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JAZZ IN THE KEY OF LIGHT is not your typical fine art photography book. In addition to visually capturing a variety of the world's jazz greats in performance or moments of personal reflection, author Ken Franckling paired the images with essential quotes from interviews he conducted with those same musicians in assignments for a variety of mainstream and music publications. The spotlighted musicians, some captured in historically important images, range from legends Dave Brubeck, Miles Davis and Sarah Vaughan to a variety of today's rising stars, including Nicki Parrott, Gregory Porter and Miguel Zenón.
This research and information guide provides a wide range of scholarship on the life, career, and musical legacy of Miles Davis, and is compiled for an interdisciplinary audience of scholars in jazz and popular music, musicology, and cultural studies. It serves as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field.
This book explores the intimate connection between body and instrument in popular music, explaining chords, melodies, riffs, and grooves in terms of embodied movement, which in turn informs the imagination in constructing meaning in songs. Tracing connections from foundational blues, gospel, and rock musicians to current rap artists, author Timothy Koozin demonstrates how a focus on body-instrument interaction can illuminate creative strategies while leveling implied hierarchies of cultural value, revealing how artists represent subjectivities of gender, race, and social class in shaping songs and whole albums.
A spectacular musical and scientific journey from the Bronx to the cosmic horizon that reveals the astonishing links between jazz, science, Einstein, and Coltrane More than fifty years ago, John Coltrane drew the twelve musical notes in a circle and connected them by straight lines, forming a five-pointed star. Inspired by Einstein, Coltrane put physics and geometry at the core of his music. Physicist and jazz musician Stephon Alexander follows suit, using jazz to answer physics' most vexing questions about the past and future of the universe. Following the great minds that first drew the links between music and physics-a list including Pythagoras, Kepler, Newton, Einstein, and Rakim — The Jazz of Physics reveals that the ancient poetic idea of the "Music of the Spheres," taken seriously, clarifies confounding issues in physics. The Jazz of Physics will fascinate and inspire anyone interested in the mysteries of our universe, music, and life itself.
Учебное пособие дает возможность изучающим английский язык подняться до уровня Upper-Intermediate по всем компонентам знания языка В этой книге в соответствии с современными методическими представлениями предложены совершенно новые оригинальные задания, развивающие разговорную и письменную речь, понимание текста, применение грамматических правил и умение понимать живую речь..Пособие состоит из 15 глав. Материал каждой главы привязан к определенной тематике: «Путешествие», «Погода», «Работа», «Магазин», «Телевидение», «Спорт», «Еда», «Здоровье» и т. д. В конце книги приведено приложение с кратким грамматическим материалом для повторения. Для тех, кто занимается самостоятельно, даются ключи к упражнениям.Пособие предназначено для учащихся старших классов школ с углубленным изучением английского языка и студентов первых курсов языковых вузов.(Аудиоматериалы прилагаются только к бумажному изданию.)
In the pursuit of improvisation (jazz or other styles), scales are the "palettes" utilized for creating melodies. Often, scales are only practiced ascending or descending step-wise. "Jazz Scale Workout" by Ken Karsh contains eight measure through-composed continuous eighth note exercises (or "workouts") utilizing "jazz style" melodies based around the Major, Dorian (minor seventh), Mixolydian (Dominant), and Super-Locrian (Altered Dominant) scales—the most common scales in the jazz idiom. Four basic guitar fingerings for each scale are provided for the foundation of these exercises. Since these scales are the basis for improvising over the frequently utilized ii-V-I progression, the final "workouts" found in this publication cover this area. There are two "workouts" provided for each scale form—one with only the scale tones (labeled "Diatonic") and the other with "outside" chromatic tones resolving to the diatonic scale tones (labeled "Chromatic"). the "workouts" can and should be tried with different fingerings and should be played in all keys for maximum benefit. "Jazz Scale Workout" provides an enjoyable "finger and mental fitness program" for guitarists interested in expanding their scale awareness in the jazz idiom.
The fundamentals of jazz are here explained and systemized in 70 lessons based on 60 jazz standards. It covers the styles of musicians from Buddy Bolden to Dizzy Gillespie.
A beautifully composed journey through music history! Music history is a required course for all music students. Unfortunately, the typical music history book is dry and academic, focusing on rote memorization of important composers and works. This leads many to think that the topic is boring, but bestselling author Michael Miller proves that isn’t so. This guide makes music history interesting and fun, for both music students and older music lovers. • Covers more than Western “classical” music—also includes non-Western music and uniquely American forms such as jazz • More than just names and dates—puts musical developments in context with key historical events
Jazz in Socialist Hà Nội: Improvisations between Worlds examines the germination and growth of jazz under communist rule—perceived as the "music of the enemy" and "ideologically decadent"—in the Vietnamese capital of Hà Nội. After disappearing from the scene in 1954 following the end of the First Indochina War, jazz reemerged in the public sphere decades later at the end of the Cold War. Since then, Hà Nội has established itself as a vital and vibrant jazz center, complete with a full jazz program in the national conservatoire. Featuring interviews with principal players involved in cultivating the scene from past to present, this book presents the sociocultural encounters between musicians and the larger powers enmeshed in the broader political economy, detailing jazz’s journey to garner respect comparable to classical music as an art form possessing high artistic value. Ethnographical sketches explore how Vietnamese musicians learn and play jazz while sustaining and nurturing the scene, providing insight as to how jazz managed to grow in such an environment. Jazz in Socialist Hà Nội sheds light on those underlying caveats that allow Vietnamese jazz musicians to navigate the middle grounds between "worlds"—between music and politics—not as an act of resistance, but as realisation of artistic expression.