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Presented at the Japan Pavilion as part of the 2019 Venice Biennale. Cooperation is a vital element of the exhibition, which forms a collective effort to explore new meanings and possible forms of co-existence between diverse beings. Further, it examines the potential of unknown ideas and experiments that are created through artists? mutual inspirations. Designed by Yoshihisa Tanaka, the book collects the writings and visual notes by the four participants (artist Motoyuki Shitamichi, composer Taro Yasuno, anthropologist Toshiaki Ishikura, and architect Fuminori Nousaku) as well as curator Hiroyuki Hattori. 00Exhibition: Japan Pavilion, 58th Biennale, Venice, Italy (11.05.-14.11.2019).
In 1954, a massive irradiated dinosaur emerged from Tokyo Bay and rained death and destruction on the Japanese capital. Since then Godzilla and other monsters, such as Mothra and Gamera, have gained cult status around the world. This book provides a new interpretation of these monsters, or kaiju-ū, and their respective movies. Analyzing Japanese history, society and film, the authors show the ways in which this monster cinema take on environmental and ecological issues--from nuclear power and industrial pollution to biodiversity and climate change.
This monograph uses the national pavilions of the Venice Biennale as a vehicle to examine the development of international contemporary art trends within the Asia-Pacific region, including Australia, Japan and Korea and 16 additional national entities who have had less continuous participation in this global art event. Analysing both the spatial and visual representation of contemporary art presented at the Venice Biennale and incorporating the politics behind national selections, this monograph provides insights into a range of important elements of the global art industry. Areas analysed include national cultural trends and strategies, the inversion of the peripheral to the centre stage of the Biennale, geopolitics in gaining exhibition space at the Venice Biennale, curatorial practices for contemporary art presentation and artistic trends that seek to deal with major economic, cultural, religious and environmental issues emerging from non-European art centres. This monograph will be of interest to scholars in art history, museum studies and Asia-Pacific cultural history.
Modern Italian historiography has undergone a substantial revision in the last quarter of a century. From an almost exclusive focus on the process of nation-building, the attention of historians has shifted. The most innovative research is now devoted to assessing to what extent the cosmopolitan attitude that was evident in the late eighteenth century morphed, but did not disappear, in the ensuing two centuries. The essays in this volume make the case that the age of nations had a profound impact on Italian history and contributed to the creation of an Italian identity within the framework of well-functioning imperial and global networks. They also acknowledge that the process of national individualization carried with it a variety of aspects that reconnected Italian history to the foreign cultures that were undergoing constant self-fashioning. Cosmopolitan Italy in the Age of Nations: Transnational Visions from the Eighteenth to the Twentieth Century will be of interest to scholars throughout the world and intellectual and transnational historians.
After the Meiji Restoration of 1868 Japan modernized rapidly, transforming itself perhaps more quickly than any other country in history. However, the change was not without its conflicts, many of them still unresolved as the pleasures of modern society vie with a respect for the traditional Japanese lifestyle. As the literature of change and of the young, science fiction acts as a window to the modern mind and the uneasy alliance of the old and new. This book, filled with detailed reference to numerous stories, traces the origin and development of the genre from the mid-nineteenth century to today, thus exploring unique insights into Japanese attitudes to commercialism, spirituality, the media, war and international relations.