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Historical novel by Victor Hugo set in 1791, during the tumultuous early years of the slave revolt that would lead to the Haitian Revolution, and the creation of the black republic of Haiti in 1804. The novel follows the interracial friendship and rivalry between the enslaved African prince of the title and a French military officer named Leopold D'Auverney. First published in 1826, it is a reworked version of an earlier short story of the same title published in the magazine "Le conservateur littéraire" in 1820. Several English translations have been published; the first, a modified version with the title "The slave-king" was published in 1833.
The story is a dramatic episode of the revolt of the blacks of St. Domingo in 1791. Bug-Jargal, the hero, is a negro, a slave in the household of a planter. He is secretly in love with his master's daughter, a poetic child, betrothed to her cousin, Leopold d'Auverney. The latter saves the life of Bug-Jargal, who is condemned to death for an act of rebellion. When the great revolt breaks out, and the whole island is in flames, Bug-Jargal protects the young girl, and saves the life of her lover. He even conducts D'Auverney to her he loves, and then, in the fullness of sublime abnegation, he surrenders himself to the whites, who shoot him dead.
"Bug-Jargal" (1826; first published as a short story in 1819) is an early novel by French writer Victor Hugo (1802-1885). It describes the friendship between the enslaved African prince Bug-Jargal and Leopold D'Auverney, a French military officer, during the slave revolt in Santo Domingo of August, 1791, that would eventually lead to the creation of the republic of Haiti in 1804. --- Bug-Jargal, black slave and son of a king, is a man "of the noblest moral and intellectual character, passionately in love with a white woman, yet tempering the wildest passion with the deepest respect... There is no reader of the tale, who can forget the entrancing interest of the scenes in the camp of the insurgent chief Biassou, or the death-struggle between Habibrah and D'Auverney, upon the brink of the cataract. The latter, in particular, is drawn with such intense force, that the reader seems almost to be a witness of the changing fortunes of the fight, and can hardly breathe freely till he comes to the close." (The Edinburgh Review)
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