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The Ultimate Netsuke Bibliography is a comprehensive bibliography of more than 4,400 bibliographic print and non-print entries covering all aspects of Japanese netsuke, the miniature carvings which Japanese men used to suspend various items from the sash belt that fastened their kimono. It is organized into 15 major and 5 minor categories. Each category is further divided into 11 subcategories. Additional features include four indices (Author, Journal, Place, and Subject), and a variety of appendices. It contains 2,196 books, 1,861 journal articles (457 from the Netsuke Kenkyukai Study Journal), 367 from the Journal of the International Netsuke Collectors Society 1,494 auction catalogs, 431 items in French, 254 items in Japanese, 60 items prior to 1900, including 9 auction catalogs. Includes most materials published through the end of 1998. A section of Late Arrivals, including last minute submissions and items in early 1999, is listed as well. This volume is a necessity for every netsuke collector, bibliophile, art library and museum.
This book explores the relationship between collecting Chinese ceramics, interior design and display in Britain through the eyes of collectors, designers and tastemakers during the years leading to, during and following the Second World War. The Ionides Collection of European style Chinese export porcelain forms the nucleus of this study – defined by its design hybridity – offering insights into the agency of Chinese porcelain in diverse contexts, from seventeenth-century Batavia to twentieth-century Britain, raising questions about notions of Chineseness, Britishness, and identity politics across time and space. Through the biographies of the collectors, this book highlights the role of collecting Chinese art objects, particularly porcelain, in the construction of individual and group identities. Social networks linking the Ionides to agents and dealers, auctioneers, and museum specialists bring into focus the dynamics of collecting during this period, the taste of the Ionides and their self-fashioning as collectors. The book will be of interest to scholars working in the fields of art history, history of collections, interior design, Chinese studies, and material culture studies.