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In 'Another Way of Looking at Love', the landscape is explored as a metaphor to consider the personal, societal, and environmental consequences of disconnection, and simultaneously, our yearning to be connected. From 2015-2018, Janelle Lynch (born 1969) has used an 8 x 10 camera to create still lives in the landscape that combine similar and disparate visual and biological elements. This process begins by identifying details in nature that, based on a unique vantage point, created geometric formations of closure. The connective point, or nucleus, that is created by the union becomes the artist?s plane of focus. The work is informed by Lynch?s recent immersion in drawing and painting from perception, primarily by charcoal mark-making?a new aspect of her practice that has allowed for a deeper inquiry into the nature of seeing, such as: formal abstraction, color relativity, and the notion of relationality.
Jardine Matheson & Co, founded in Canton on 1 July, 1832, has had a longer continuous existence than any other British, European or American business connected with the China trade. It is the only firm surviving from pre-Treaty days (before the Treaty of Nanking which opened China to foreign commerce in 1842) and it played a very important part in that process. The firm soon after moved to the newly ceded colony of Hong Kong, and ever since the firm has been associated with the island. ¿Jardines is Hong Kong¿ someone once asserted to Lord Blake ¿ an exaggeration, of course, but pardonable. And although Hong Kong has reverted to Chinese sovereignty, Jardine Matheson is likely to remain a major feature of the place and may well play a renewed role in mainland China far into the twenty-first century. Lord Blake traces the early beginnings of the firm, from William Jardine's first glimpse of Canton in 1802, through the rapid expansion and growth of the nineteenth century and into the next, leaving the story exactly half-way through the twentieth century, just as the Korean War breaks out. The early history of the firm has always been regarded as the most interesting part of the story. It, or its background, has been the subject of two fascinating historical novels: the late James Clavell's bestselling blockbuster Tia-pan (1966) and Timothy Mo's aclaimed An Insular Possession (1986). The real story is equally exciting in the hands of one of the most distinguished historians of the twentieth century.
In this re-assessment of Renaissance art, Lisa Jardine and Jerry Brotton examine the ways in which European civilization defined itself between 1450 and 1550.
'Worldly Goods' provides a radical interpretation of the Golden Age of European culture. During the Renaissance, Jardine argues, vicious commercial battles were being fought over silks and spices, and who should control international trade.
Scouring the fallow landscape around the Llobregat river and the Rub stream near Barcelona with her 8 x 10 camera, Janelle Lynch (born 1969) searches for evidence and omens of nature's life cycles. Her photographs of anthropomorphized trees, walls of litter-strewn vegetation, rocks and disintegrating leaves, all taken during a four-year stay in Barcelona between 2007 and 2011, are informed by three figures whose texts are excerpted in this volume: Roland Barthes, particularly his discussion of mourning in Camera Lucida; Charles Burchfield, whose pantheistic painterly animations of landscape have much inspired Lynch; and Wendell Berry, whose essay on approaching nature with respect and humility helped to further hone her process. Barcelona is also conceived as a homage to Lynch's grandmother, who died in 2008, and to the victims of a devastating flood in the region that occurred in 1962.
In this fascinating look at the European scientific advances of the seventeenth and early eighteenth centuries, historian Lisa Jardine demonstrates that the pursuit of knowledge occurs not in isolation, but rather in the lively interplay and frequently cutthroat competition between creative minds. The great thinkers of that extraordinary age, including Isaac Newton, Johannes Kepler, and Christopher Wren, are shown in the context in which they lived and worked. We learn of the correspondences they kept with their equally passionate colleagues and come to understand the unique collaborative climate that fostered virtuoso discoveries in the areas of medicine, astronomy, mathematics, biology, chemistry, botany, geography, and engineering. Ingenious Pursuits brilliantly chronicles the true intellectual revolution that continues to shape our very understanding of ourselves, and of the world around us.
Learn to train your eye and improve your timing in order to capture the decisive moment!

Whether it’s due to social media or the introduction of great rangefinder-style digital cameras over a decade ago, street photography has experienced a remarkable resurgence in recent years. You can be roaming the streets of a classic urban environment (New York, Paris, Tokyo) or on a simple photo walk around a quiet neighborhood—it has never been more popular to pursue the art of capturing those candid, fleeting moments that happen throughout the day, of freezing a moment in time and transforming the ordinary into an extraordinary photograph.

But learning to see light and moment, to make quick decisions, and to nail a photographic composition are all crucial skills you must master in order to become a good street photographer. Photographer, instructor, and author Valerie Jardin has been teaching photographers how to take better photographs for years, and in Street Photography Assignments: 75 Reasons to Hit the Streets and Learn, she provides dozens of prompts for you to practice in order to refine and improve your craft.

These activities focus on themes such as:

 • Street portraits
 • Gesture
 • Shadows
 • Silhouettes
 • Rim light
 • Humor
 • Abstract
 • Tension
 • Motion
 • Reflections
 • Leading lines
 • Creative framing
 • Juxtapositions
 • Double exposures
 • And much, much more!

Each assignment includes a description of the technique, various tips and tricks to practice, technical and compositional considerations, and an example photo that Jardin has captured when practicing the same exercise. Whether you have 30 minutes or 3 hours, each assignment is an opportunity for you to take your camera and hit the streets. No more excuses!

Sir William Jardine was a key figure in the history of Victorian-era science. He owned the finest private natural history museum and library in Britain and made natural history widely available by issuing the The Naturalists' Library , forty small, affordable volumes on birds, mammals, fish, and insects. Yet, until now, no comprehensive biography of him existed.This book explores the history of this singular man, his impact on the study of natural history, and its popularization through his publishing efforts.