Download Free Jean De Joinville Et Les Seigneurs De Joinville Suivi Dun Catalogue De Leurs Actes Classic Reprint Book in PDF and EPUB Free Download. You can read online Jean De Joinville Et Les Seigneurs De Joinville Suivi Dun Catalogue De Leurs Actes Classic Reprint and write the review.

M. Cecilia Gaposchkin reconstructs and analyzes the process that led to King Louis IX of France's canonization in 1297 and the consolidation and spread of his cult.
"A truly outstanding and distinguished work. . . . Sherman breaks important new ground in her exploration of the illustrated manuscripts as cultural artifacts and cognitive structures."--Suzanne Lewis, author of "The Art of Matthew Paris in the Chronica Majora" "A superior analysis of little-known material. . . . Sherman's analysis of text and image is one of the most sophisticated that I have read in recent years."--Anne D. Hedeman, author of "The Royal Image"
This 2004 Wipf & Stock edition of The Huguenots and Henry of Navarre by Henry Baird is a digital facsimile of the original 1896 edition published by Kegan Paul, Trench & Company
This book offers a novel perspective on one of the most important monuments of French Gothic architecture, the Sainte-Chapelle, constructed in Paris by King Louis IX of France between 1239 and 1248 especially to hold and to celebrate Christ's Crown of Thorns. Meredith Cohen argues that the chapel's architecture, decoration, and use conveyed the notion of sacral kingship to its audience in Paris and in greater Europe, thereby implicitly elevating the French king to the level of suzerain, and establishing an early visual precedent for the political theories of royal sovereignty and French absolutism. By setting the chapel within its broader urban and royal contexts, this book offers new insight into royal representation and the rise of Paris as a political and cultural capital in the thirteenth century.
Paratexts are those liminal devices and conventions, both within and outside the book, that form part of the complex mediation between book, author, publisher and reader: titles, forewords, epigraphs and publishers' jacket copy are part of a book's private and public history. In this first English translation of Paratexts, Gérard Genette shows how the special pragmatic status of paratextual declaration requires a carefully calibrated analysis of their illocutionary force. With clarity, precision and an extraordinary range of reference, Paratexts constitutes an encyclopedic survey of the customs and institutions as revealed in the borderlands of the text. Genette presents a global view of these liminal mediations and the logic of their relation to the reading public by studying each element as a literary function. Richard Macksey's foreword describes how the poetics of paratexts interact with more general questions of literature as a cultural institution, and situates Gennet's work in contemporary literary theory.
The Parisian magistrate Jacques-Auguste de Thou (1553-1617) was a major figure in the French Wars of Religion (1562-1598) and their immediate aftermath. Best known for his magisterial History of his own times (covering 1546-1607), and his complementary Memoirs (covering 1553-1601), de Thou was a key political negotiator, a famous book-collector and an influential patron to scholars and writers, as well as a respected poet in his own right and a prolific correspondent. This is the first monograph on de Thou since Samuel Kinser's bibliographical study of 1966. In the course of five chapters, thematically arranged between a substantial introduction and a dramatic conclusion, Ingrid De Smet meticulously unpicks de Thou's strategies of self-fashioning and career enhancement as well as the conditions that led to his fall from grace. In doing so, this monograph not only rehabilitates de Thou as a creative (neo-Latin) writer of international allure, it also uncovers and contextualizes the complexities of de Thou's life, writings, and thought.
Holbein's famous life-size double portrait 'The Ambassadors' is one of the best known of his surviving works. Yet the subject matter has always presented intriguing problems. Who precisely were the two ambassadors of the title? Why did they choose to be painted together - with an array of globes, astronomical and musical instruments, books and other objects placed on shelves between them, a skull concealed in the foreground of the painting, and a crucifix partially hidden behind a curtain? The recent careful cleaning and restoration of 'The Ambassadors' has enabled an art historian, conservator, and scientist at the National Gallery in London to collaborate on a thorough study of the making and meaning of this painting.