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Enter the world of the stylish Japanese house, where every object in sight is a work of art. Japan Style introduces 20 special residences. With more than 200 color photographs, this book showcases Japanese design in the stunning beauty of old homes and reveals how they are cared for by their owners. Traditional Japanese homes, with superbly crafted fine wood, great workmanship and seasonal interior arrangements, have an aesthetic of infinite simplicity. Unlike Japanese inns and historical buildings, the Japanese architecture featured in this book is on private property not open to public viewing. Japan Style offers a rare glimpse into the intimate world of everyday Japanese culture and fascinating insight into the traditional architecture of Japan.
This innovative and interdisciplinary book on style shifting in Japanese brings together a wide range of perspectives and methodologies—including discourse analysis, sociolinguistics, cognitive linguistics, and functional linguistics—to look at a variety of types of style shifting in both spoken and written Japanese discourse. Though diverse in approach, the contributions all reflect the belief that language use is inextricably linked to both context and language structure in mutually constitutive relationships. Topics covered include shifting between "polite" and "plain" styles, the emergence of a "semi-polite" style, speakers' strategic use of gendered styles or regional dialects, shifting between different deictic expressions, and prosodic shifting. This careful and detailed examination advances our understanding of the complex phenomenon of style shifting not only in Japanese, but also more generally, and will be of interest to researchers and students in fields such as linguistics, linguistic anthropology, communication studies, and second language acquisition and teaching.
Illustrates how to connect with and incorporate Japanese design traditions into western homes. Adept at compact living and masters of elegant simplicity, the Japanese embody the principle of doing more with less.
The story of how Japan adopted and ultimately revived traditional American fashion Look closely at any typically "American" article of clothing these days, and you may be surprised to see a Japanese label inside. From high-end denim to oxford button-downs, Japanese designers have taken the classic American look—known as ametora, or "American traditional"—and turned it into a huge business for companies like Uniqlo, Kamakura Shirts, Evisu, and Kapital. This phenomenon is part of a long dialogue between Japanese and American fashion; in fact, many of the basic items and traditions of the modern American wardrobe are alive and well today thanks to the stewardship of Japanese consumers and fashion cognoscenti, who ritualized and preserved these American styles during periods when they were out of vogue in their native land. In Ametora, cultural historian W. David Marx traces the Japanese assimilation of American fashion over the past hundred and fifty years, showing how Japanese trendsetters and entrepreneurs mimicked, adapted, imported, and ultimately perfected American style, dramatically reshaping not only Japan's culture but also our own in the process.
Introduction. Nihonga and the historical inscription of the modern -- Exhibitions and the making of modern Japanese painting -- In search of images -- The painter and his audiences -- Decadence and the emergence of Nihonga style -- Naturalizing the double reading -- Transmission and the historicity of Nihonga -- Conclusion.
An authoritative and wide-ranging visual essay on the aesthetics of Japan, now in a beautiful paperback edition. Japan Style, written by one of the world's most respected scholars of Japanese art and culture, defines what 'Japan style' is. It explores specific achievements in Japanese art and architecture, but also offers an in-depth analysis of the whole of Japanese culture, its vision of the world and of humankind. 'Japan style' is something recognizable to everyone: a beautifully arranged flower, an elegant piece of calligraphy or a simple rock garden, but it is also something that is very difficult to define. The book is divided into three main sections. In the first one ('Irregular Beauty'), the author delineates the different aspects of Japanese culture and draws interesting connections between art, architecture, religion, philosophy and mythology. For example, he explains the aesthetics of the tea ceremony and its relationship to Zen philosophy as well as other subjects such as the function of the void in mythology, Buddhism and the arts. The second part of the book ('A Feeling of Nature') follows a chronological path from ancient times to the present explaining more specifically how to interpret the different forms of Japanese art (literature, painting, sculpture, etc.). The third part of the book ('Art Masters') contains short monographs on Japanese masters in the history of Japanese art and culture: Zeami Moto, the creator of No theatre; Hokusai, the master of woodblock printing; Yasunai Kawabata and Mishima Yukio, the writers; and the graphic designer, Tanaka Ikko. Calza's groundbreaking and insightful text is accompanied by 150 colour images of a great variety of examples from Japanese art and culture.
Japanese interiors focus primarily on one simple philosophy, Zen. All the rooms in a traditionally furnished Japanese home strive to achieve a balance of peace and simplicity; their interiors are steeped in centuries of cultural influence, and a sense of calm is key to the whole aesthetic. This handbook shows how to create a tailor-made Japanese home. Working through the house one room at a time, it highlights classic items of furniture and signature accessories, from tatami mats and paper lanterns to shoji (dividing screens). In-depth case studies demonstrate the essential elements and provide inspiration, while colour combinations are explored to help personalize this iconic style for the home. Anyone who hankers after the Japanese look and is eager to bring it to their own home will find this book a valuable resource.
Running for public office in postwar Japan requires the endorsement of a political party and a sophisticated system of organizational support. In this volume, Gerald L. Curtis provides a detailed case study of the campaign of Sato Bunsei, who in 1967 ran for the Lower House of Japan's parliament as a nonincumbent candidate of the ruling Liberal Democratic Party. Sato's district consisted of a modern urban center and a tradition-bound rural hinterland and featured a dynamic dialectic between old and new patterns of electioneering, which led Sat? to innovate new strategies and techniques. Since its publication in 1971, sociologists and anthropologists as well as political scientists have considered Curtis's microanalysis of Japan's political system to be a vital historical document, offering insights into Japanese social behavior and political organization that are still relevant. The Japanese edition of Curtis's pioneering study, Daigishi No Tanjo, a best-seller, is valued today as a classic and read and cited by journalists, politicians, and scholars alike. This edition features a new introduction in which the author reflects on the reception of his book and on the changes in Japan's election process since its publication.
-Features Japanese style typeface works from design masters, such as Ryuta Ishikawa, Takahashi Yoshiharu, Toshiyasu Nanbu and Shinnoske Sugisaki. Each stringently selected work has a detailed description from the designer revealing the design concept and creative process -Different design and applications of Japanese style typeface are systematically divided into four parts: corporate image (Logo, promotion, vision identity system), product packaging, poster and book -More than 1000 graphic and application images are involved with the aim of thoroughly presenting the works Japanese-style typeface is not only used to express ideas in daily life, but also becomes an important part in commercial design. This book is the collection of classic and ingenious works, which are both artistic and practical. It can also be seen as a reference that can inspire readers and improve their aesthetic value and design competence.