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This 2-vol., A-Z reference addresses contemporary Japanese life and society.
Merlin the wizard challenges readers to become wizards like himself by deciphering clues hidden in his guide to wizardry.
New York City-based writer and illustrator Williamson shares discoveries about Japan and its culture based on a recent year spent in Kyoto as a postgraduate student. The text combines the author's colorful illustrations with brief descriptions presented in a script-style text. The end result is a charming, journal-like publication in which Williams
In this book the leading authority on Japanese art history sheds light on how Japan has nurtured distinctive aesthetics, prominent artists, and movements that have achieved global influence and popularity. The History of Art in Japan discusses works ranging from earthenware figurines in 13,000 BCE to manga, anime, and modern subcultures.
The motifs are organized according to broad thematic categories such as "the cosmos, heaven and earth" and "animals of the land and sea," among others, allowing for broad reading on a number of topics of interest to a wide variety of readers, including collectors of Asian art and students of Japan.".
Compiled in this volume is original material on Japanese arts and culture from the prehistoric era to the Meiji Restoration (1867). These sources, including many translated here for the first time, are placed in their historical context and outfitted with brief commentaries, allowing the reader to make connections to larger concepts and values found in Japanese culture. This book contains material on the visual and literary arts, as well as primary texts on topics not easily classified in Western categories, such as the martial and culinary arts, the art of tea, and flower arranging. More than sixty color and black-and-white illustrations enrich the collection and provide further insights into Japanese artistic and cultural values. Also included are a bibliography of English-language and Japanese sources and an extensive list of suggested further readings.
"Salaryman" in Japan is a look at Japanese business style through the eyes of the "salaryman", that special breed of worker who has provided the driving force behind the economic miracle of postwar Japan.
Ehon - or "picture books"- are part of an incomparable 1,200-year-old Japanese tradition. Created by artists and craftsmen, most ehon also feature essays, poems, or other texts written in beautiful, distinctive calligraphy. They are by nature collaborations: visual artists, calligraphers, writers, and designers join forces with papermakers, binders, block cutters, and printers. The books they create are strikingly beautiful, highly charged microcosms of deep feeling, sharp intensity, and extraordinary intelligence. In the elegant, richly illustrated Ehon: The Artist and the Book in Japan, renowned scholar Roger S. Keyes traces the history and evolution of these remarkable books through seventy key works, including many great rarities and unique masterpieces, from the Spencer Collection of the New York Public Library, one of the foremost collections of Japanese illustrated books in the West. The earliest ehon were made as religious offerings or talismans, but their great flowering began in the early modern period (1600-1868) and has continued, with new media and new styles and subjects, to the present. Shiohi no tsuto (Gifts of the Ebb Tide, 1789; often called The Shell Book) by Kitagawa Utamaro, one of the supreme achievements of the ehon tradition, is reproduced in full. Michimori (ca. 1604), a luxuriously produced libretto for a No play is also featured, as are Saito- Shu-ho's cheerful Kishi empu (Mr. Ginger's Book of Love, 1803), Kamisaka Sekka's brilliant Momoyogusa (Flowers of a Hundred Worlds, 1910), and many more. Ehon: The Artist and the Book in Japan ends with ehon by some of the most innovative practitioners of the twentieth century. Among these are Chizu (The Map, 1965), Kawada Kikuji's profound photographic requiem for Hiroshima; Yoko Tawada's and Stephan Kohler's affecting Ein Gedicht für ein Buch (A Poem for a Book, 1996); and Vija Celmins's and Eliot Weinberger's Hoshi (The Stars, 2005). The magnificent ehon tradition originated in Japan and developed there under very specific conditions, but it has long since burst its bounds, like any living tradition. Ehon: The Artist and the Book in Japan suggests that when artists meet readers in these contrived, protected, focused, sacred book "worlds," the possibilities for pleasure, insight, and inspiration are limitless. Ehon: The Artist and the Book in Japan was praised as "illuminating" in The New York Times' review of the New York Public Library's exhibit. http://travel2.nytimes.com/2006/10/21/arts/design/21ehon.html