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(Applause Books). "Love? What does love mean in this fearsome drama? Not much that is affirmative. Not much to heat the heart of a sentimental spectator. It signifies a passion that amounts to illness, an alternately aching and frantic desire that cannot be slaked. The three characters who love strive to conquer love by straining their will power to its elastic limits. And what does loved mean here? Not the ecstasy of glowing with selflessness and basking in another's affection, but a tormenting burden that cannot be shaken off, can only be readjusted to serve as an instrument of convenience or harm." from the Afterword by Albert Bermel
A skillful translation of the classical French tragedy about the captivity of Hector's wife after her abduction by the son of Achilles. The rhymed couplets retain the simplicity of form and powerful language of the original. "[This translation] is a striking tour de force" (Hudson Review). Drawings by Igor Tulipanov.
A skillful translation of the classical French tragedy about the captivity of Hector's wife after her abduction by the son of Achilles. The rhymed couplets retain the simplicity of form and powerful language of the original. "ÝThis translation ̈ is a striking tour de force" (Hudson Review). Drawings by Igor Tulipanov.
The 17th century dramatist Jean Racine was considered, along with Moliere and Corneille, as one of the three great playwrights of his era. The quality of Racine's poetry has been described as possibly his most important contribution to French literature and his use of the alexandrine poetic line is one of the best examples of such use noted for its harmony, simplicity and elegance. While critics over the centuries have debated the worth of Jean Racine, at present, he is widely considered a literary genius of revolutionary proportions. In this volume of Racine's plays we find "Andromache," the third of twelve plays by the author. The drama is a five act tragedy based on Euripides' play "Andromache" and draws upon the third book of Virgil's "Aeneid." In the aftermath of the Trojan war, Andromache has been taken prisoner in Epirus by Pyrrhus, her husband Hector has been slain by Achilles, who is due to be married to Hermione, the only daughter of the Spartan king Menelaus and Helen of Troy."
Describes the planning, building, and use of canals in nineteenth-century America and their impact on the history, economy, and westward expansion of the United States.
This is the best translation into English of Andromache, Iphigenia, Phaedra and Athaliah.
Racine’s Andromaque: Absences and Displacements casts a new look at the dynamism, richness, and complexity of Racine’s first major tragedy (first performed in Paris in 1667), through a collection of articles specially commissioned by the editors Nicholas Hammond and Joseph Harris. Challenging received opinions about the fixity of French ‘classicism’, this volume demonstrates how Racine’s play is preoccupied with absences, displacements, instability, and uncertainty. The articles explore such issues as: movement and transactions, offstage characters and locations, hallucinations and fantasies, love and desire, and translations and adaptations of Racine’s play. This collection will be an invaluable resource for students and scholars of seventeenth-century French theatre. Contributors: Nicholas Hammond, Joseph Harris, Michael Moriarty, Emilia Wilton-Godberfforde, Delphine Calle, Jennifer Tamas, Michael Hawcroft, Katherine Ibbett, Richard Parish.