel and Kirsty help the Dance Fairies get their grooves back?The Dance Fairies' magic ribbons are missing! Without them, all kinds of dances are getting off on the wrong foot. Everyone is miserable, except for Jack Frost and his goblins. They have the ribbons . . . and it's up to Rachel and Kirsty to get them back!Beautiful ballets everywhere are turning into a total mess. Can Bethany the Ballet Fairy track down her ribbon? Or will the goblins dance away with it?Find the magic ribbon in each book, and help keep the Dance Fairies on their toes!
"The Fashion Fairies use their magic accessories to make sure that fashion everywhere is fun and fresh. But when jealous Jack Frost steals their magic away, it could lead to a fashion flop! Luckily, Rachel and Kirsty are ready to dive into another fairy adventure...Claudia the Accessories Fairy's magical necklace has been taken by goblins! Without it, scarves tear, gloves get lost, and necklaces break. What's a fairy to do?"--P. [4] of cover.
17 year old actress Kelly Winslow thinks that playing the role of the fairy queen Titania in a production of Shapespeare's Midsummer Night's Dream could be her lucky break-if she can pull it off.
Fashion AND fairies? An unbeatable combination! The Fashion Fairies use their magic accessories to make sure that fashion everywhere is fun and fresh. But when jealous Jack Frost steals their magic away, it could lead to a fashion flop! Luckily, Rachel and Kirsty are ready to dive into another fairy adventure. . . . Claudia the Accessories Fairy's magical necklace has been taken by goblins! Without it, scarves tear, gloves get lost, and necklaces break. What's a fairy to do?
This ISBN refers to the ebook edition of this text, available directly from the publisher. It has erroneously been listed as paperback by some online vendors. The true paperback edition is indeed available at online vendors. Paste this ISBN into the search box: 9780874217810. In this, the first collection of essays to address the development of fairy tale film as a genre, Pauline Greenhill and Sidney Eve Matrix stress, "the mirror of fairy-tale film reflects not so much what its audience members actually are but how they see themselves and their potential to develop (or, likewise, to regress)." As Jack Zipes says further in the foreword, “Folk and fairy tales pervade our lives constantly through television soap operas and commercials, in comic books and cartoons, in school plays and storytelling performances, in our superstitions and prayers for miracles, and in our dreams and daydreams. The artistic re-creations of fairy-tale plots and characters in film—the parodies, the aesthetic experimentation, and the mixing of genres to engender new insights into art and life— mirror possibilities of estranging ourselves from designated roles, along with the conventional patterns of the classical tales.” Here, scholars from film, folklore, and cultural studies move discussion beyond the well-known Disney movies to the many other filmic adaptations of fairy tales and to the widespread use of fairy tale tropes, themes, and motifs in cinema.