Download Free Jejuri Book in PDF and EPUB Free Download. You can read online Jejuri and write the review.

A sequence of stunningly simple but haunting poems, Jejuri is one of the great books of modern India. Jejuri is a site of pilgramage in author Arun Kolatkar's native state of Maharashtra, and Jejuri the poem is the record of a visit to the town -- a place that is as crassly commercial as it is holy, as modern and ruinous as it is ancient and enduring. Evoking the town's crowded streets, many shrines, and mythic history of sages and gods, Kolatkar's poem offers a rich description of India while at the same time performing a complex act of devotion. For the essence of the poem is a spiritual quest, the effort to find the divine trace in a degenerate world. Spare, comic, sorrowful, singing, Jejuri is the work of a writer with a unique and visionary voice.
In This Comparative Study Of Five Indian English Poets The Main Thrust Is On Content Analysis Of Their Poems With A View To Identifying The Degree Of The Indian Experience And Sensibility As Expressed In Them. The Choice Of English As The Medium Of Creative Expression Especially Poetry Makes The Indian English Poet'S Credentials Suspect Because The Question Of The Indian Sensibility Does Not Become An Issue In The Case Of The Regional Writers In India. As Vrinda Nabar Appropriately Observes, One Does Not Lose One'S Indianness Automatically Only Because One Writes In English Which Is An Acquired Language For The Indian Writer. What Needs To Be Emphasised Is Whether The Total Nalive/Deshi Heritage Is Rejected In Favour Of Some Alien Sensibility. The Present Study Tries To Define The Indian Sensibility And Also Briefly Traces Its Development In The History Of Indian English Poetry. In Doing So It Does Not Attempt A Value Judgement On The Poets Under Consideration, Namely, Nissim Ezekiel, A.K. Ramanujan, Arun Kolatkar, Dilip Chitre And R. Parthasarathy, Who Have Now Been Accepted As The Doyens Of Indian English Poetry. The Book Offers Practically A Poem-By-Poem Discussion Of The Works Of These Five Poets In A Fresh Perspective.
Analysis of Arun Kolatkar's Jejuri.
This book examines the words and actions of people who live in regions in the state of Maharashtra in Western India to illustrate the idea that regions are not only created by humans, but given meaning through religious practices. By exploring the people living in the area of Maharashtra, Feldhaus draws some very interesting conclusions about how people differentiate one region from others, and how we use stories, rituals, and ceremonies to recreate their importance. Feldhaus discovers that religious meanings attached to regions do not necessarily have a political teleology. According to Feldhaus, 'There is also a chance, even now, that religious imagery can enrich the lives of individuals and small communities without engendering bloodshed and hatred'.
This Volume Consisting Of Some Twenty Papers Deals Exclusively With Indian Poetry In English Right From The Date Of Its Origin In The 1830S To The Present Day. It Focuses Our Attention On Such Illustrious Poets Of India As Aru Dutt (Who Has Written Very Little But Lasting Verses), Toru Dutt, Rabindranath Tagore, Sir Aurobindo, Sarojini Naidu All Representing The Older Generation , Nissim Ezekiel, A.K. Ramanujan, R. Parthasarathy, Kamala Das, Monika Varma, Margaret Chatterjee, Syed Amanuddin, K.N. Daruwalla, Shiv K. Kumar, Arun Kolatkar And Suniti Namjoshi (A Lesser Known Figure) All Symbolising The Hopes And Aspirations Of Modern India. There Is Also A Chapter On Irony As Technique In Some New Indo-English Poets. An Index Has Been Given At The End Of The Volume To Guide Readers Through It. Most Of These Papers Have Already Appeared In Different Magazines, Periodicals And Books, But Putting Them Together Here In Book Form Enhances Their Accessibility And Demonstrates A Sense Of Commitment On The Part Of The Author To The Cause Of Fast-Expanding Indian Writing In English.
The Facts On File Companion to World Poetry : 1900 to the Present is a comprehensive introduction to 20th and 21st-century world poets and their most famous, most distinctive, and most influential poems.
New Soundings in Postcolonial Writing is a collection of critical and creative writing in honour of the postcolonial critic, editor and anthologist Bruce King. There are essays on topics relating to Caribbean authors (Derek Walcott, Simone and Andre Schwarz-Bart); diaspora writers in England (Zadie Smith, Andrea Levy, Michael Ondaatje), South East Asian writing in English (Arun Kolatkar, recent Pakistani fiction, Anita Desai) and New Zealand, Canadian and Pacific writers (Albert Wendt, Patricia Grace, Bill Manhire, Joseph Boyden, Greg O’Brien). The creative writing section features new work by David Dabydeen, Fred D’Aguiar, Arvind Mehrotra, Jeet Thayil, Meena Alexander, Keki Daruwalla, Adil Jussawalla, Tabish Khair, Susan Visvanathan and others, reflecting King’s pioneering work on Indian poetry in English, and his many friendships.