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Murder, kidnapping and cannibalism. Must be just another day in Tasmania! What else could go wrong in the humorous murder mystery JENNIFER SHOT - THE FIRST SHOT? Jennifer Shot, a law student at the University of Tasmania is trying to make some extra money as a fledgling private detective. She finds herself targeted by a mafia hit man, Chester the Chisel, named after his weapon of choice. To further make ends meet, she rents rooms to Nathan, Rod and Cindy, two oversexed fellow law students, and a police officer with personal issues. When Jennifer's detective job has her searching for a missing senator's daughter, she stumbles onto an elaborate mob scheme. Her life is further complicated by an old flame, a new love, a senile aunt and, oh yes, a killer, one who has Jennifer's murder at the top of his things-to-do list. Who will get in the first shot?
""Orphaned at the age of thirteen, Jennifer is sent to live with her Aunt Elizabeth in the historic Tasmanian suburb of Battery Point in Australia. Her aunt's two storey home with its turret and spectacular vista provides a fertile environment for her childhood fantasy of becoming a Princess and riding off on a white horse with a Prince. In reality however her life takes a very different direction. After travelling overseas Jennifer enrolls to study law at the University of Tasmania. To make ends meet until she finishes studying, Jennifer rents out two rooms and a bungalow at her aunt's hous.
For any woman who has ever bought a self-help book and wondered why she bothered. (P.S. Now that I know he's just not that into me, where do I go from there? Yeah, thanks for that advice.) Jennifer Love Hewitt is a self-proclaimed "love-aholic" and hopeless romantic (her middle name is Love, after all!). She has been lucky and unlucky in love, and lived to tell -- and she's done it all in the spotlight. Much has been written about her love life--some true, most made up to sell magazines. Now Hewitt shares the real story of what she's learned navigating the dangerous dating waters. In The Day I Shot Cupid, Hewitt offers her hard-won wisdom and tells us how to embrace love with both feet on the ground. First, we have to shoot Cupid. We have to believe that happily-ever-after is hard work -- it's not all flowers and symphonies and floating hearts. Wise and wry and refreshingly honest, Hewitt talks about how to pick the right guy and how to know when to let the wrong ones go free, and she offers some surprising truths about the opposite sex. From twenty things to do after a breakup, to ten things to do before a date, to the perils of text flirting (Note: You are waiting. By the phone. For his response.), Hewitt uses stories and dating secrets to illustrate the idiotic, romantic, crazy, depressing, hilarious, awkward, glorious moments we all experience in relationships. Funny, quirky, and empowering, The Day I Shot Cupid deserves a place on every woman's nightstand, bookshelf, or coffee table, or tucked inside her oversized designer handbag.
Orphaned at the age of thirteen, Jennifer lives with her Aunt Elizabeth in the historic Tasmanian suburb of Battery Point. After her aunt moves into assisted care following some dementia-related incidents, Jennifer studies law with her best friend, Mary, at the University of Tasmania. To help with expenses, she rents rooms to two over-sexed fellow law students, Rod and Nathan, and a police officer, Cindy, who has anger-management issues. While working part-time as a private investigator, she becomes involved in the investigation of an international serial killer who dresses his victims like Barbie dolls and is nicknamed The Barbie Slasher by the press. Joining forces with the FBI, the local police and an American mercenary, Jennifer agrees to use herself as bait to catch a hitman with links to the killer. But it is Jennifer and her friends who are caught and earmarked to become part of the deadly “doll collection.” Jennifer Shot – Another Shot is a humorous thrill-a-minute murder mystery.
Summer sizzles as Jennifer Shot, law student and private detective, begins her end-of-year vacation. But serial killers don’t take holidays. The bodies of beautiful dead women are washing up on Tasmanian beaches. Hunter, an American mercenary, who Jennifer has worked with on other cases, is tracking an international drug trafficking ring and enlists her help. Jennifer finds herself spying on her first love, the devilishly handsome, Antonio Italiano, who arrives in Tasmania on his super yacht, The Sea Princess, and in the middle of a murder case involving the serial killer known as The Seaside Strangler. The lead investigator is Jet Damon, a local police officer and old flame, who Jennifer has known since primary school and who stole her first kiss. Hunter and Jet jostle for Jennifer’s affections, while Jennifer still struggles with her feelings for Antonio. But things are about to get even hotter for Jennifer as she finds herself following a trail of drugs, money, and murder. The Strangler is also hunting ... one of them.
The Massacre at Noe Creek is a collection of partly truth and partly fiction short stories and tales. Noe Creek, the story from which the book takes its name is the story of how an event near the end of the civil war affects the lives of two young people at the beginning of WW II. It is a delightful tale of romance and war. Colonial heights Road, the second story in the book, is part history and part biography as it tells the story of the author coming of age while growing up in this rural crossroads community during the 1940s. Other stories in the book include fishing and hunting tales, and the author's memories of his trips to Moscow and England.
New York Times and USA Today Bestselling Author DIANE CAPRI Returns! For fans of Lee Child, John Grisham, and Michael Connelly "Full of thrills and tension - but smart and human too." —Lee Child, #1 World Wide Bestselling Author of Jack Reacher Thrillers Three unlikely events explode thrusting young lawyer Jennifer Lane into the abyss of her family's secret history. Bio-Medical researcher Gilbert Irwin is killed when his car is forced off the Sunshine Skyway Bridge by an unidentified driver in a dark blue Jaguar. Ronald and Lila Walden’s daughter disappears from her Tampa apartment. Jennifer Lane is mysteriously plucked from obscurity to represent Russell Denton, Tampa’s most successful mogul, to retrieve a stolen drug formula worth billions. Unraveling the connections, Jennifer falls into a disastrous romance with Blake Denton, Russell Denton’s nephew and heir. A bewildering maze of betrayal, intrigue, and murder, put Jennifer’s license to practice law, her heart, and her very life on the line. Judge Wilhelmina Carson watches while Jennifer rescues herself from Annabelle’s attack. Lee Child, action, romance, suspense, thriller, mystery, Florida, Michigan, adoption, secret baby, women sleuth, legal thriller, John Grisham, thriller series, mystery series, romantic suspense series, romantic suspense, hepatitis, medical mystery, medical thriller, psychological thriller, strong female, strong female protagonist, police procedural, thriller and suspense, vigilante justice, crime, action packed, private investigators, lawyer, police officer, FBI agents, Alaska, hard-boiled, cozy, legal, medical, suspense, suspense series, spies, tech, techno, technology, crime, financial, murder, theft, litigator, judge, juror, death, due justice, secret justice, twisted justice, wasted justice, mistaken justice, deadly dozen, deadly, gun, killer, sniper, shot, deadly, parenting, relationships, crime fiction, crime novel, kidnapping, serial killers, heist, series, women's fiction, detective, conspiracy, political, terrorism, contemporary, genre fiction, United States
He’s no saint, but neither is she… Brad McKenna is a DEA agent running from lethal enemies, each painful step drawing him deeper into the tangled Everglades. But he can’t run forever, and when he is shot and left for dead, the last thing he expects is to wake up facing a silver-eyed angel. Wendy Hawk is no angel, but when she finds Brad wounded and unconscious, she acts instinctively to save him. Wendy is cautious by nature, and her reclusive existence is rocked by the intrusion of this rugged, hunted man. In the anonymity of darkness and unanswered questions, Brad and Wendy are drawn together—because now killers want both of them dead. FREE BONUS STORY INCLUDED IN THIS VOLUME! Standoff at Mustang Ridge by USA TODAY by Delores Fossen When deputy sheriff Royce McCall responds to a break-in at his family’s cabin, he doesn’t expect the intruder to be the beautiful Sophie Conway! Sophie becomes a killer’s target, and Royce vows to protect her. But when the memories of their one-night stand become clearer, so does the fact that Sophie is keeping secrets…
What is Jennifer’s true purpose? Can she really trust the inhuman Gabriel? Who is behind Simon Marsh? As Jennifer continues her quest to understand the message of the black panther, an old threat arises. A desperate act by Jennifer forces her to confront her past or risk losing Vijay. In the background, civic unrest grows and Vijay is established as the face of the new resistance. A battle arises in the AI world with humans left as bystanders unable to help. Confronted on all sides, Jennifer feels driven to challenge Gaia directly with a result that no one saw coming.

This speculative, romantic fantasy is the second novel of the Jennifer Trilogy, which continues the series of Gaia’s Daughters and sets the stage for the astounding conclusion.
The Italian giallo film genre--the equivalent of the American whodunit but incorporating extreme violence and sex--was based on popular British and American fiction of the 30s and 40s, adapted to the explicitly liberal filmmaking of 1970s and 1980s Europe. Seldom released in American theaters, these films were usually distributed as redacted bootlegs, awaiting digital technology to be restored to their original content and pristine visual form. This book analyzes the censored sex and violence of giallo films, finding in them an inherent beauty and tracing their literary antecedents to the elements of the fairy tale as described by Russian folklorist Vladimir Propp. Each chapter covers a film and its director, from 1962 to 1987. The author argues that despite their formulaic production and designation as "Euro-sleaze," these films are works of individuality and artistic virtue.