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Between 1886 and 1924 thousands of Japanese journeyed to Hawaii to work the sugarcane plantations. First the men came, followed by brides, known only from their pictures, for marriages arranged by brokers. This book tells the story of two generations of plantation workers as revealed by the clothing they brought with them and the adaptations they made to it to accommodate the harsh conditions of plantation labor. Barbara Kawakami has created a vivid picture highlighted by little-known facts gleaned from extensive interviews, from study of preserved pieces of clothing and how they were constructed, and from the literature. She shows that as the cloth preferred by the immigrants shifted from kasuri (tie-dyed fabric from Japan) to palaka (heavy cotton cloth woven in a white plaid pattern on a dark blue background) so too their outlooks shifted from those of foreigners to those of Japanese Americans. Chapters on wedding and funeral attire present a cultural history of the life events at which they were worn, and the examination of work, casual, and children's clothing shows us the social fabric of the issei (first-generation Japanese). Changes that occurred in nisei (second-generation) tradition and clothing are also addressed. The book is illustrated with rare photographs of the period from family collections.
During the 1885 to 1924 immigration period of plantation laborers from Japan to Hawaii, more than 200,000 Japanese, mostly single men, made the long journey by ship to the Hawaiian Islands. As it became apparent that they would never return to Japan, many of the men sent for brides to join them in their adopted home. More than 20,000 of these “picture brides” immigrated from Japan and Okinawa to Hawaii to marry husbands whom they knew only through photographs exchanged between them or their families. Based on Barbara F. Kawakami’s first-hand interviews with sixteen of these women, Picture Bride Stories is a poignant collection that recounts the diverse circumstances that led them to marry strangers, their voyages to Hawaii, the surprises and trials that they encountered upon arriving, and the lives they led upon settling in a strange new land. Many found hardship, yet persevered and endured the difficult conditions of the sugarcane and pineapple plantations for the sake of their children. As they acclimated to a foreign place and forged new relationships, they overcame challenges and eventually prospered in a better life. The stories of the issei women exemplify the importance of friendships and familial networks in coping with poverty and economic security. Although these remarkable women are gone, their legacy lives on in their children, grandchildren, and succeeding generations. In addition to the oral histories—the result of forty years of interviews—the author provides substantial background on marriage customs and labor practices on the plantations.
This book provides a comprehensive story of the complicated and rich story of the Japanese American experience-from immigration, to discrimination, to adaptation, achievement and contributions to the American mosaic. Japanese Americans: The History and Culture of a People highlights the enormous contributions of Japanese Americans in history, civil rights, politics, economic development, arts, literature, film, popular culture, sports, and religious landscapes. It not only provides context to important events in Japanese American history and in-depth information about the lives and backgrounds of well-known Japanese Americans, but also captures the essence of everyday life for Japanese Americans as they have adjusted their identities, established communities, and interacted with other ethnic groups. This innovative volume will become the standard resource for exploring why the Japanese came to the USA more than 130 years ago, where they settled, and what experiences played a role in forming the distinctive Japanese American identity.
In 1922 the U.S. Supreme Court declared Japanese immigrants ineligible for American citizenship because they were not "white," dismissing the plaintiff’s appeal to skin tone. Unable to claim whiteness through naturalization laws, Japanese Americans in Hawai‘i developed their own racial currency to secure a prominent place in the Island’s postwar social hierarchy. Creating the Nisei Market explores how different groups within Japanese American society (in particular the press and merchants) staked a claim to whiteness on the basis of hue and culture. Using Japanese- and English-language sources from the interwar years, it demonstrates how the meaning of whiteness evolved from mere physical distinctions to cultural markers of difference, increasingly articulated in material terms. Nisei consumer culture demands examination because consumption was vital to the privilege-making process that spilled over into public life. Although economically motivated, Japanese American shopkeepers worked hard to support the next generation of merchants and secure the future of the Nisei consumer market. Far from its image as a static society, the Japanese American community was constantly reinventing itself to meet changing consumer demands and social expectations. The author builds on recent scholarship that considers ethnic communities within a trans-Pacific context, highlighting ethnic fluidity as a strategy for material and cultural success. Yet even as it assumed a position of conformity, the Japanese American consumer culture that took hold among Honolulu’s middle class was distinct. It was at once modern and nostalgic, like the wayo secchu ideal—a hybrid of Western and Japanese notions of beauty and femininity that linked the ethnic group to the homeland and mainstream U.S. culture. By focusing on the marketing of whiteness that connected the old world and new, Creating the Nisei Market reveals the dynamic commercial and cultural environment that underwrote the rise of the Nisei in Hawai‘i.
The debate over America's multiculturalism has been intense for nearly three decades, dividing opponents into those insisting on such recognition and those fearing that such a formal acknowledgment will undermine the civic bonds created by a heterogeneous nation. Facts have often been the victim in this dispute, and few works have successfully attempted to present the broad spectrum of America's ethnic groups in a format that is readable, current, and authoritative. The chapters in this reference book demonstrate that America has been far more than a nation of immigrants; it has been a nation of peoples—of virtually all races, religions, and nationalities—inclusive of indigenous natives and peoples long present as well as myriad immigrant and refugee groups. Not all groups have equally found America to be a land of opportunity, and the successes of some groups have come at the expense of others. To understand the American experience, the reader must not just study the story of immigrants living on the East Coast, but also the history of those living in the South, Southwest, West, and even Alaska and Hawaii. As a reference book, this volume provides thorough coverage of more than two dozen racial, ethnic, and religious groups in the United States. Each chapter is written by an expert contributor and overviews the experiences of one group or a cluster of related groups. The chapters are arranged alphabetically and cover groups such as African Americans, American Indians, Filipinos, Hawaiians, Mexicans, Mormons, and Puerto Ricans. To the extent possible, each chapter discusses the initial arrival of the group in America; the adaptation of the first generation of immigrants; the economic, political, and cultural integration of the group; and the status of the group in contemporary American society. Each chapter closes with a bibliographical essay, and the volume concludes with a review of the most important general works on America's multicultural heritage.
A groundbreaking anthology devoted to Asian/Pacific Islander American women and their experiences Asian/Pacific Islander American Women is the first collection devoted to the historical study of A/PI women's diverse experiences in America. Covering a broad terrain from pre-large scale Asian emigration and Hawaii in its pre-Western contact period to the continental United States, the Philippines, and Guam at the end of the twentieth century, the text views women as historical subjects actively negotiating complex hierarchies of power. The volume presents new findings about a range of groups, including recent immigrants to the U.S. and understudied communities. Comprised of original new work, it includes chapters on women who are Cambodian, Chamorro, Chinese, Filipino, Hmong, Japanese, Korean, Native Hawaiian, South Asian, and Vietnamese Americans. It addresses a wide range of women's experiences-as immigrants, military brides, refugees, American born, lesbians, workers, mothers, beauty contestants, and community activists. There are also pieces on historiography and methodology, and bibliographic and video documentary resources. This groundbreaking anthology is an important addition to the scholarship in Asian/Pacific American studies, ethnic studies, American studies, women's studies, and U.S. history, and is a valuable resource for scholars and students. Contributors include: Xiaolan Bao, Sucheng Chan, Catherine Ceniza Choy, Vivian Loyola Dames, Jennifer Gee, Madhulika S. Khandelwal, Lili M. Kim, Nancy In Kyung Kim, Erika Lee, Shirley Jennifer Lim, Valerie Matsumoto, Sucheta Mazumdar, Davianna Pomaika'i McGregor, Trinity A. Ordona, Rhacel Salazar Parreñas, Amy Ku'uleialoha Stillman, Charlene Tung, Kathleen Uno, Linda Trinh Võ, Judy Tzu-Chun Wu, Ji-Yeon Yuh, and Judy Yung.
This unique four-volume encyclopedia examines the historical significance of fashion trends, revealing the social and cultural connections of clothing from the precolonial times to the present day. This sweeping overview of fashion and apparel covers several centuries of American history as seen through the lens of the clothes we wear—from the Native American moccasin to Manolo Blahnik's contribution to stiletto heels. Through four detailed volumes, this work delves into what people wore in various periods in our country's past and why—from hand-crafted family garments in the 1600s, to the rough clothing of slaves, to the sophisticated textile designs of the 21st century. More than 100 fashion experts and clothing historians pay tribute to the most notable garments, accessories, and people comprising design and fashion. The four volumes contain more than 800 alphabetical entries, with each volume representing a different era. Content includes fascinating information such as that beginning in 1619 through 1654, every man in Virginia was required to plant a number of mulberry trees to support the silk industry in England; what is known about the clothing of enslaved African Americans; and that there were regulations placed on clothing design during World War II. The set also includes color inserts that better communicate the visual impact of clothing and fashion across eras.
Offering a rich and insightful road map of Asian American history as it has evolved over more than 200 years, this book marks the first systematic attempt to take stock of this field of study. It examines, comments, and questions the changing assumptions and contexts underlying the experiences and contributions of an incredibly diverse population of Americans. Arriving and settling in this nation as early as the 1790s, with American-born generations stretching back more than a century, Asian Americans have become an integral part of the American experience; this cleverly organized book marks the trajectory of that journey, offering researchers invaluable information and interpretation. Part 1 offers a synoptic narrative history, a chronology, and a set of periodizations that reflect different ways of constructing the Asian American past. Part 2 presents lucid discussions of historical debates—such as interpreting the anti-Chinese movement of the late 1800s and the underlying causes of Japanese American internment during World War II—and such emerging themes as transnationalism and women and gender issues. Part 3 contains a historiographical essay and a wide-ranging compilation of book, film, and electronic resources for further study of core themes and groups, including Chinese, Japanese, Filipino, Hmong, Indian, Korean, Vietnamese, and others.
Japanese Diasporas examines the relationship of overseas Japanese and their descendents (Nikkei) with their home and host nations, focusing on the political, social and economic struggles of Nikkei. Frequently abandoned by their homeland, and experiencing alienation in their host nations, the diaspora have attempted to carve out lives between two worlds. Examining Nikkei communities and Japanese migration to Manchuria, China, Canada, the Philippines, Singapore and Latin America, the book compares Nikkei experiences with those of Japanese transnational migrants living abroad. The authors connect theoretical issues of ethnic identity with the Japanese and Nikkei cases, analyzing the hidden dynamics of the social construction of race, ethnicity and homeland, and suggesting some of the ways in which diasporas are transforming global society today. Presenting new perspectives on socio-political and cultural issues of transnational migrants and diaspora communities in an economically intertwined world, this book will be of great interest to scholars of diaspora studies and Japanese studies.
After World War II, Japanese Americans in Hawai‘i sought to carve a positive niche of public citizenship in the community. In 1953 members of the Honolulu Japanese Junior Chamber of Commerce and their wives created a beauty contest, the Cherry Blossom Festival (CBF) Queen Pageant, which quickly became an annual spectacle for the growing urban population of Honolulu. Crowning the Nice Girl analyzes the pageant through its decades of development to the present within multiple frameworks of gender, class, and race/ethnicity. Drawing on extensive archival research; interviews with CBF queens, contestants, and organizers; and participant observation in the Fiftieth Annual Festival as a volunteer, Christine Yano paints a complex portrait of not only a beauty pageant, but also a community. The study begins with the subject of beauty pageants in general and Asian American beauty pageants in particular, interrogating the issues they raise, embedding them within their histories, and examining them as part of a global culture that has taken its model from the Miss America contest.Yano follows the pageant throughout the decades into the 1990s, adding corresponding "herstories"—extensive narratives drawn from interviews with CBF queens. She concludes by framing issues of race, ethnicity, spectacle, and community within the intertwined themes of niceness and banality.