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This exciting essay focuses on the explanation and analysis of Søren Kierkegaard's Either/Or, one the most influential works in history and whose understanding, due to its complexity and depth, escapes comprehension on a first reading. Whether you have already read Either/Or or not, this essay will allow you to immerse yourself in each and every one of its meanings, opening a window to Kierkegaard's philosophical thought and his true intention when he created this immortal work.
This exciting essay focuses on the explanation and analysis of Albert Camus' The Myth of Sisyphus, one the most influential works in history and whose understanding, due to its complexity and depth, escapes comprehension on a first reading. Whether you have already read The Myth of Sisyphus or not, this essay will allow you to immerse yourself in each and every one of its meanings, opening a window to Camus' philosophical thought and his true intention when he created this immortal work.
This exciting essay focuses on the explanation and analysis of Jean-Paul Sartre's Being and Nothingness, one the most influential works in history and whose understanding, due to its complexity and depth, escapes comprehension on a first reading. Whether you have already read Being and Nothingness or not, this essay will allow you to immerse yourself in each and every one of its meanings, opening a window to Sartre's philosophical thought and his true intention when he created this immortal work.
Danish philosopher Søren Kierkegaard’s 1843 book Fear and Trembling shows precisely why he is regarded as one of the most significant and creative philosophers of the nineteenth century. Creative thinkers can be many things, but one of their common attributes is an ability to redefine, reframe and reconsider problems from novel angles. In Kierkegaard’s case, he chose to approach the problems of faith and ethics in a deliberately artful and non-systematic way. Writing under the pseudonym “John the Silent,” he declared that he was “nothing of a philosopher,” but an “amateur,” wanting to write poetically and elegantly about the things that fascinated him. While Fear and Trembling is very much the work of a philosopher, Kierkegaard’s protests showed his intent to take a different path, approaching his topic like no one else before him. The book goes on to ask what the real nature of our personal relationship with God might be, and how faith might interact with ethics. What, Kierkegaard asks, can we make of God asking Abraham to sacrifice his only son, and of Abraham obeying? Arguing the unorthodox position that in following God’s incomprehensible will Abraham had acted ethically, Kierkegaard set out the parameters of a moral argument that remains strikingly novel over a 150 years later.
In Either/Or, Part One, Kierkegaard presents what he calls the aesthetic form of life. There he focuses on a large variety of the stereotypical views of women, from a sentimental and whining appraisal of her position in the world, through the view that sexual exploitation is an uncontrollable natural instinct and/or drive for which men are not morally responsible, to the view that woman is a jest, not to be taken seriously as a moral and responsible being, and then that she is just there as a sexual object or plaything to be reflectively seduced on the male's terms and for his pleasure or rejection, whatever suits him at the moment. Needless to say, this great variety of views of the "uses" of woman has provoked a large critique, and just as predictably, that critique is as varied as the intellectual tools available for the analysis of a work that is as literary as it is philosophic. The present collection of essays treats these and many other of the most important issues raised in Either/Or in fresh and perceptive ways. Even where familiar themes are argued, the authors introduce innovative interpretive models, new approaches and new materials are appealed to, or new rebuttal arguments against previously held positions are offered. Several of the articles, for instance, appropriate or criticize methods or insights derived from postmodernism and/or feminist philosophy, an approach that would have been unlikely two decades ago.
An anthology containing substantial excerpts from the Danish philosopher's major works.
Novels about growing up have long been loved by ordinary readers and analyzed, sometimes with more heat than light, by scholars. This book respects the interests of ordinary readers while clarifying and frequently resolving the moral, psychological, social, and occasionally religious coming-of-age dilemmas that scholars have wrestled with. Focusing on Goethe's Wilhelm Meister, Dickens's David Copperfield, James's What Maisie Knew, Forster's The Longest Journey, Lawrence's Sons and Lovers, and Santayana's The Last Puritan, Jeffers writes in a fresh, engaging style meant to give criticism a liveliness and even brilliance it has in recent decades often lacked.
This book takes readers back and forth through time and makes the past accessible to all families, students and the general reader and is an unprecedented collection of a list of events in chronological order and a wealth of informative knowledge about the rise and fall of empires, major scientific breakthroughs, groundbreaking inventions, and monumental moments about everything that has ever happened.