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Arriving in Hollywood in 1950 to launch her American film career, Jean Simmons (1929-2010) had already appeared in 18 British films and was best known for her portrayal of Ophelia in Laurence Olivier's Hamlet. She soon became a favorite female face working with some of filmmaking's greats and acted opposite many Hollywood A-listers. Two of her most popular films--Guys and Dolls (1955) and Spartacus (1960)--were international box-office hits, and in her seven decades-long career she collected numerous awards and honors including a Golden Globe, an Emmy, and two Oscar nominations as Best Actress. Despite the accomplishments and accolades, radiant beauty, and stunning versatility, Simmons is considered by many to be an underrated artist, too often handed more comfortable leading female roles than those that could've elevated her to the level of super stardom experienced by some of her peers. This, the first full-length biography of Simmons, fills a gap in film and performing arts studies, and includes extensive notes and photographs.
A strong and moving memoir which offers a captivating and extremely rare insight into the life of an ordinary girl growing up in a British working class family in the 1950s. Mary’s secret diaries discovered by her children, chronicle her early personal life experiences, successes, challenges and hardships in an amusing and delightfully innocent way. Mary’s first diary begins in 1952 when she is an impressionable fourteen-year-old, living in Berkshire, England and continues to 1956 when she turns eighteen. Through her eyes and subsequent diary entries, she recounts the fascinating dramas of a lively, sensitive young woman navigating her way through family life, finishing grammar school, entering the workplace at fifteen, all intertwined with juggling romantic interests and aspirational dreams. Witness her day-to-day trials, happiness, and emotional struggles in a world of boys and married men, as she juggles a string of admirers, her sister’s favouritism and independence leading to a shock elopement, being forbidden to sing with a band, taking her first holiday abroad with friends where she reveals all the details of what went on, along with many other of life’s firsts. Will she ever find ‘The One,’ or manage to resist buying those beautiful high heels? The charm and honesty in which Mary regales her private life and the pickles she gets herself into, is so engaging and powerful that you can’t help but be drawn into her remarkable and totally relatable world, which additionally enlightens the reader of a bygone era of innocence, simplicity, and glamour.
The Diary of an Almost Somebody is exactly what is says on the tin. It is the story of an ordinary life starting with his family history going back to the 18th century in Ireland. The family history is taken mainly from entries in the Boyd Barrett family bible, supplemented by researching Irish 19th century censuses, parish records and newspaper archives. The later part contains his recollections from the 1940s to the present time. David’s life has not been out of the ordinary with, his childhood in England during WW11 followed by his boarding school education and teenage years in 1950s Dublin resonating with many readers. His early working life in London, Persia (Iran) and West Africa illustrates a life which no longer exists. He illustrates the ups and downs of his family and business life up to the present time and tries to describe it as it was and as it happened.
This text anaylses the achievment of one of the central partnerships in British film history, that of Frank Launder and Sydney Gilliat, the screen writers of famous films by Hitchcock and Carol Reed.