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This volume brings together nineteen essays that marked the bicentenary of Jane Austen's birth and reflect twentieth-century critical attitudes.
This book was first published in 1975, the bicentenary of Jane Austen's birth. Though she has long been recognized as one of the major English novelists her reputation was established relatively late and has withstood periods of neglect and controversy. The present volume brings together nineteen essays that marked the bicentenary and in doing so reflected the critical attitudes which some of the twentieth century's most influential scholars have entertained towards the novelist. These essays range from nineteenth-century reactions to the novels and to the novelist herself, through twentieth-century criticism of the individual novels, to considerations of the novelist's reputation abroad. This book will be of interest both to scholars and students of eighteenth- and nineteenth-century fiction and also to the general reader of Jane Austen's novels.
First published in 1968, Critical Essays on Jane Austen shines critical and scholarly attention on one of the most widely read of the great English novelists, Jane Austen. The essays provide a varied and challenging discussion on several topics, taking account of the novelist’s limitation as well as her greatness. The peculiarity of Austen and her appeal to readers across generations is investigated at length and will be of interest to students of literature, gender studies and history.
This collection is concerned with the changing approaches to Jane Austen, her writings, and her afterlives, over the past two hundred years. It reflects on, and broadens understanding of, the cultural reach and reimaginings of Austen in view of the bicentennial celebrations of her published novels from 2011 to 2018. The ten contributors to this collection re-engage with key debates over Austen, her continuing appeal and significance as an author and a lucrative brand, and her cultural ubiquity. These essays are concerned with Austen’s national and international reputation; her critical reception; creative appropriations of her writings; and Austen’s afterlives in popular culture, in visual media, in ephemeral publications, in stage, in film, and in musical versions. Together, these essays by experts from across the UK, North America, Australia, and Scandinavia advance innovative readings of Austen’s novels and her transmedia legacies and shed new light on some of the complex reception processes that emerge from the study of this enduringly popular author. They also set out possible paths for scholarship on Austen in coming years. This book was originally published as a special issue of Women’s Writing.
A collection of essays exploring and analyzing Jane Austen's keen insight into the nature of middle-class society as portrayed in the 6 novels.
Offers a radical new thesis about Jane Austen's construction of her art and recreates substantial area of her mental and imaginative life.
Here we come to know Jane Austen by the company she keeps: her predecessors Fielding, Sterne, Lennox, and Burney, her contemporary Scott, and her successors Waugh and Amis—comic novelists all. And comedy is the connection between these twelve elegant essays by the distinguished academic Bruce Stovel, who most lovingly engages Austen herself through his studies of her comic novels, her art of conversation, her pleasure principle, and her prayers. Edited by Nora Foster Stovel, the collection includes an introduction by Juliet McMaster and an afterword by Isobel Grundy.