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This book is the outcome of years of research in Austen archives, and stems from the original family biography by W. and R. A. Austen-Leigh, Jane Austen: her Life and Letters. Jane Austen, A Family Record was first published in 1989, and this new edition incorporates information that has come to light since then, and provides new illustrations and updated family trees. Le Faye gives a detailed account of Austen s life and literary career. She has collected together documented facts as well as the traditions concerning the novelist, and places her within the context of a widespread, affectionate and talented family group. Readers will learn how Austen transformed the stuff of her peaceful life in the Hampshire countryside into six novels that are amongst the most popular in the English language. This fascinating record of Austen and her family will be of great interest to general readers and scholars alike.
A comprehensive guide to Austen's works in the contexts of her contemporary world and present-day criticism.
Hardcover reprint of the original 1913 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9. No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: William Austen-Leigh. Jane Austen Her Life And Letters A Family Record. Indiana: Repressed Publishing LLC, 2012. Original Publishing: William Austen-Leigh. Jane Austen Her Life And Letters A Family Record. New York: E.P. Dutton & Company, 1913. Subject: History
When Jane Austen represented the ideal subject for a novel as "three or four families in a country village", rather than encouraging a narrow range of reference she may have meant that a tight focus was the best way of understanding the wider world. The essays in this collection research the historical significance of her many geographical references and suggest how contemporaries may have read them, whether as indications of the rapid development of national travel, or of Britain’s imperial status, or as signifiers of wealth and social class, or as symptomatic of political fears and aspirations. Specifically, the essays consider the representation of colonial mail-order wives and naval activities in the Mediterranean, the worrisome nomadism of contemporary capitalism, the complexity of her understanding of the actual places in which her fictions are set, her awareness of and eschewal of contemporary literary conventions, and the burden of the Austen family’s Kentish origins, the political implications of addresses in London and Northamptonshire. Skilful, detailed, and historically informed, these essays open domains of meaning in Austen’s texts that have often gone unseen by later readers but which were probably available to her coterie readers and clearly merit much closer critical attention.
Perhaps the first modern novelist, Jane Austen (1775-1817) has left an indelible mark on the world of letters. She is best known as the author of penetrating studies of domestic life and manners, and her novels such as Sense and Sensibility (1811), Pride and Prejudice (1813), and Mansfield Park (1814) continue to be read and appreciated today. Yet Austen also wrote numerous other pieces and a substantial body of letters. While her novels have received large amounts of critical attention, scholars have also increasingly studied her other writings, and Austen scholarship continues to grow each year. This reference book is an accurate, comprehensive, and detailed guide to her life and career. A chronology outlines the principal events in her life and places her within larger literary and historical contexts. The several hundred alphabetically arranged entries that follow identify characters and family members, discuss works and themes, and synthesize the large body of criticism that has grown around her works. Every one of her texts, including all of her minor writings, has a separate entry, as have most of her fictional characters. Entries for individual works typically provide details of composition and publication, a plot summary and critical commentary, a list of characters, and bibliographical references. The volume closes with an extensive bibliography of works by and about her.
Originally published in 1992. In an age when genteel women wrote little more than personal letters, how did Jane Austen manage to become a novelist? Was she an isolated genius who rose to fame through sheer talent? Did she draw strength from the support of her family or from women writers who went before her? In Jane Austen among Women, Deborah Kaplan argues that these explanations are either misleading or insufficient. Austen, Kaplan contends, participated actively in a women's culture that promoted female authority and achievement—a culture that not only helped her become a novelist but also influenced her fiction.
“Simply Austen is simply a must for anyone just starting off their Janeite journey or for those wanting a quick refresher course. Jam-packed with biographical facts and contexts, this smart pocket tutorial offers a fast-paced and accessible distillation of what scholars and biographers have pieced together about an enigmatic author so beloved that many readers refer to her solely by her first name—as if a close personal friend.” —Janine Barchas, Professor of English at the University of Texas, Austin One of the most beloved novelists of all time, Jane Austen (1775-1817) is also one of the most scrutinized. Since the early 20th century, she has been a favorite topic of academic researchers and scholars; at the same time, the popularity of her books has continued to grow. Why are Austen’s novels the subject of scholarly tomes and doctoral dissertations, and also the inspiration for a virtual cottage industry of popular adaptations? And how did this English country parson’s daughter with little formal education become a major literary figure? In Simply Austen, author Joan Klingel Ray paints a carefully researched, comprehensive, and highly entertaining portrait of the phenomenon that is Jane Austen—an author whose works have been translated into dozens of languages and who critic Harold Bloom placed among the greatest writers of all time. In exploring Austen’s life and books, Ray not only helps us understand the forces that shaped this talented writer, but also offers a wealth of insightful clues that help explain her lasting popularity and continuing relevance for a 21st-century audience. In Pride and Prejudice, the satirical character Mr. Collins announces, “Oh, I never read novels.” For those of us who do—and especially for confirmed or aspiring Janeites—Simply Austen is an invaluable resource and a great way to discover the author who helped refine the art of novel writing.
A trip back to the world of Jane Austen and the homes she lived in with noted historian Lucy Worsley.
Traditional critics of Jane Austen's novels consider her fiction from the perspective of male literature, male social values, and male myths and assumptions about women. These critics often give excellent readings of Austen, but they mitigate their own best efforts by trying to separate her life from the fiction and the fiction from her awareness of women's predicament in society. In Jane Austen and the Province of Womanhood, Alison Sulloway offers a fresh and comprehensive vision of Austen as a moderate feminist. Her studies of the letters, fictional fragments, and minor works, as well as novels, reveal a systematic pattern of feminist plots, themes, motifs, and symbols. She traces the influence on Jane Austen of Anglican conduct literature in addition to the progressive novels written by such women writers as Frances Burney and Maria Edgeworth. Austen's covert acknowledgment of the previously ignored "feminist revolt of the 1790s," Sulloway contends, accounts for the dammed-up energy behind her protective mask of irony. Sulloway perceives Austen and her heroines as survivors attempting to find decent solutions in a society whose owners and managers saw scant need to consider women's dignity. Her book is mediatory, just as Austen, that "provincial Christian gentlewomen," also mediated between the traditional forces of hostility toward women and the counter-forces of radical disruptions. Finally, Sulloway contends, the greatest beauty of Austen's fiction is not in her subtle depiction of the strains of eighteenth-­century womanhood but in a certain joy­—"Austenian joy"—that transcends grief and anger at various human abuses. More than stoic resolution, it is a comedic gift and a moral resilience that signifies grace under pressure. Sulloway com pares it to the instinctive courage of a soldier who rejoices when a single bird sings during a lull in the bombing. To read Jane Austen for this vision is to appreciate fully her gallant wit and her compassion. Jane Austen and the Province of Womanhood will benefit any Austen scholar as well as students and teachers of eighteenth- and nineteenth-century literature.