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In the first book-length consideration of the topic for sixty years, Kevin Donnelly examines the importance of music in British film, concentrating both on musical scores, such as William Walton's score for Henry V (1944) and Malcolm Arnold's music for The Bridge on the River Kwai (1957), and on the phenomenon of the British film musical.
"Life was good, and promising to get ever better for the recently married Dreifuss couple and their young daughter, Alice, living in rural southwest Germany. Then HItler came to power, and their world turned upside down. This vivid biography deals with one of the transforming events of the twentieth century. As happened throughout Germany during the eight years that served as a prelude to the Holocaust, the Nazis turned the Dreifuss family members from valued friends and colleagues of their fellow villagers into an isolated, demonized minority. Even as a small child, Alice felt the impact of Nazi anti-semitism. More importantly, this story shows how strength of spirit and faith enabled the family to remain optimistic and resilient during their struggle to leave Germany and to make new lives for themselves in America"--Page 4 of cover
Dozens of books have been written about Eleanor Roosevelt, but her own writings are largely confined to the Roosevelt archives in Hyde Park. Courage in a Dangerous World allows her own voice again to be heard. Noted Eleanor Roosevelt scholar Allida M. Black has gathered more than two hundred columns, articles, essays, and speeches culled from archives whose pages number in the millions, tracing her development from timorous columnist to one of liberalism's most outspoken leaders. From "My Day" newspaper columns about Marian Anderson and excerpts from Moral Basis of Democracy and This Troubled World to speeches and articles on the Holocaust and McCarthyism, this anthology provides readers with the tools to reconstruct the politics of a woman who redefined American liberalism and democratic reform. Arranged chronologically and by topic, the volume covers the New Deal years, the White House years, World War II at home and abroad, the United Nations and human rights, the Cold War, the civil rights movement, the resurgence of feminism, and much more. In addition, the collection features excerpts from Eleanor Roosevelt's correspondence with Franklin Delano Roosevelt, Harry S. Truman, Adlai Stevenson, J. Edgar Hoover, John F. Kennedy, and ordinary Americans. The volume features a collection of 30 rare photographs. A comprehensive bibliography of Eleanor Roosevelt's articles serves as a valuable resource, providing a link to the issues she held dear, many of which are still hotly debated today.
A biography of one of the most controversial figures in film history. This study also gives a unique insight into how the Hollywood studio system functioned int he 1920s and early 1930s.
Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. Organized chronologically, with some liberties taken to keep together similarly themed musicals, Jones examines dozens of Broadway shows from the beginning of the twentieth century to the present that demonstrate numerous links between what played on Broadway and what played on newspapersÕ front pages across our nation. He reviews the productions, lyrics, staging, and casts from the lesser-known early musicals (the ÒgunboatÓ musicals of the Teddy Roosevelt era and the ÒCinderella showsÓ and Òleisure time musicalsÓ of the 1920s) and continues his analysis with better-known shows including Showboat, Porgy and Bess, Oklahoma, South Pacific, West Side Story, Cabaret, Hair, Company, A Chorus Line, and many others. While most examinations of the American musical focus on specific shows or emphasize the development of the musical as an art form, JonesÕs book uses musicals as a way of illuminating broader social and cultural themes of the times. With six appendixes detailing the long-running diversionary musicals and a foreword by Sheldon Harnick, the lyricist of Fiddler on the Roof, JonesÕs comprehensive social history will appeal to both students and fans of Broadway.