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Constancy and the Ethics of Jane Austen's Mansfield Park offers a rigorous philosophical examination of the novel, the first book-length, close reading to do so.
Jane Austen and the Ethics of Description demonstrates that Elizabeth Bennet and her creator are misunderstood, and often unrecognized, geniuses of moral philosophy, but not simply because of their virtue or wit or natural skills in game theory. The engine driving the moral judgement and growth of Austen’s protagonists consists of a particular and not well-understood ability to reason by description, a skill which we moderns must recover and remaster in order to negotiate the complexities of contemporary life. The forms of rational description this book derives from Austen will be of great interest not only to literary critics and theorists, but also to philosophers and anyone interested in ethics, the dynamics of power, and practical reasoning. Written in a clear style, the book is for those who love Austen and for those who want to understand how we should reason about our lives, how we should understand power, social conflict, and our own motives and prejudices. It is a literary analysis, a philosophical argument, and a practical guide to ethical thinking.
A compelling exploration of the convergence of Jane Austen’sliterary themes and characters with David Hume’s views onmorality and human nature. Argues that the normative perspectives endorsed in JaneAusten's novels are best characterized in terms of a Humeanapproach, and that the merits of Hume's account of ethical,aesthetic and epistemic virtue are vividly illustrated by Austen'swriting. Illustrates how Hume and Austen complement one another, eachproviding a lens that allows us to expand and elaborate on theideas of the other Proposes that literature may serve as a thought experiment,articulating hypothetical cases which allow the reader to test hermoral intuitions Contributes to ongoing debates on the philosophy of literature,ethics, and emotion
Analyzes the way in which Austen blends ironic criticism with moral affirmation through her complex and little-understood management of the narrative point of view.
The first full-length study of animals in Jane Austen, Barbara K. Seeber’s book situates the author’s work within the serious debates about human-animal relations that began in the eighteenth century and continued into Austen’s lifetime. Seeber shows that Austen’s writings consistently align the objectification of nature with that of women and that Austen associates the hunting, shooting, racing, and consuming of animals with the domination of women. Austen’s complicated depictions of the use and abuse of nature also challenge postcolonial readings that interpret, for example, Fanny Price’s rejoicing in nature as a celebration of England’s imperial power. In Austen, hunting and the owning of animals are markers of station and a prerogative of power over others, while her representation of the hierarchy of food, where meat occupies top position, is identified with a human-nature dualism that objectifies not only nature, but also the women who are expected to serve food to men. In placing Austen’s texts in the context of animal-rights arguments that arose in the late eighteenth and early nineteenth centuries, Seeber expands our understanding of Austen’s participation in significant societal concerns and makes an important contribution to animal, gender, food, and empire studies in the nineteenth century.
Generations of readers have fallen in love with Jane Austen’s timeless tales of eighteenth-century English life. Even casual readers comprehend that these classic novels are not just love stories. They offer keen insights into various aspects of the human condition, such as interpersonal relationships, social conventions, and morality. Jane Austen and Philosophy offers all fans of Austen’s work an introduction to the incredible depth of this English novelist’s stories by probing, for example, the struggles of Elizabeth and Jane Bennett, Emma Woodhouse, and Elinor and Marianne Dashwood as they face societal pressures and their own desires. As the second book in the new Great Authors and Philosophy series,Jane Austen and Philosophy explores questions about morality and duty, propriety and dignity, and obligation and happiness that sheds new light on the works of this classic author and reveals deep issues still relevant to the men and women of society today.
Jane Austen’s readers continue to find delight in the justness of her moral and psychological discriminations. But for most readers, her values have been a phenomenon more felt than fully apprehended. In this book, Stuart M. Tave identifies and explains a number of the central concepts across Austen’s novels—examining how words like “odd,” “exertion,” and, of course, “sensibility,” hold the key to understanding the Regency author’s language of moral values. Tracing the force and function of these words from Sense and Sensibility to Persuasion, Tave invites us to consider the peculiar and subtle ways in which word choice informs the conduct, moral standing, and self-awareness of Austen’s remarkable characters.
However much students enjoy their reading of a Jane Austen novel, many find it difficult to know how to organise their critical responses. This book shows students how to develop a firm grasp of Jane Austen's characters, themes and techniques, as well as such central topics as the use of irony in the novels, and their style and moral patterning. In the newly revised and expanded edition of this successful book, Vivien Jones looks at all of Jane Austen's novels, and demonstrates how to analyse both their overall structure and concerns as well as individual passages. A completely new chapter looks at current critical debates about Austen's achievement and the final chapter gives practical advice on writing an essay.
"Bibliography of ethical criticism": p. 505-534. Presents arguments for the relocation of ethics to the center of literature, examining periods, genres, and particular works.