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Originally published: London: British Museum Press, c2010.
A comprehensive survey of the history of Japanese woodblock prints, This works illustrated with an overview of social conditions, printing techniques,rtists, engravers, printers and details of the prints and subjects.
"Little is known of the acclaimed 18th-century Japanese artist Toshusai Sharaku. This impressive volume is the definitive illustrated catalog of the surviving works of this legendary figure -- offering connoisseurs and collectors clear black-and-white reproductions of 146 prints and drawings. Each print is accompanied by extensive commnetary providing details of background and coloring; inofrmation on states and impressions; and identifications of actors and other subjects, and roles depicted. Also included are succinct plot summaries of the plays in which Sharaku's subjects appeared. Here is a priceless record of Japan's popular Kabuki theater."--from publisher
Numata Kashû's wonderfully lifelike images of birds and flowers first appeared in a three-volume, 1883 portfolio. His woodblock prints were so popular that dealers sold them individually, destroying most complete sets. A collector's delight, this exquisite edition reprints a 1930s facsimile, alive with 150 color illustrations of the highest quality.
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Of all the sophisticated traditional arts and crafts of Japan, woodblock prints are probably the most widely known in the West. The bold yet refined compositions are as fresh to the Western eye today as they were when they first came to the attention of the Impressionists in the nineteenth century. With their fluid lines, intricate carving and delicate colors, Japanese prints are still as fascinating as ever. In this book, Rebecca Salter takes us through the history of the Japanese woodblock, discusses the materials, tools, and papers available (and their Western equivalents) and shows how to get the most out of them through interesting step-by-step projects. The work of an international group of artists shows the varied and exciting prints being produced today.
Designed for Pleasure is a dazzling probe of Japan's famous "floating world" of spectacle and entertainment. From luxury paintings of the pleasure qurters to Hokusai's iconic "Red Fugi," Designed for Pleasure presents a focused examinatin of the priod's fascinating networks of art, literature, and fashion, proving that the artists and the publishers and patrons who engaged them not only morrored the tastes of their energetic times, they created a unifying cultural legacy. Contributors include John T. Carpenter, Timothy Clark, Julie Nelson Davis, Allen Hockley, Donald Jenkins, David Pollack, Sarah E. Thompson, and David Boyer Waterhouse.
An illustrated survey of Japanese prints at London's Victoria and Albert Museum. Each colour plate is supported by notes together with standard specifications and provenance. The book also includes introductory chapters on the ukiyo-e genre, and the history and character of the Museum's collection. Ever since Japan opened its doors to the West in the latter half of the nineteenth century, Westerners have been fascinated by the exquisite art forms that flourished during the previous two hundred years of self-imposed isolation. Among the most