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This is the first book to set out comprehensively Rousseau's theoretical statements on the arts: music and opera, theatre, fiction, poetry, the visual arts and dance. These statements are seen in terms of the phases of his intellectual development: the early years, the social criticism of the 1750s, the future-orientated theory of Emile and other texts, and finally the increasing self-scrutiny. This approach, conscious at all times of the element of personal commitment in his thinking, permits a sympathetic understanding, if not a resolution, of the famous paradoxes. The chief of these, his simultaneous condemnation and practice of drama, music and literature, is seen less as a personal contradiction than as a pointer to the ills of society which outrage him. Despite the huge social, political and economic upheavals since his death in 1778, Rousseau emerges as a thinker who has much to teach those concerned for the health of the arts in a modern world and for the moral values which attend them.
Censored in its own time, the Social Contract (1762) remains a key source of democratic belief and is one of the classics of political theory. It argues concisely but eloquently, that the basis of any legitimate society must be the agreement of its members. As humans we were 'born free' and our subjection to government must be freely accepted. Rousseau is essentially a radical thinker, and in a broad sense a revolutionary. He insisted on the sovereignty of the people, and made some provocative statements that are still highly controversial. His greatest contribution to political thought is the concept of the general will, which unites individuals through their common self-interest, thus validating the society in which they live and the constraints it imposes on them. This new translation is fully annotated and indexed. The volume also contains the opening chapter of the manuscript version of the Contract, together with the long article on Political Economy, a work traditionally between the Contract and Rousseau's earlier masterpiece, the Discourse on Inequality.
This excellent translation makes available a classic work central to one of the most interesting controversies of the eighteenth century: the quarrel between Rousseau and Voltaire. Besides containing some of the most sensitive literary criticism ever written (especially of Molière), the book is an excellent introduction to the principles of classical political thought. It demonstrates the paradoxes of Rousseau's thought and clearly displays the temperament that led him to repudiate the hopes of the Enlightenment.
Bringing together critical assessments of the broad range of Rousseau's thought, with a particular emphasis on his political theory, this systematic collection is an essential resource for both student and scholar.
"Rousseau's Discourse on the Sciences and the Arts challenged the Enlightenment belief in the perfectibility of human nature through reason, and questioned the social and political effects of the pursuit of knowledge." - Michel Foucault "Rousseau may be said to have founded the romantic movement. The great ideals of liberty, equality, and fraternity, which inspired the French Revolution, were first formulated by him. He was one of the first thinkers to emphasize the importance of emotion and feeling in human affairs." - Bertrand Russell A new 2023 translation into English from the original manuscripts of Rousseau's classic and influential 1750 Discourse on Sciences and Arts (Discours sur les sciences et les arts). Here he argues that the progress of the arts and sciences has led to moral and social decline. Rousseau believed that the development of human reason had led to a loss of compassion and virtue, and that science and technology had created a society that was more unequal and less free.
This substantially revised new edition of Rousseau: The Basic Political Writings features a brilliant new Introduction by David Wootton, a revision by Donald A. Cress of his own 1987 translation of Rousseau's most important political writings, and the addition of Cress' new translation of Rousseau's State of ?War. New footnotes, headnotes, and a chronology by David Wootton provide expert guidance to first-time readers of the texts.
This “fresh new rendition of Rousseau’s major political writings is a boon for scholars and students alike”—with a critical introduction by the translator (Richard Boyd, Georgetown University). Individualist and communitarian. Anarchist and totalitarian. Progressive and reactionary. Since the eighteenth century, Jean-Jacques Rousseau has been called all of these things. Few philosophers have been the subject of such intense debate, yet almost everyone agrees that Rousseau is among the most important political thinkers in history. Renowned Rousseau scholar John T. Scott highlights his enduring influence with this superb new edition of his major political writings. This volume includes authoritative and lucid new translations of the Discourse on the Sciences and Arts, the Discourse on the Origin and Foundations of Inequality Among Men, and On the Social Contract. The two Discourses show Rousseau developing his well-known conception of the natural goodness of man and the problems posed by life in society. With the Social Contract, Rousseau became the first major thinker to argue that democracy is the only legitimate form of political organization. Scott’s extensive introduction enhances our understanding of these foundational writings, providing background information, social and historical context, and guidance for interpreting the works. Throughout, translation and editorial notes clarify ideas and terms that might not be immediately familiar to most readers.