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A collection of poetry spanning five decades chronicles the author's childhood as the daughter of dressmakers in Bergen, New Jersey, as well as the everyday experiences in her adult life. By the author of Music Minus One.
Nicholas Rowe (1674-1718) was an English dramatist, poet and miscellaneous writer. The future English poet was educated first at Highgate School, and then at Westminster School under the guidance of a Dr. Busby. In 1688, he became a King's scholar, which was followed by his entrance into Middle Temple in 1691. Rowe acted as under-secretary (1709-1711) to the duke of Queensberry when he was principal secretary of state for Scotland. On the accession of George I he was made a surveyor of customs, and in 1715 he succeeded Nahum Tate as poet laureate. He was also appointed clerk of the council to the Prince of Wales, and in 1718 was nominated by Lord Chancellor Parker as clerk of the presentations in Chancery. He wrote occasional verses addressed to Godolphin and Halifax, adapted some of the odes of Horace to fit contemporary events, and translated the Caractres of Jean de La Bruyere and the Callipaedia of Claude Quillet. He also wrote a memoir of Boileau prefixed to a translation of the Lutrin. His other works include: The Ambitious Stepmother (1700), Tamerlane (1702), The Fair Penitent (1703) and Jane Shore: A Tragedy (1714).
Re-Presenting 'Jane' Shore analyzes the representation of the mistress of Edward IV of England, known to us as 'Jane' Shore (c. 1445-c. 1527). The daughter of a well-to-do merchant, she left her merchant husband to become the king's concubine. After Edward's death, his brother, later Richard III, charged her with witchcraft and harlotry, prompting Thomas More to include her in his exposition of Richard's perfidies in The History of Richard III. Since then, Jane Shore has been a frequent subject of, among others, poets (Thomas Churchyard and Thomas Deloney), playwrights (Shakespeare and Nicholas Rowe), and novelists (Guy Padget and Jean Plaidy). Scott examines the anxiety in Anglo-American culture generated when sex and politics intersect, using the case of 'Jane' Shore to show how history is compromised and complicated by context. In doing so, she reveals how women continue to be deployed as symbols rather than as actors on the larger stage of the drama that is politics.