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"Could there be a timelier gift to quarantined readers...? I doubt it."—The Washington Post "A heartening gathering of writers joining forces for community support."—Kirkus Reviews "Connects writers, readers, and booksellers in a wonderfully imaginative way. It's a really good book for a really good cause"—Bestselling author James Patterson ALONE TOGETHER: Love, Grief, and Comfort in the Time of COVID-19 is a collection of essays, poems, and interviews to serve as a lifeline for negotiating how to connect and thrive during this stressful time of isolation as well as a historical perspective that will remain relevant for years to come. All contributing authors and business partners are donating their share to The Book Industry Charitable Foundation (Binc), a nonprofit organization that coordinates charitable programs to strengthen the bookselling community. The roster of diverse voices includes Faith Adiele, Kwame Alexander, Jenna Blum, Andre Dubus III, Jamie Ford, Nikki Giovanni, Pam Houston, Jean Kwok, Major Jackson, Devi S. Laskar, Caroline Leavitt, Ada Limón, Dani Shapiro, David Sheff, Garth Stein, Luis Alberto Urrea, Steve Yarbrough, and Lidia Yuknavitch. The overarching theme is how this age of isolation and uncertainty is changing us as individuals and a society. "Alone Together showcases the human desire to grieve, explore, comfort, connect, and simply sit with the world as it weathers the pandemic. Jennifer Haupt's timely and moving anthology also benefits the Book Industry Charitable Foundation, making it a project that is noble in both word and deed."—Ann Patchett, Bestselling author, bookseller, and Co-Ambassador for The Book Industry Charitable Foundation
What to do, if your homelike world is broken, and in your new one you are haunted by nightmares? What if you can see things others can’t – is that madness? Or, perhaps, it is the rest of the world that has gone mad? Young Jennifer Parker has no one to protect and help her, as her parents died in a car crash. She has been haunted by terrible visions, resulting in her ending up in a psychiatric hospital. But treatment doesn’t make her feel better. Along with her new friends – other patients of the clinic – she tries to break free. However, it appears to be a challenging task for her, and she manages to leave the hospital only with the help of a mysterious woman. In order not to become the next victim, she would have to go through numerous challenges, and in order to rescue her friends, she would have to face her own nightmares.
A chilling ghost story with a twist: the New York Times bestselling author of The Winter People returns to the woods of Vermont to tell the story of a husband and wife who don't simply move into a haunted house--they build one . . . In a quest for a simpler life, Helen and Nate have abandoned the comforts of suburbia to take up residence on forty-four acres of rural land where they will begin the ultimate, aspirational do-it-yourself project: building the house of their dreams. When they discover that this beautiful property has a dark and violent past, Helen, a former history teacher, becomes consumed by the local legend of Hattie Breckenridge, a woman who lived and died there a century ago. With her passion for artifacts, Helen finds special materials to incorporate into the house--a beam from an old schoolroom, bricks from a mill, a mantel from a farmhouse--objects that draw her deeper into the story of Hattie and her descendants, three generations of Breckenridge women, each of whom died suspiciously. As the building project progresses, the house will become a place of menace and unfinished business: a new home, now haunted, that beckons its owners and their neighbors toward unimaginable danger.
A Vintage Shorts “Short Story Month” Selection Sam Lafferty has hit bottom. Under investigation and on leave from the financial services firm that employed him, Sam has uprooted his wife and two daughters and dragged them against their will to central China. While on this rotten family vacation, in an alien and uncomfortable landscape, after years of deception, lousy investment, moral—and soon-coming financial—bankruptcy, and with his family in tow—Sam pursues the man who had first set him on a path to corruption from crumbling binguan hotels without soap or towels to Buddhist caves near Xi’an. In this dazzling piece, selected from the stunning collection of short fiction Emerald City, by the critically acclaimed author and winner of the Pulitzer Prize and National Book Critics Circle Award, Jennifer Egan lays bare our capacity for failure. An ebook short.
"Propulsive and chilling." --People Magazine "An intoxicating thrill ride. Hillier jams her foot on the accelerator and never lets up." --New York Times Book Review Things We Do in the Dark is a brilliant new thriller from Jennifer Hillier, the award-winning author of the breakout novels Little Secrets and Jar of Hearts. Paris Peralta is suspected of killing her celebrity husband, and her long-hidden past now threatens to destroy her future. When Paris Peralta is arrested in her own bathroom—covered in blood, holding a straight razor, her celebrity husband dead in the bathtub behind her—she knows she'll be charged with murder. But as bad as this looks, it's not what worries her the most. With the unwanted media attention now surrounding her, it's only a matter of time before someone from her long hidden past recognizes her and destroys the new life she's worked so hard to build, along with any chance of a future. Twenty-five years earlier, Ruby Reyes, known as the Ice Queen, was convicted of a similar murder in a trial that riveted Canada in the early nineties. Reyes knows who Paris really is, and when she's unexpectedly released from prison, she threatens to expose all of Paris's secrets. Left with no other choice, Paris must finally confront the dark past she escaped, once and for all. Because the only thing worse than a murder charge are two murder charges.
"In fifteen essays that challenge the notion that literary and genre fiction are mutually exclusive turns to Cormac McCarthy, Ursula K. Le Guin, Stephen King, and others to discover how contemporary writers engage plot, character, dialogue, and suspense"--Page 4 of cover.
In this spine-tingling, atmospheric “nail-biter of a novel” (Shelf Awareness), a woman returns to her hometown after her childhood friend attempts suicide at an alleged haunted house—the same place where a traumatic incident shattered their lives twenty years ago. Few in sleepy Sumner’s Mills have stumbled across the Octagon House hidden deep in the woods. Even fewer are brave enough to trespass. A man had killed his wife and two young daughters there, a shocking, gruesome crime that the sleepy upstate New York town tried to bury. One summer night, an emboldened fourteen-year-old Clare and her best friend, Abby, ventured into the Octagon House. Clare came out, but a piece of Abby never did. Twenty years later, Clare receives word that Abby has attempted suicide at the Octagon House and now lies in a coma. With little to lose, Clare returns to her roots to uncover the darkness responsible for ruining their lives. A “spellbinding horror story, where the terror comes not from ghosts, but from the haunted places we find within ourselves” (Elizabeth Brundage, author of The Vanishing Point), Beneath the Stairs is perfect for fans of Jennifer McMahon, Simone St. James, and Chris Bohjalian.
Poetry. "It was a long silence that brought me to the erasure poem. Not mine, but my brother's, during his many months in a coma. I came across a notebook of his--a pocket-sized, handwritten field guide of prairie grasses. I read it for companionship, signs of consciousness, attention. I read it for the rhythms of his still and distant hand...I was reading a taxonomy of grief: silique drifted into soliloquy." Between 2008 and 2014, while her brother was in a lengthy coma, award-winning poet Jennifer Still engaged in a private collaboration with the art and wonder that was his handwritten field guide of prairie grasses. The result: the stunning works of poetry and imagery encapsulated in COMMA. Still was moved by an overarching impulse of grief to create these poems. In the brittle lexicon of botany, and in the hum of the machines keeping her brother alive, she developed a hands-on method of composition that plays with the possibilities of what can be 'read' on a page. COMMA enacts a state of transformation and flux, all in an effort to portray the embodiment of grief and regeneration that can be achieved in the physical breakdown and reassembly of lyric poetic forms. "COMMA is a living, breathing, field guide to the unconscious--Still's poems flicker and leap from the page. This collection is an immersive, tactile wonder, a compassionate, steadfast companion: a truly remarkable exploration by a truly remarkable artist." --Christine Fellows "COMMA offers an unaccountably delicate experience. Yet these deft images and words are like slivers piercing situations and sensibility with guileless insight. The grace with which Jennifer Still's poems express experience is magical. Read the poetry as you might search for a special midnight star, by attending to the edges of vision (and words) where brightness shines best." --Jeanne Randolph
Sometimes, life becomes unleashed... Sixteen-year-old Iris Moody has a problem controlling her temper—but then, she has a lot to be angry about. Dead mother. Workaholic father. Dumped by her boyfriend. Failing English. When a note in Iris’s journal is mistaken as a threat against her English teacher, she finds herself in trouble not only with school authorities but with the law. In addition to summer school, dog-phobic Iris is sentenced to an entire summer of community service, rehabilitating troubled dogs. Iris believes she is nothing like Roman, the three-legged pit bull who is struggling to overcome his own dark past, not to mention the other humans in the program. But when Roman’s life is on the line, Iris learns that counting on the help of others may be the only way to save him. With sparkling prose and delightful humor, Jennifer Caloyeras’s novel beautifully portrays the human-animal bond.
Mead’s fifth collection candidly and openly explores the long process that is death. These resonant poems discover what it means to live, die, and come home again. We’re drawn in by sorrow and grief, but also the joys of celebrating a long life and how simple it is to find laughter and light in the quietest and darkest of moments.