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“Intelligent, witty, thoroughly engaging . . . the most fascinating biography I have read in years.” —The Minneapolis Star Tribune She was one of the all-time great letter writers, according to Virginia Woolf, but as the wife of Victorian literary celebrity Thomas Carlyle, Jane Welsh Carlyle has been much overlooked. In this “hugely satisfying” new biography (The Spectator), Kathy Chamberlain brings Jane out of her husband’s shadow, focusing on Carlyle as a remarkable woman and writer in her own right. Caught between her own literary aspirations and Victorian society’s oppression of women, Jane Welsh Carlyle hoped to move beyond domestic life and become a respected published writer. As she and her husband moved in exclusive London literary circles, mingling with noted authors, poets, and European revolutionaries, Carlyle created and reported to her correspondents on her rich, rewarding life in her Chelsea home—until her husband’s infatuation with a wealthy, imposing aristocratic society hostess threw her life into chaos. Through dedicated research and unparalleled access to Jane Welsh Carlyle’s private correspondence, Chamberlain presents an elegant portrait of an extraordinary woman. “Sparkles with the wit and intelligence of the subject herself . . . If you think, as I originally did, that you have no particular interest in the life of Jane Carlyle, read this—you will be captivated.” —Elizabeth Strout, Pulitzer Prize-winning author of Lucy by the Sea “Compelling . . . illuminates the outwardly decorous but often inwardly tempestuous lives of Victorian women.” —The New Yorker “Chamberlain, Jane’s latest and incomparably best biographer . . . gives us, at last, a Jane Carlyle who seems thrillingly alive.” —Christian Science Monitor
"The Collected Letters of Thomas and Jane Welsh Carlyle opens a window onto the lives of two of the Victorian world's most accomplished, perceptive, and unusual inhabitants. Scottish writer and historian Thomas Carlyle and his wife, Jane Welsh Carlyle, attracted to them a circle of foreign exiles, radicals, feminists, revolutionaries, and major and minor writers from across Europe and the United States. The collection is regarded as one of the finest and most comprehensive literary archives of the nineteenth century" -- Provided by publisher's website.
In her study of the married couple as the smallest political unit, Phyllis Rose uses the marriages of five Victorian writers who wrote about their own lives with unusual candor: Charles Dickens, John Ruskin, Thomas Carlyle, John Stuart Mill, and George Eliot--née Marian Evans.
This new selection of the letters of Jane Welsh Carlyle presents a complete view of a remarkable Victorian woman, with a wide circle of friends, who enjoyed the company of distinguished thinkers, writers, politicians, feminists, eccentrics and radicals. This edition draws on many remarkable letters and papers not published before, in which she created a memorable epistolary voice - shrewd, vigorous, ironic, observant, humorous and passionate. Previous selections have often tamely followed the semi-mythical version of her life first given by Carlyle’s biographer, James Anthony Froude, showing her as the victimized angel in distress. This new selection gives a rounded picture of her complex character, showing her as a tormented yet forceful woman who was a strong personality in her own right. She now emerges as a self-conscious artist, adept at constructing images of herself that were designed to appeal to her particular correspondents. The account is written with close attention to Jane Carlyle's long-running jealousy of Lady Harriet Ashburton; and fresh letters include many to her mother and her vital response to her passionate lover or admirer Charlotte Cushman. Each letter is a tightly controlled performance, which justifies Thomas Carlyle’s belief that her letters equal and surpass whatever of best I know to exist in that kind.
NEW YORK TIMES BESTSELLER • Pulitzer Prize winner Elizabeth Strout explores the mysteries of marriage and the secrets we keep, as a former couple reckons with where they’ve come from—and what they’ve left behind. BOOKER PRIZE FINALIST • ONE OF THE TEN BEST BOOKS OF THE YEAR: Maureen Corrigan, NPR’s Fresh Air “Elizabeth Strout is one of my very favorite writers, so the fact that Oh William! may well be my favorite of her books is a mathematical equation for joy. The depth, complexity, and love contained in these pages is a miraculous achievement.”—Ann Patchett, author of The Dutch House I would like to say a few things about my first husband, William. Lucy Barton is a writer, but her ex-husband, William, remains a hard man to read. William, she confesses, has always been a mystery to me. Another mystery is why the two have remained connected after all these years. They just are. So Lucy is both surprised and not surprised when William asks her to join him on a trip to investigate a recently uncovered family secret—one of those secrets that rearrange everything we think we know about the people closest to us. What happens next is nothing less than another example of what Hilary Mantel has called Elizabeth Strout’s “perfect attunement to the human condition.” There are fears and insecurities, simple joys and acts of tenderness, and revelations about affairs and other spouses, parents and their children. On every page of this exquisite novel we learn more about the quiet forces that hold us together—even after we’ve grown apart. At the heart of this story is the indomitable voice of Lucy Barton, who offers a profound, lasting reflection on the very nature of existence. “This is the way of life,” Lucy says: “the many things we do not know until it is too late.” ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The Washington Post, Time, Vulture, She Reads
The Carlyles lived at the heart of English life in mid-Victorian London, but both were outsiders. A largely self-educated pair from Scotland, they often took a caustic look at the society they so influenced - Thomas through his writings and both through their network of acquaintences and correspondents. Thomas would write about matters of the day, while Jane would tell tales of everything from turmoil with dust to Dickens at a party. Yet despite everything, Jane suffered, especially with Thomas Carlyles infatuation with the lion-hunting Lady Ashburton, and the tensions in their own marriage made them sensitive to ceontemporary debates about the position of women, divorce, legitamacy and prostitution. This joint biography describes their relationship with each other, from their first meeting in 1821 to Jane's death in 1866, and their relationship with the outside world.
Hailed by Virginia Woolf and many others as one of the all-time great letter writers, Jane Welsh Carlyle, wife of Thomas Carlyle, is not as well-known today as she should be. In this compelling new biography for the general reader, Kathy Chamberlain brings Jane out of her husband's shadow, revealing her to be a remarkable woman and writer in her own right. Caught between her own literary aspirations and Victorian society's oppression of women, Jane Welsh Carlyle hoped to move beyond domestic life and become a respected published writer. As she and her husband moved in exclusive London literary circles, mingling with noted authors, poets, and European revolutionaries, Carlyle created and reported to her correspondents on her rich, rewarding life in her Chelsea home - until her husband's infatuation with a wealthy, imposing aristocratic society hostess threw her life into chaos.
This engaging, informative collection of Victorian nonfiction prose juxtaposes classic texts and canonical writers with more obscure writings and authors in order to illuminate important debates in nineteenth-century Britain—inviting modern readers to see the age anew. The collection represents the voices of a broad scope of women and men on a range of nineteenth-century cultural issues and in various forms—from periodical essays to travel accounts, letters to lectures, and autobiographies to social surveys. With its fifty-six substantial selections, Victorian Prose reaches beyond the work of Carlyle, Newman, Mill, Arnold, and Ruskin to uncover an array of lesser-known voices of the era. Women writers are given full attention—writings by Mary Prince, Dinah M. Craik, Florence Nightingale, Frances P. Cobbe, and Lucie Duff Gordon are among the entries. Excerpts cover such topics of the age as British imperialism, the crisis of religious faith, and debates about gender. On the issue of colonial expansion, opinions range from Benjamin Disraeli's celebration of empire-building as evidence of Britain's glory to David Livingstone's promotion of commerce with Africa as a way to retard the slave trade and make it unprofitable. Views on "the woman question" extend from John Stuart Mill's defense of women's rights to Mrs. Humphry Ward's opposition to women's franchise and Sarah Ellis's support for the domestic ideal. This invaluable resource features: attention to important noncanonical writers—including a generous selection of women writers; a wide range of written forms, including periodical essays, travel accounts, letters, lectures, autobiographies, and social surveys; both chronological and thematic tables of contents—the latter encompassing subject areas such as England at home and abroad, the new sciences, religion, and the status of women; selections drawn from the original nineteenth-century editions; and annotations to each text that aid nonspecialists in understanding unfamiliar names, terms, and cultural debates.
A wise and entertaining guide to writing English the proper way by one of the greatest newspaper editors of our time. Harry Evans has edited everything from the urgent files of battlefield reporters to the complex thought processes of Henry Kissinger. He's even been knighted for his services to journalism. In Do I Make Myself Clear?, he brings his indispensable insight to us all in his definite guide to writing well. The right words are oxygen to our ideas, but the digital era, with all of its TTYL, LMK, and WTF, has been cutting off that oxygen flow. The compulsion to be precise has vanished from our culture, and in writing of every kind we see a trend towards more -- more speed and more information but far less clarity. Evans provides practical examples of how editing and rewriting can make for better communication, even in the digital age. Do I Make Myself Clear? is an essential text, and one that will provide every writer an editor at his shoulder.