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(Guitar Educational). To become fluent in the language of jazz and music in general, musicians must develop equality of all twelve keys. The goal of this book is not only to provide a reference for learning chord fingerings, but to offer a daily practice routine to increase the guitarist's vocabulary of chords. This book will provide a clear cut path to learning all the inversions of seventh chords by using the two main building blocks of jazz harmony: major and minor ii-V-I chord progressions. The audio includes backup tracks to 10 jazz standards to allow guitarists to apply their new chord vocabulary.
Since its publication in 1947, great musicians and composers of all genres, from Arnold Schoenberg and Virgil Thomson to John Coltrane and Freddie Hubbard, have sworn by this legendary volume and its comprehensive vocabulary of melodic patterns for composition and improvisation. Think about this book as a melodic reference manual or plot wheel. Looking for new material to add to your playing instruction, improvisations, or composition? This book has more than you'll ever be able to use. Many serious musicians have a copy of this lying around somewhere.
(Berklee Guide). This chord dictionary from the assistant chair of Berklee's guitar department includes 100+ chord forms, from basic 7th chords to guide tone chords and triads over bass notes. It is organized to reveal chord relationships and help guitarists learn voicings quickly and thoroughly. Includes notes, fretboard diagrams and tab for each chord.
(Music Sales America). This book is a condensed, made-for-guitar version of Nicolas Slonimsky's publication Thesaurus of Scales and Melodic Patterns the book that musicians as diverse as John Coltrane and Frank Zappa used for ideas and inspiration. Musicians familiar with the original Thesaurus know that it contains a daunting amount of information crammed in its over 230 pages. But there is a definite symmetry and logic in these Slonimsky examples. What appear to be random patterns are actually mathematical combinations of some or all of the twelve notes in music. As the musician/student plays through the examples, the patterns will unfold and become more obvious.
JAZZ GUITAR HANDBOOK: A COMPLETE COURSE IN ALL STYLES OF JAZZ
Surprisingly, few studies have been made that address the possibilities of musical scales. This book is, to the best of my knowledge, the first of its kind to establish and examine a complete system of all conceivable scales. My intention is that this book be used as a reference tool for all musicians, as it provides a complete dictionary of all possible scale configurations.
DVD provides over three hours of audio and video demonstrations of rehearsal techniques and teaching methods for jazz improvisation, improving the rhythm section, and Latin jazz styles.
Contrary to popular belief, improvising over Blues changes is not simply noodling around on the minor pentatonic scale. There are many structures that can be used (mix and match): 1. minor Blues pentatonic scale 2. modes of the Secret Saxophone Scale 3. The Boogie-Woogie scale 4. Blues CESH figures 5. variations on Shuffle patterns 6. Arpeggios These are all explored in the context of real solos played by a real live band.