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Seiroku Noma (1902-1966) graduated from the former Tokyo Imperial University where he specialized in art history. He served as Curator in Chief at Tokyo National Museum and is author of two additional books entitled: The Japanese Sense of Beauty -- Haniwa, and The Arts of Japan.
Re-envisioning Japan is the first truly comprehensive book on Japanese export textiles of the Meiji period (1868-1912), featuring stunning examples from all over the country. Lavishly illustrated, the book features fabrics that explore the craftsmanship and remarkable talent of Meiji artists and artisans who produced goods for export markets. The makers of Meiji textiles sought to modernize traditional modes of visual representation, aspiring to create "paintings in silk thread," at times even replicating specific Western paintings. More often, they collaborated with contemporary Japanese painters to create dazzling new images that more than ever before realized the aesthetic potential of silk thread as an artistic medium. This book showcases these spectacular ornamental textiles in dazzling color reproductions and many close-up details.
Vintage Details is a stunning collection of over 550 beautifully photographed details from previously unseen 20th-century vintage clothing. The images are arranged by detail: necklines, collars, sleeves, cuffs, pockets, hems, darts and fitting devices, stitching, fastenings and buttonholes, pleats, frills and flounces, embellishment, texture, and print. Inner construction shots will also be included, along with images of the full garments providing context for the details shown. Easy to navigate and packed full of inspirational images, this book will become an indispensable reference to vintage detailing for fashion design students and professionals.
Fall in love with boro & sashiko stitching 30+ authentic stitch patterns, 9 projects. Combine hand stitches to create dramatic, unique designs and learn to embrace imperfection, admiring the utilitarian beauty of every stitch. “Shibaguyz” Shannon and Jason Mullett-Bowlsby invite you to try your hand at boro, the traditional Japanese art of mending and quilting, and more than 30 authentic sashiko designs. Stitching lessons are true to tradition, inspired by historical works by Japanese masters. This guide in sashiko and boro includes patterns, stitch how-tos, and needle-threading and knotting tips. Put your handwork to good use with 9 contemporary projects like a sashiko sampler wallhanging, reversible knot bag, or a kimono-inspired jacket! With step-by-step instructions, even beginners can embrace the art of visible mending. Hand sew 30+ authentic sashiko patterns with best-selling authors the Shibaguyz Recreate the traditional art of boro (mending textiles) with 9 useful projects from jackets and bags to home decor Read stitch charts, mark fabrics, and thread your needle with tips from the pros
From rugged Japanese firemen's ceremonial robes and austere rural work-wear to colorful, delicately-patterned cotton kimonos, this lavishly illustrated volume explores Japan's rich tradition of textiles. Textiles are an eloquent form of cultural expression and of great importance in the daily life of a people, as well as in their rituals and ceremonies. The traditional clothing and fabrics featured in this book were made and used in the islands of the Japanese archipelago between the late 18th and the mid 20th century. The Thomas Murray collection featured in this book includes daily dress, work-wear, and festival garb and follows the Arts and Crafts philosophy of the Mingei Movement, which saw that modernization would leave behind traditional art forms such as the hand-made textiles used by country people, farmers, and fisherman. It presents subtly patterned cotton fabrics, often indigo dyed from the main islands of Honshu and Kyushu, along with garments of the more remote islands: the graphic bark cloth, nettle fiber, and fish skin robes of the aboriginal Ainu in Hokkaido and Sakhalin to the north, and the brilliantly colored cotton kimonos of Okinawa to the far south. Numerous examples of these fabrics, photographed in exquisite detail, offer insight into Japan's complex textile history as well as inspiration for today's designers and artists. This volume explores the range and artistry of the country's tradition of fiber arts and is an essential resource for anyone captivated by the Japanese aesthetic.
A lively and innovative collection of new and recent writings on the cultural contexts of textiles The study of textile culture is a dynamic field of scholarship which spans disciplines and crosses traditional academic boundaries. A Companion to Textile Culture is an expertly curated compendium of new scholarship on both the historical and contemporary cultural dimensions of textiles, bringing together the work of an interdisciplinary team of recognized experts in the field. The Companion provides an expansive examination of textiles within the broader area of visual and material culture, and addresses key issues central to the contemporary study of the subject. A wide range of methodological and theoretical approaches to the subject are explored—technological, anthropological, philosophical, and psychoanalytical, amongst others—and developments that have influenced academic writing about textiles over the past decade are discussed in detail. Uniquely, the text embraces archaeological textiles from the first millennium AD as well as contemporary art and performance work that is still ongoing. This authoritative volume: Offers a balanced presentation of writings from academics, artists, and curators Presents writings from disciplines including histories of art and design, world history, anthropology, archaeology, and literary studies Covers an exceptionally broad chronological and geographical range Provides diverse global, transnational, and narrative perspectives Included numerous images throughout the text to illustrate key concepts A Companion to Textile Culture is an essential resource for undergraduate and postgraduate students, instructors, and researchers of textile history, contemporary textiles, art and design, visual and material culture, textile crafts, and museology.
The book explores the use and meaning of the kimono in America and traces the transformation of the garment from its ethnic origins, through its many appearances in fine art, costume, and high fashion, to its role in the contemporary Art-to-Wear Movement. It explores the American use of the kimono as a garment, as a symbol, and as an art form.
The Japanese have traditionally viewed textiles as an embodiment of not only beauty but also family heirlooms and repositories of history, making the study of Japanese fabric a door into another culture, another people, another time. In Textile Art of Japan, Sunny Yang and Rochelle Narasin venture through that door, inviting the reader to follow them. They start with a brief but informative history of those most typical forms of Japanese dress, the kimono and the obi, and then move on to introduce the techniques of dyeing, weaving, and needlework that distinguish Japanese textiles, discussing their traditions, practical methods, and use on different types of fabrics. This richly illustrated volume, with over 200 color illustrations, is the perfect introduction to the subject of Japanese textiles. It includes examples of modern Japanese fabrics made according to or by adapting traditional methods, and shows them used in innovative ways: in quilts, screens, cushions, and hats. A list of museums all over Japan with fine fabric collections and a selected bibliography are helpful additions to this beautiful book.
Shibori is the Japanese term (from the word meaning "to squeeze or wring") for the dye-resist technique of binding, clamping or gathering the cloth so that the dye cannot reach certain parts. The result is a most powerful combination: a carefully structured design with the organic freedom of the unpredictable. One of the richest textile traditions in the world, shibori has been used in Japan, Africa, India and South America for centuries to create vibrant color, bold patterns, and intricate motifs. In recent years, a resurgence of the art has revealed its full potential. Janice Gunner's book is aimed at quilters, embroiderers and textile artists who want to master the techniques of shibori and to find ways of using the fabric for a range of textile applications. The book begins with the historical and cultural background of shibori; then goes on to explain, with clear, precise instructions and diagrams, how to make a wide range of exquisite fabrics. Gunner covers many different techniques, including tied-resist, stitched-resist, wrapped-resist, clamp-resist, folded- and pleated-resist, as well as immersion, space and indigo dyeing. Stunning examples of shibori pieces appear throughout the book both to inspire and guide; and practical advice is given on incorporating shibori textiles into the reader's own quilted and embroidered work.