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Jane Williams, under her bardic name Ysgafell, was a writer with a long and varied list of publications: poetry, fiction, a riposte to the 1847 Blue Books, the ‘autobiography’ of Betsi Cadwaladr, a history of Wales, a biography of the historian and patriot Carnhuanawc, and a history of women’s writing in English. In her writing and her life, she crossed and re-crossed boundaries – national, social, literary, linguistic and cultural – and carved out her own path. As a nineteenth-century woman whose writing career spanned fifty years and many genres, including serious non-fiction and texts in English on Wales and matters Welsh, Jane Williams is unique. This is the first full-length study of her life and work, comprising detailed original research from which the author has drawn a picture of a remarkable and impressive woman writer.
In great and colourful detail the Welsh writer Jane Williams (1806-1885) tells the history of Wales from the settlement of the Cymry in pre-Christian Britain until the Tudor period. The work, first published in 1869, remained a standard work until the beginning of the twentieth century. The most remarkable feature of the book's methodology is that its narrative is based on the use of an impressive range of source material, ranging from Pliny and Bede to Gibbon's Decline and Fall of the Roman Empire. Jane Williams is a passionate chronicler of Welsh history and does not seek to be objective in her portrayals. The Earl of Shrewsbury for instance is 'inhuman', and ravages 'the fertile island'; and Williams perceives Daffyd Aberdaron as a zealous Dean of Bangor who 'earnestly' desires 'justice for Wales'.
The first volume in the new series Gender Studies in Wales, this book argues that the way in which people came to perceive and to represent themselves as Welsh was profoundly affected by the gender ideologies prevalent during the Romantic and Victorian periods. "Nineteenth-Century Women's Writing in Wales: Nation, Gender and Identity" introduces readers to a hundred Welsh women authors at work during the years 1780-1900, some writing in Welsh and some in English. In so doing, it rescues many of these authors from critical neglect and oblivion. In the second half of the nineteenth century in particular, Welsh women writers in both languages were numerous and enjoyed a degree of influence on Welsh culture easily commensurate with that of women writers today. By covering the nineteenth century chronologically, this book traces the coming into being of the Welsh nation as its women in particular saw it, and as they helped to create it.
This is the first volume to examine how the history of Wales was written in a period that saw the emergence of professional historiography, largely focused on the nation, across Europe and in the United States. It thus sets Wales in the context of recent work on national history writing in the nineteenth and twentieth centuries, and, more particularly, offers a Welsh perspective on the ways in which history was written in small, mainly stateless, nations. The comparative dimension is fundamental to the volume's aim, highlighting what was distinctive about Welsh historical writing and showing how the Welsh experience mirrors and illuminates broader historiographical developments. The book begins with an introduction that uses the concept of historical culture as a way of exploring the different strands of historiography covered in the collection, providing orientation to the chapters that follow. These are divided into four sections: 'Contexts and Backgrounds', 'Amateurs and Popularizers', 'Creating Academic Disciplines', and 'Comparative Perspectives'. All these themes are then drawn together in the conclusion to examine how far Welsh historians exemplify widespread trends in the writing of national history, and thereby point-up common themes that emerge from the volume and clarify its broader significance for students of historiography.