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In the summer of 1974, a fourteen-year-old girl in Dolton, Illinois, had a dream. A dream to become an actress, like her idols Ron Howard and Vicki Lawrence. But it was a long way from the South Side of Chicago to Hollywood, and it didn't help that she'd recently dropped out of the school play, The Ugly Duckling. Or that the Hollywood casting directors she wrote to replied that "professional training was a requirement." But the funny thing is, it all came true. Through a series of happy accidents, Jane Lynch created an improbable--and hilarious--path to success. In those early years, despite her dreams, she was also consumed with anxiety, feeling out of place in both her body and her family. To deal with her worries about her sexuality, she escaped in positive ways--such as joining a high school chorus not unlike the one in Glee--but also found destructive outlets. She started drinking almost every night her freshman year of high school and developed a mean and judgmental streak that turned her into a real-life Sue Sylvester. Then, at thirty-one, she started to get her life together. She was finally able to embrace her sexuality, come out to her parents, and quit drinking for good. Soon after, a Frosted Flakes commercial and a chance meeting in a coffee shop led to a role in the Christopher Guest movie Best in Show, which helped her get cast in The 40-Year-Old Virgin. Similar coincidences and chance meetings led to roles in movies starring Will Ferrell, Paul Rudd, and even Meryl Streep in 2009's Julie & Julia. Then, of course, came the two lucky accidents that truly changed her life. Getting lost in a hotel led to an introduction to her future wife, Lara. Then, a series she'd signed up for abruptly got canceled, making it possible for her to take the role of Sue Sylvester in Glee, which made her a megastar. Today, Jane Lynch has finally found the contentment she thought she'd never have. Part comic memoir and part inspirational narrative, this is a book equally for the rabid Glee fan and for anyone who needs a new perspective on life, love, and success. WITH A FOREWORD BY CAROL BURNETT
Glee actress Jane Lynch takes a look at bullying head-on in her first picture book. Marlene is the self-appointed queen of the playground, the sidewalk, and the school. She is small but mighty . . . intimidating! Known for her cruel ways, the little Queen of Mean has kids cowering in fear—until big Freddy stands up to her and says what everyone has been too fearful to say. In Seussian rhyme, actress Jane Lynch, clinical psychologist Lara Embry, and former children’s book editor A. E. Mikesell gently and comically depict the undoing of a bully and her efforts to reform. Tricia Tusa’s charming illustrations make the story an even more accessible conversation starter for all ages.
After years of theater, film, and television work, actress Jane Lynch has reached icon status. Her portrayal of Sue Sylvester on Glee has led to Emmy and Golden Globe Awards, a star on the Hollywood Walk of Fame, and a wax figure at Madame Tussaud's. She has hosted TrevorLIVE, a fund-raiser for crisis intervention services for LGBT youths. This revealing volume describes Lynch's endeavors to raise awareness of marriage equality, the bullying of LGBT teens, the Ban Bossy campaign to encourage girls to take leadership roles in their community, and Project Angel Food, which provides food to people with AIDS.
This book covers the life and career of the life and career of actress and activist Jane Lynch. It details her childhood in a suburb of Chicago to her fame as Sue Sylvester on the hit TV show Glee. Chapters also discuss her battle with alcoholism and coming out as a lesbian. An informative timeline, expansive bibliography, and engaging sidebars support social studies and history assignments.
An understanding of the law and the way in which it impacts upon roles, responsibilities and care is a vital component in everyday healthcare. The law of consent is particularly complex, and its inadvertent misinterpretation, misapplication or maladministration by health professionals has led to an increasing number of legal claims for compensation. This book explains the legal issues around consent to treatment in England and Wales simply and straightforwardly. It uses real-life examples to set out the professional obligations, basic principles of consent and detailed information on each area, enabling health professional to approach consent methodically and to ensure that it is validly obtained and recorded. 'Explains the complexities of consent in a practical and straightforward way making a difficult and often complex subject easy to understand. In addition it is a useful handbook that health professionals at all levels can refer to as an everyday text to help guide them through the intricacies of the topic.' - From the Foreword by Colum J Smith 'This book is invaluable to health care professionals and could help prevent them from attending court defending the care they have inadvertently provided.' - From the Foreword by Sue Battersby 'A very useful book for healthcare professionals of all kinds to refer to' - From the Foreword by Louise M Terry
"On leave from grad school, Jane Morrow has a new job, helping out in her uncle's fortune cookie factory, and a new roommate--her precocious 11-year-old cousin. Though surrounded by her loving family and their close-knit Chinatown community, Jane feels like a colossal failure. Writing fortunes is a kind of poetry, but Jane is penning words of wisdom for strangers while wondering if she will ever have the guts to move on with her dissertation and her life. When Jane meets medical student Sutton St. James at her local noodle shop, sparks fly"--
Clinical Responsibility provides practical legal advice by highlighting real-life healthcare case studies and workplace examples. It looks specifically at the areas of accountability, the legal process, what constitutes a legal claim brought by the patient, and the duty of care and how it is measured. It assists and guides health professionals in understanding their legal and professional obligations and the implications for managing risk.
The first book in Chris Colfer's #1 New York Times bestselling series The Land of Stories about two siblings who fall into a fairy-tale world! Alex and Conner Bailey's world is about to change forever, in this fast-paced adventure that uniquely combines our modern day world with the enchanting realm of classic fairy tales. The Land of Stories tells the tale of twins Alex and Conner. Through the mysterious powers of a cherished book of stories, they leave their world behind and find themselves in a foreign land full of wonder and magic where they come face-to-face with fairy tale characters they grew up reading about. But after a series of encounters with witches, wolves, goblins, and trolls alike, getting back home is going to be harder than they thought.
Over the last decade, as Jane Austen has moved center-stage in our culture, onto best-seller lists and into movie houses, another figure has slipped into the spotlight alongside her. This is the "Janeite," the zealous reader and fan whose devotion to the novels has been frequently invoked and often derided by the critical establishment. Jane Austen has long been considered part of a great literary tradition, even legitimizing the academic study of novels. However, the Janeite phenomenon has not until now aroused the curiosity of scholars interested in the politics of culture. Rather than lament the fact that Austen today shares the headlines with her readers, the contributors to this collection inquire into why this is the case, ask what Janeites do, and explore the myriad appropriations of Austen--adaptations, reviews, rewritings, and appreciations--that have been produced since her lifetime. The articles move from the nineteenth-century lending library to the modern cineplex and discuss how novelists as diverse as Cooper, Woolf, James, and Kipling have claimed or repudiated their Austenian inheritance. As case studies in reception history, they pose new questions of long-loved novels--as well as new questions about Austen's relation to Englishness, about the boundaries between elite and popular cultures and amateur and professional readerships, and about the cultural work performed by the realist novel and the marriage plot. The contributors are Barbara M. Benedict, Mary A. Favret, Susan Fraiman, William Galperin, Claudia L. Johnson, Deidre Lynch, Mary Ann O'Farrell, Roger Sales, Katie Trumpener, and Clara Tuite.
Examines the individual author's entire body of work and on his/her single works of literature.