Download Free Japans Hidden Christians 1549 1999 Book in PDF and EPUB Free Download. You can read online Japans Hidden Christians 1549 1999 and write the review.

This volume is by the author ofThe Kakure Kirishitan of Japan: A study of their development, beliefs and rituals to the present day, widely seen as the landmark study on this subject. Stephen Turnbull here brings together in two volumes the most significant scholarly writings on Japan's hidden Christians published in recent times, encompassing a span of some 450 years of the Christian tradition in Japan. Remarkably, in many respects, the inheritors of this tradition continue to remain 'hidden' at the dawn of the new millennium. The author contributes a full introduction, in which he reviews the key elements of the collected writings and at the same time takes the opportunity to bring his own study up-to-date.
Hidden Christians in Japan: Breaking the Silence examines the contemporary issues facing hidden Christian communities in Japan, looking at how these issues have resulted in the discontinuation of hidden Christian practices, and how these communities adapt to their changing communities. For those who have disbanded or are deciding to disband, this book examines the ways these groups deal with keeping both the traditions and rituals of the hidden Christians alive and how it affects their communal identity as a whole. The way these communities choose to either leave their practices behind as a forgotten legacy of their ancestors or publicly preserve their artifacts and traditions through various means can have a dramatic impact on how the world is able to finally understand their views, but more importantly, how hidden Christian communities cope with the loss for these familial traditions.
Nagasaki, on the west coast of the Japanese island of Kyushu, is known in the West for having been the target of an atomic bomb attack on August 9, 1945. Less well known is that the city was founded by Europeans, Jesuit missionaries who arrived in the area in the second half of the 16th century. The Jesuits had come to convert the Japanese. After baptizing a Japanese lord or daimyo of the area, they established Nagasaki in 1571 to provide the Portuguese a safe harbor in his domain. Profits for the daimyo and the Japanese who converted to Christianity soon followed. This book is the first comprehensive history in any language of the rise and fall of Christian Nagasaki (1560-1640). The author provides a narrative of the city's early years from both the European and Japanese perspectives.
Christians are a tiny minority in Japan, less than one percent of the total population. Yet Christianity is ubiquitous in Japanese popular culture. From the giant mutant “angels” of the Neon Genesis Evangelion franchise to the Jesus-themed cocktails enjoyed by customers in Tokyo’s Christon café, Japanese popular culture appropriates Christianity in both humorous and unsettling ways. By treating the Western religion as an exotic cultural practice, Japanese demonstrate the reversibility of cultural stereotypes and force us to reconsider common views of global cultural flows and East-West relations. Of particular interest is the repeated reappearance in modern fiction of the so-called “Christian century” of Japan (1549–1638), the period between the arrival of the Jesuit missionaries and the last Christian revolt before the final ban on the foreign religion. Literary authors as different as Akutagawa Ryūnosuke, Endō Shūsaku, Yamada Fūtarō, and Takemoto Novala, as well as film directors, manga and anime authors, and videogame producers have all expressed their fascination with the lives and works of Catholic missionaries and Japanese converts and produced imaginative reinterpretations of the period. In Holy Ghosts, Rebecca Suter explores the reasons behind the popularity of the Christian century in modern Japanese fiction and reflects on the role of cross-cultural representations in Japan. Since the opening of the ports in the Meiji period, Japan’s relationship with Euro-American culture has oscillated between a drive towards Westernization and an antithetical urge to “return to Asia.” Exploring the twentieth-century’s fascination with the Christian Century enables Suter to reflect on modern Japan’s complex combination of Orientalism, self-Orientalism, and Occidentalism. By looking back at a time when the Japanese interacted with Europeans in ways that were both similar to and different from modern dealings, fictional representations of the Christian century offer an opportunity to reflect critically not only on cross-cultural negotiation but also more broadly on both Japanese and Western social and political formations. The ghosts of the Christian century that haunt modern Japanese fiction thus prompt us to rethink conventional notions of East-West exchanges, mutual representations, and power relations, complicating our understanding of global modernity.
Christians have never constituted one percent of Japan’s population, yet Christianity had a disproportionately large influence on Japan’s social, intellectual, and political development. This happened despite the Tokugawa shogunate’s successful efforts to criminalize Christianity and even after the Meiji government took measures to limit its influence. From journalism and literature, to medicine, education, and politics, the mark of Protestant Japanese is indelible. Herein lies the conundrum that has interested scholars for decades. How did Christianity overcome the ideological legacies of its past in Japan? How did Protestantism distinguish itself from the other options in the religious landscape like Buddhism and New Religions? And how did the religious movement’s social relevance and activism persist despite the government’s measures to weaken the relationship between private religion and secular social life in Japan? In Church Space and the Capital in Prewar Japan, Garrett L. Washington responds to these questions with a spatially explicit study on the influence of the Protestant church in imperial Japan. He examines the physical and social spaces that Tokyo’s largest Japanese-led congregations cultivated between 1879 and 1923 and their broader social ties. These churches developed alongside, and competed with, the locational, architectural, and social spaces of Buddhism, Shinto, and New Religions. Their success depended on their pastors’ decisions about location and relocation, those men’s conceptualizations of the new imperial capital and aspirations for Japan, and the Western-style buildings they commissioned. Japanese pastors and laypersons grappled with Christianity’s relationships to national identity, political ideology, women’s rights, Japanese imperialism, and modernity; church-based group activities aimed to raise social awareness and improve society. Further, it was largely through attendees’ externalized ideals and networks developed at church but expressed in their public lives outside the church that Protestant Christianity exerted such a visible influence on modern Japanese society. Church Space offers answers to longstanding questions about Protestant Christianity’s reputation and influence by using a new space-centered perspective to focus on Japanese agency in the religion’s metamorphosis and social impact, adding a fresh narrative of cultural imperialism.
Uniquely authoritative and wide-ranging in its scope, The Oxford Dictionary of the Christian Church is the indispensable one-volume reference work on all aspects of the Christian Church. It contains over 6,000 cross-referenced A-Z entries, and offers unrivalled coverage of all aspects of this vast and often complex subject, including theology, churches and denominations, patristic scholarship, the bible, the church calendar and its organization, popes, archbishops, saints, and mystics. In this revision, innumerable small changes have been made to take into account shifts in scholarly opinion, recent developments, such as the Church of England's new prayer book (Common Worship), RC canonizations, ecumenical advances and mergers, and, where possible, statistics. A number of existing articles have been rewritten to reflect new evidence or understanding, for example the Holy Sepulchre entry, and there are a few new articles. Perhaps most significantly, a great number of the bibliographies have been updated. Established since its first appearance in 1957 as an essential resource for ordinands, clergy, and members of religious orders, ODCC is an invaluable tool for academics, teachers, and students of church history and theology, as well as for the general reader.
This interdisciplinary study explores Marian imagery and representations in world literature and art throughout the centuries. This book demonstrates the widespread deep veneration of the image of the Blessed Virgin Mary in various countries and different Christian traditions. Devotion to the Holy Virgin has served as a bridge to different cultures, overcoming all types of possible borders. Religious and cultural literacy is crucial for domestic and international politics, the practice of peace, harmony, justice and prosperity. This book also gives recognition and pays homage to the influence of the image of Mater Dolorosa in shaping art and literature around the world.
This volume considers the concept of conversion as a tool for understanding transformations to modernity. It examines conversions to modernity within the Ottoman domain, India, China, and Japan as a reaction to the pressures of colonialism and imperialism.
Mining, Monies, and Culture in Early Modern Societies explores substantial and methodological issues in the early modern history of mining for monetary metals and monies of Japan, China, and Europe. The largest group in the thirteen articles presents empirical research on mining, metallurgy, and metals trade in the context of global trade systems. Another group focuses on the effects of money in government and everyday life. Several articles investigate scroll paintings and material remains as sources for the history of technology, or apply Geographic Information Systems to the analysis of spatial dimensions of mining areas.
This book demonstrates how Japanese Americans have developed traditions of complex silences to survive historic moments of racial and religious oppression and how they continue to adapt these traditions today. Brett Esaki offers four case studies of Japanese American art-gardening, origami, jazz, and monuments-and examines how each artistic practice has responded to a historic moment of oppression. He finds that these artistic silences incorporate and convey obfuscated and hybridized religious ideas from Buddhism, Christianity, Confucianism, Shinto, indigenous religions, and contemporary spirituality. While silence is often thought of as the binary opposite and absence of sound, Esaki offers a theory of non-binary silence that articulates how multidimensional silences are formed and how they function. He argues that non-binary silences have allowed Japanese Americans to disguise, adapt, and innovate religious resources in order to negotiate racism and oppressive ideologies from both the United States and Japan. Drawing from the fields of religious studies, ethnic studies, theology, anthropology, art, music, history, and psychoanalysis, this book highlights the ways in which silence has been used to communicate the complex emotions of historical survival, religious experience, and artistic inspiration.