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Jefferson Square was a multi-million dollar culture center…but there was nothing at all cultural about some of the things that happened there during its grand opening in the Sixties. At the Repertory Theater, a play called Confessional was in rehearsal. Some called it dramatic literature. Others considered it a tasteless exploitation of the playwright’s former marriage to America’s queen of sex. In the expensive interior of Symphony Hall, the brilliant and erratic conductor of the Jefferson Square Symphony Orchestra was working feverishly on a new concerto while his private life was rushing toward its own scandalous crescendo. In the board room, the dream of the state’s governor for a presidential nomination was interrupted by the discovery that Jefferson Square was making this rich man richer. And in the executive offices, where architects’ drawings were still being argued over, Jefferson Square’s recently hired cultural director was being tempted to destroy what he had been employed to hold together. Jefferson Square provides a fascinating glimpse of life behind the scenes in the midst of the creation of a new urban cultural epicenter, a symbol of the gentrification forcing out longtime neighborhood inhabitants. From the glitz and the glamor of Jefferson Square proper, to the hardships faced by residents of the condemned projects in the area, Gerson brings microcosms of the Sixties to Technicolor life.
This volume explores the legitimacy of government involvement in private economic actions by presenting a study of property takings. In the first comprehensive study of a city's eminent-domain acquisitions, Debbie Becher explores which properties Philadelphia pursued for private redevelopment and how stakeholders decided that government actions were either a use or abuse of power.
For over one hundred years, Thomas Jefferson and his Statute for Establishing Religious Freedom have stood at the center of our understanding of religious liberty and the First Amendment. Jefferson’s expansive vision—including his insistence that political freedom and free thought would be at risk if we did not keep government out of the church and church out of government—enjoyed a near consensus of support at the Supreme Court and among historians, until Justice William Rehnquist called reliance on Jefferson "demonstrably incorrect." Since then, Rehnquist’s call has been taken up by a bevy of jurists and academics anxious to encourage renewed government involvement with religion. In Religious Freedom: Jefferson’s Legacy, America’s Creed, the historian and lawyer John Ragosta offers a vigorous defense of Jefferson’s advocacy for a strict separation of church and state. Beginning with a close look at Jefferson’s own religious evolution, Ragosta shows that deep religious beliefs were at the heart of Jefferson’s views on religious freedom. Basing his analysis on that Jeffersonian vision, Ragosta redefines our understanding of how and why the First Amendment was adopted. He shows how the amendment’s focus on maintaining the authority of states to regulate religious freedom demonstrates that a very strict restriction on federal action was intended. Ultimately revealing that the great sage demanded a firm separation of church and state but never sought a wholly secular public square, Ragosta provides a new perspective on Jefferson, the First Amendment, and religious liberty within the United States.
Due to heightened global migration and transnational mobility, many residents of the world's cities lack national citizenship in the places to which they have moved for work, refuge, or retirement. The disjuncture between citizenship and daily life has led to devolution of claims from national to urban space. Within nation-states characterized by structured inequalities, citizens have not reduced their social differences. This leads increasingly to calls for greater direct involvement of marginalized classes in reshaping the institutions and spaces directly affecting their lives.These concerns—cities without citizenship and people without political power—inform the agendas of organizations that seek to restructure urban citizenship in more democratic directions. Remaking Urban Citizenship focuses on the uses and limits of such political organizations and coalitions, shows the various ways they pursue expanded rights within the city, and describes the institutional changes necessary to empower global migrants and popular classes as urban citizens.Offering individual or comparative case studies of cities in the United States, Europe, and China, contributions to this volume describe the development of actual practices of organizations working to reinvigorate citizenship at the urban scale. Collectively, they locate institutional forms that help migrants lay claim to their cities, show how migrants can become politically empowered, and identify how they can expand their rights or find other ways to belong.
LAPD Detective Carlos Aguilar must apprehend a serial killer who’s terrorizing employees and tenants of a housing project that occupies valuable land wanted for a huge development purpose. The problem facing future real estate developers in contemporary Los Angeles is that available land large enough for a major development is rare, expensive, and difficult to find. Driven by greed, a ruthless real estate developer, who wants the land along Sultan Road, pushes homeowners out of their homes, and kills anyone who stands in his way. Detective Aguilar is sent to investigate a body found in the bushes near an office building north of Harbor City, California. Aguilar is a tough minded, former Middleweight boxer, who is soft spoken and speaks in a low monotone. He’s a well-seasoned homicide detective who has worked many cases involving gruesome killings. Early on, he determines that the single murder he is investigating has a much wider plot behind it, and a cover up, that may be directed from somebody in high office, is in play. Although hampered by his supervisor, he won’t give up on the prospect that the serial killer he’s after was hired to cause the terror needed to shake the trees and provide the benefactor with his prize. Aguilar has a good working relationship with a millennial reporter from the main Los Angeles newspaper working on his first crime story. The reporter digs up and shares enough information to put Aguilar on the path to unraveling the cover up. Known only as “El Puma”, the serial killer in the story is a cunning hit man from deep south Mexico, where he worked for one of the drug cartels in the area. He uses the cover of a political refugee, and is handled by a disgraced former police officer on the payroll of an organized crime outfit disguised as a community security service. Each killing he performs is managed differently and masked to look like a random act. He usually strikes like his namesake, the puma, that leaps on his prey from an ambush. Aguilar is alerted to the presence in the area of a hired killer by one of his gang contacts. “El Puma” is elusive, and gives Aguilar and his partner a very difficult time in identifying and locating him. During one encounter, the crafty killer and his handler create a diversion which leads to a gunfight enabling them to evade arrest. When the handler is apprehended separately, he finally decides to help Aguilar find “El Puma”.