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Offers twenty-one easy-to-play melodies for the piano including George Gershwin's "I'll Build a Stairway to Paradise" and "Alexander's Ragtime Band" by Irving Berlin.
The quintessential crossover form, jazz-rock encompasses the most popular hybrid styles, from 1970s fusion to the latest in acid jazz. Jazz-Rock: A History provides a clear overview of the many trends and musical genres that comprise this popular music.
Anyone with basic keyboard skills (equivalent to Alfred's Basic Piano, Lesson Book 2) can dig right in and begin learning jazz right away. Spanning from the major scale and basic triad theory all the way through 7th chords, pentatonic scales and modulating chord progressions, this book features a full etude or tune demonstrating every new concept introduced. Beginning Jazz Keyboard breaks the age-old tradition of dry, intimidating and confusing jazz books, and provides an actual step-by-step and enjoyable method for learning to play in this style. The DVD demonstrates examples and offers opportunity to play along.
Jazz is a democratic music in the best sense of the word, for it is the collective achievement of a people.
A highly illustrated reference to all aspects of jazz dance by one of the art's most respected teachers.
Jazz, Rags & Blues, Book 1 contains original solos for late elementary to early intermediate-level pianists that reflect the various styles of the jazz idiom. An excellent way to introduce your students to this distinctive American contribution to 20th century music.
Jazz Works is a beginning jazz piano method created for the classically trained pianist who plays and reads on the intermediate level. Concepts and skills are presented through example and explanation in each chapter. Practice exercises prepare the player to apply the new skills to the tunes included in each chapter. Pieces are presented in lead sheet format: melody lines with alphabet chord symbols. Accompaniment tracks for most exercises and all tunes are recorded on the 2 CDs included and are also available separately in General MIDI Disk format.
It's been called America's classical music. The infinite art. The heart and soul of all popular music. But whatever the label, jazz has played an immense cultural role worldwide, opening up vast vistas of musical creativity, generating unforgettable performances, and giving us such iconic artists as Miles Davis, Louis Armstrong, and Duke Ellington. Jazz: The First Century marks the passage of the music's first hundred years by bringing together text and art in a rich, illustrated chronicle that opens up the vibrant world of jazz to everyone. Jazz: The First Century is edited by John Edward Hasse, Curator of American Music at the Smithsonian Institution, leading a writing team of today's finest and most widely respected jazz authorities. Their compelling essays are complemented by an engrossing and sophisticated design packed with more than 300 images, including vintage photographs, sheet music covers, rare album jackets, posters, and more. From the beginning, jazz offered a new kind of musical expression perfectly suited to the innovation and rapid pace of life in the twentieth century. Jazz: The First Century vividly illuminates the circumstances of the music's birth, examines the contributions of its most consequential musicians, and brings to life its many pleasures, from the emotionalism of early blues and the infectious syncopation of ragtime to the exhilaration of 1930s big-band swing and the awesome musical flights of bebop-from the understated sophistication of cool jazz and the boundless expressiveness of free improvisation to the electrifying power of fusion and the potent grooves of jazz-rap and hip-hop. In addition, seventy concise sidebars focus on important songs, key landmarks and personalities, and conventions of jazz performance and composition. They also examine the confluence of jazz with radio and television and with such art forms as film, painting, literature, poetry, classical music, and dance. Here also are hundreds of recommended recordings-selections based on opinions gathered in an international survey of historians, educators, critics, musicians, and broadcasters. For newcomers and aficionados alike, Jazz: The First Century offers a wealth of enlightening information. It's an essential and comprehensive overview of the music Tony Bennett calls "Amrica's greatest contribution to the world...a celebration of life itself."
Jazz clarinetist, saxophonist, and bassoonist Garvin Bushell (1902–1991) performed with many of the twentieth century's greatest jazz musicians—from Fletcher Henderson, Fats Waller, and Cab Calloway to Eric Dolphy, Gil Evans, and John Coltrane—during his remarkable career that spanned from 1916 to the 1980s. Although best known as a jazz soloist and sideman, Bushell also played oboe and bassoon with symphony orchestras and was a highly regarded instructor of woodwinds. In Jazz from the Beginning, Bushell vividly recounts his musical experiences, featuring candid assessments of the legends with whom he performed as well as eye-opening accounts of the early days of jazz and the racism that he encountered on the road. Based on a series of interviews conducted by jazz scholar Mark Tucker, these memoirs provide a colorful account of Bushell's extraordinary life and career as well as an important record of seventy years of America's musical history.
"Musical History as Seen through Contemporary Eyes", edited by Benjamin Knysak and Zdravko Blažeković, is a Festschrift published in honor of the musicologist H. Robert Cohen. Born in Baltimore, educated in New York, and with a career spanning France, Canada, and the United States, Cohen is the founder of the Répertoire international de la presse musicale (RIPM), the international project focused on the historic musical press. With research interests spanning print culture, music iconography, Hector Berlioz, musical France, and Giuseppe Verdi, this volume presents a collection of essays written by many friends and collaborators exploring these themes and many others. "Musical History as Seen through Contemporary Eyes" is a tribute to Cohen's contributions to musicology, librarianship, and information science spanning more than fifty years.