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SUPERANNO The first full history of the New Orleans Jazz & Heritage Festival, with over 400 photographs, many in full color. Includes quotes from musicians with a listing of bands and the times and stages on which they performed. The colorful history of WWOZ-radio, chapters on the bountiful food and crafts heritage, and how the posters, and T-shirt
An extraordinary documentation through photographs of the evolution of this yearly festival that in New Orleans has become a seasonal ritual comparable only to the revelry of Mardi Gras. Photographs.
Jim Marshall is known as the defining father of music photography and his intimate photographs of the greats of Rock & Roll, Country, Folk, Blues and Jazz are legendary. Renowned for his extraordinary access and ability to capture the perfect moment, his influence is second to none. In 2014, Marshall became the only photographer ever to be honoured by the Grammys with a Trustees Award for his life's work. Published here for the first time ever are Marshall's jazz festival photographs from the 1960s. Over 95% of the material in this breathtaking coffee table volume.
"Cincinnati, Ohio, might have seemed like an unlikely choice to host the nation's largest annual R&B concert, but thanks to local promoter Dino Santangelo, the Ohio Valley Jazz Festival would become the 'Granddaddy of them all.' The first festival was held in 1962 at the Carthage Fairgrounds, but the event would continue to grow--moving to Crosley Field in 1964 and then Riverfront Stadium in 1971--to become the nation's biggest two-day stadium concert. The Ohio Valley Jazz Festival would eventually feature the most popular R&B artists of the day and draw audiences from as far as 500 miles away. The festival pioneered stadium concert production, generated millions for the regional economy, and eased the Greater Cincinnati community's difficult cultural transition throughout the turbulent 1960s and 1970s"--Back cover.
One of jazz’s leading critics gives us an invigorating, richly detailed portrait of the artists and events that have shaped the music of our time. Grounded in authority and brimming with style, Playing Changes is the first book to take the measure of this exhilarating moment: it is a compelling argument for the resiliency of the art form and a rejoinder to any claims about its calcification or demise. “Playing changes,” in jazz parlance, has long referred to an improviser’s resourceful path through a chord progression. Playing Changes boldly expands on the idea, highlighting a host of significant changes—ideological, technological, theoretical, and practical—that jazz musicians have learned to navigate since the turn of the century. Nate Chinen, who has chronicled this evolution firsthand throughout his journalistic career, vividly sets the backdrop, charting the origins of jazz historicism and the rise of an institutional framework for the music. He traces the influence of commercialized jazz education and reflects on the implications of a globalized jazz ecology. He unpacks the synergies between jazz and postmillennial hip-hop and R&B, illuminating an emergent rhythm signature for the music. And he shows how a new generation of shape-shifting elders, including Wayne Shorter and Henry Threadgill, have moved the aesthetic center of the music. Woven throughout the book is a vibrant cast of characters—from the saxophonists Steve Coleman and Kamasi Washington to the pianists Jason Moran and Vijay Iyer to the bassist and singer Esperanza Spalding—who have exerted an important influence on the scene. This is an adaptive new music for a complex new reality, and Playing Changes is the definitive guide.
African Rhythms is the autobiography of the important jazz pianist, composer and band leader Randy Weston. He tells of his childhood in Brooklyn, his six decades long musical career, his time living in Morocco, and his lifelong quest to learn about the musical and cultural traditions of Africa.
What is heaven on earth? The answer lies in this true story of one young man's journey to find hope and purpose with the help of an unlikely teacher--a compassionate and wise old nun, whom the world had long-forgotten. By the time Harvard-educated John Schlimm turned 31 years old, he had worked with some of the biggest superstars in Nashville and served under the most powerful people in the White House. But something was missing. His life had come to a standstill, lost in a whirl of questions about belonging, faith, rejection, and purpose. He soon decides to return to his small-town roots in search of a new beginning. Returning home, John meets 87-year-old Sister Augustine, the beguiling self-taught artist-in-residence at the ceramic shop on the sprawling grounds of the local 150-year-old convent. John is instantly bowled over by Sister's quiet grace and vision. Before long, his weekly visits to Sister's shop become a master's class in the meaning of life, love, humility, and second chances. As she directed him on the road to self-discovery and salvation, John returned the favor by putting Sister Augustine on the front page of newspapers and showing his friend that her life still had one very important and unexpected final chapter yet to go. In Five Years in Heaven, John shares the wisdom, humor, grace, and inspiration he experienced during his hundreds of visits with Sister Augustine. Five Years in Heaven reminds us that we can find love and joy in the most unlikely of places, and that the building blocks of peace and happiness are always within our reach.
Although he does not want to go at first, D.J. has a good time and learns a lot when he joins his mother and godmother at the annual jazz festival in New Orleans.
Mid-fifties San Francisco. A jazz critic and a jazz disc jockey sit for hours philosophizing about the music they know so well. A west coast jazz festival - that's what the world needs. Something that will show people the meaning of jazz. Real jazz. By 1958 it is in place. Today the Monterey Jazz Festival, the dream of radio man Jimmy Lyons and San Francisco Chronicle columnist Ralph J. Gleason, is synonymous with the finest music the world of jazz has to offer. Scoresof performers. The known. The unknown. Three September days full of sound emanating from the California town John Steinbeck called a poem . . . a habit, a nostalgia, a dream." And while today's Festival is a dream-come-true for any jazz lover, its history is rich with drama, humor, catastrophe and success, a collage of emotion, compromise and risk-taking. And in these pages, every aspect jumps off the page in words and glorious black-and-white photographs. A special four-color gatefold featuresselected Monterey Jazz posters. In Monterey Jazz Festival: Forty Legendary Years, jazz journalist William Minor tells the story of the oldest, continuously performed jazz gathering in the world, the story of forty weekends of jazz that welcomed the likes of Dizzy Gillespie, Louis Armstrong, Dave Brubeck, Gerry Mulligan, Billie Holiday, Miles Davis, Carmen McRae, Janis Joplin, Herbie Hancock, Wynton Marsalis and Joshua Redman. Photographer and photo editorBill Wishner has collected more than one hundred fifty rare images of the performers and performances that have highlighted the Festival over nearly half a century. Monterey Jazz Festival: Forty Legendary Years includes a complete listing of all musicians who have performed on the Monterey stages from 1958 to 1997. This is the definitive history of the Festival that defines jazz. "