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Joe Price purchased his first Japanese painting in the 1950s, under the influence of Frank Lloyd Wright. Over the next five decades, he and his wife Etsuko would collect more than 200 masterpieces from the Edo period (1615-1868), a time when Japan had isolated itself from the rest of the world. Curiously, during that period of national seclusion, independent and diversely creative artists flourished as never before. Today, the Etsuko and Joe Price Collection is placed among the finest in the world. The detailed patterns evident in many of the works reflect the high regard artists of the period held for textile designers. The expressiveness in the eyes of the various animals, demons, deities, and people depicted suggest that they all inhabited the same world rather than different spiritual levels- the prominent religious theory of the time.The animal world becomes more animated, landscapes have their own light, spirits are alive, past becomes present, evoking a mood that suggests familiarity with all worlds, above and below. At the collection's core are screens, hanging scrolls, fans, and some of the finest examples of the distinctive, hauntingly preternatural renderings of animal life by Ito Jakuchu (1716-1800), one of the most innovative and imaginative of Kyoto's eighteenth-century painters. Jakuchu's prominence in recent decades has been greatly aided by the Price's intensive interest in his work.
Joe Price purchased his first Japanese painting in the 1950s, under the influence of Frank Lloyd Wright. Over the next five decades, he and his wife Etsuko would collect more than 200 masterpieces from the Edo period (1615-1868), a time when Japan had isolated itself from the rest of the world. Curiously, during that period of national seclusion, independent and diversely creative artists flourished as never before. Today, the Etsuko and Joe Price Collection is placed among the finest in the world. The detailed patterns evident in many of the works reflect the high regard artists of the period held for textile designers. The expressiveness in the eyes of the various animals, demons, deities, and people depicted suggest that they all inhabited the same world rather than different spiritual levels- the prominent religious theory of the time.The animal world becomes more animated, landscapes have their own light, spirits are alive, past becomes present, evoking a mood that suggests familiarity with all worlds, above and below. At the collection's core are screens, hanging scrolls, fans, and some of the finest examples of the distinctive, hauntingly preternatural renderings of animal life by Ito Jakuchu (1716-1800), one of the most innovative and imaginative of Kyoto's eighteenth-century painters. Jakuchu's prominence in recent decades has been greatly aided by the Price's intensive interest in his work.
Japanese Bamboo Baskets: Masterworks of Form and Texture surveys nineteenth- and twentieth-century baskets of Japan, their place in history, and the elevation of bamboo craft work to an art form. It features more than 250 illustrations of selections from the largest known collection of Japanese flower baskets. This is the first book in English to examine bamboo baskets as modern sculptural masterpieces as well as chronicle the development of Japanese flower-arranging baskets from utilitarian containers through their subsequent transformation into art. At the heart of this volume are dramatic portraits of works in the Cotsen Collection. Full-page and double-page illustrations abound. Large-scale details and second views evoke the forms, textures and three-dimensionality Of the baskets, revealing their monumentality and the architecture of their construction. The baskets illustrated were selected primarily for their visual qualities, and are organized by region. They rage from 1890s examples by the first basket maker who signed his work to 1990s creations by leading bamboo crafts artists. Pieces by all those who have been made Living National Treasures are included. This book is filled with new information and superlative works of art. It will be treasured by anyone who has known the joy of holding a rough-woven basket or admired the delicate tracery of bamboo strips in a contemporary work of bamboo art.
Japanese art, like so many expressions of Japanese culture, is fascinatingly rich in its contrasts and paradoxes. Since the country opened its doors to the outside world in the mid-nineteenth century. Japanese art and culture have enjoyed an immense popularity in the West. When in 1993 renowned scholar Penelope Mason wrote the the first edition of History of Japanese Art, it was the first such volume in thirty yearsto chart a detailed overview of the subject. It remains the only comprehensive survey of its kind in English. This second edition ties together more closely the development of all the media within a well-articulated historical and social context. New to the Second Edition Extended coverage of Japanese art beyond 1945 New discoveries both in archeology and scholarship New material on calligraphy, ceramics, lacquerware, metalware, and textiles An extended glossary A comprehensively updated bibliography 94 new illustrations
In the winter of 1886-87, during his stay in Paris, Vincent van Gogh bought 660 Japanese prints at the art gallery of Siegfried Bing. His aim was to start dealing in them, but the exhibition he organized in the café-restaurant Le Tambourin was a total failure. However, he was now able to study his collection at ease and in close-up, and he gradually became captivated by their colourful, cheerful and unusual imagery. When he left for Arles, he took some prints with him, but the core remained in Paris with his brother Theo. Although some prints were later given away, the collection did not disperse. This book reveals new analyses of the collection, now held in the Van Gogh Museum, given as a long-term loan from the Vincent van Gogh Foundation. The authors delve into its history, and the role the prints played in Van Gogh's creative output. The book is illustrated with over 100 striking highlights from the collection.
Celebrating the 25th anniversary of the museum founded by Avery Brundage is this gift book for lovers of Far East or Asian art, which showcases 145 of the museums finest works. In individual chapters, the volume features paintings and calligraphy; ceramics; metalware; lacquerware; and costume, inro, and netsuke, encompassing everything from prehistoric artifacts to 19th-century masterpieces. With 165 color photographs and a complementary text by curator Yoshiko Kakudo. Annotation copyrighted by Book News, Inc., Portland, OR
"Bring the art and beauty of Japan to your garden with inspiration from Kyoto Gardens." —HGTV Gardens Featuring beautiful Japanese garden photography and insightful writing, Kyoto Gardens is a labor of love from master photographer Ben Simmons and Kyoto-based writer Judith Clancy. In their rocks and plants, empty spaces and intimate details—Kyoto's gardens manifest a unique ability to provoke thought and delight in equal measure. These varied landscapes meld the sensuality of nature with the disciplines of cosmology, poetry and meditation. Japanese aristocrats created these gardens to display not just wealth and power, but cultural sensitivity and an appreciation for transcendent beauty. A class of professional gardeners eventually emerged, transforming Japanese landscape design into a formalized art. Today, Kyoto's gardens display an enormous range of forms—from rock gardens display of extreme minimalism and subtle hues, to stroll gardens of luscious proportions and vibrant colors. In Kyoto Gardens Simmons' photographs present a fresh and contemporary look at Kyoto's most important gardens. Their beauty is enhanced and humanized by gardeners tending the grounds using the tools of their art. Clancy's graceful text provides historical, aesthetic and cultural context to the Japanese gardens. Combining wonder and rigor, she describes how Kyoto's most beloved gardens remain faithful to their founders' creative spirit and conception. Journey to Kyoto's thirty gardens with just a turn of a page, or use the handy maps to plan your trip.