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For everyone who loves Jane Austen . . . a marvelously entertaining new series that turns the incomparable author into an extraordinary sleuth! On a visit to the estate of her friend, the young and beautiful Isobel Payne, Countess of Scargrave, Jane bears witness to a tragedy. Isobel's husband—a gentleman of mature years—is felled by a mysterious and agonizing ailment. The Earl's death seems a cruel blow of fate for the newly married Isobel. Yet the bereaved widow soon finds that it's only the beginning of her misfortune . . . as she receives a sinister missive accusing her and the Earl's nephew of adultery—and murder. Desperately afraid that the letter will expose her to the worst sort of scandal, Isobel begs Jane for help. And Jane finds herself embroiled in a perilous investigation that will soon have her following a trail of clues that leads all the way to Newgate Prison and the House of Lords—a trail that may well place Jane’s own person in the gravest jeopardy. Praise for Jane and the Unpleasantness at Scargrave Manor “There’s plenty to enjoy in this crime-solving side of Jane. . . . [She] is as worthy a detective as Columbo.”—USA Today “Happily succeeds on all levels: a robust tale of manners and mayhem that faithfully reproduces the Austen style—and engrosses to the finish.”—Kirkus Reviews “Splendid fun!”—Star Tribune, Minneapolis
"If you have a Jane Austen-would-have-been-my-best-friend complex, look no further . . . [Barron] has painstakingly sifted through the famed author's letters and writings, as well as extensive biographical information, to create a finely detailed portrait of Austen's life—with a dash of fictional murder . . . Some of the most enjoyable, well-written fanfic ever created."—O Magazine May 1816: Jane Austen is feeling unwell, with an uneasy stomach, constant fatigue, rashes, fevers and aches. She attributes her poor condition to the stress of family burdens, which even the drafting of her latest manuscript—about a baronet's daughter nursing a broken heart for a daring naval captain—cannot alleviate. Her apothecary recommends a trial of the curative waters at Cheltenham Spa, in Gloucestershire. Jane decides to use some of the profits earned from her last novel, Emma, and treat herself to a period of rest and reflection at the spa, in the company of her sister, Cassandra. Cheltenham Spa hardly turns out to be the relaxing sojourn Jane and Cassandra envisaged, however. It is immediately obvious that other boarders at the guest house where the Misses Austen are staying have come to Cheltenham with stresses of their own—some of them deadly. But perhaps with Jane’s interference a terrible crime might be prevented. Set during the Year without a Summer, when the eruption of Mount Tambora in the South Pacific caused a volcanic winter that shrouded the entire planet for sixteen months, this fourteenth installment in Stephanie Barron’s critically acclaimed series brings a forgotten moment of Regency history to life.
For everyone who loves Jane Austen . . . the second tantalizing mystery in a new series that transforms the beloved author into a dazzling sleuth! Jane and her family are looking forward to a peaceful holiday in the seaside village of Lyme Regis. Yet on the outskirts of town an overturned carriage forces the shaken travelers to take refuge at a nearby manor house. And it is there that Jane meets the darkly forbidding yet strangely attractive Mr. Geoffrey Sidmouth. What murky secrets does the brooding Mr. Sidmouth seek to hide? Jane suspects the worst—but her attention is swiftly diverted when a man is discovered hanged from a makeshift gibbet by the sea. The worthies of Lyme are certain his death is the work of “the Reverend,” the ringleader of the midnight smuggling trade whose identity is the town's paramount mystery. Now, it falls to Jane to entrap and expose the notorious Reverend . . . even if the evidence points to the last person on earth she wants to suspect . . . a man who already may have won her heart.
As Christmas of 1804 approaches, Jane Austen finds herself "insupportably bored with Bath, and the littleness of a town." It is with relief that she accepts a peculiar commission from her Gentleman Rogue, Lord Harold Trowbridge—to shadow his niece, Lady Desdemona, who has fled to Bath to avoid the attentions of the unsavoury Earl of Swithin. But Jane's idle diversion turns deadly when a man is discovered stabbed to death in the Theatre Royal. Adding to the mystery is an unusual object found on the victim's body—a pendant that contains a portrait of an eye! As Jane's fascination with scandal leads her deeper into the investigation, it becomes clear that she will not uncover the truth without some dangerous playacting of her own....
Reading Jane Austenexplores Mansfield Park, Pride and Prejudice, Emma, and Persuasion against their historical and cultural backdrop to show precisely how Jane Austen sets out the core themes of British morality in her novels. Austen s period was arguably the most socially and politically tumultuous in England s history, and by replacing the novels in this remarkable era, Scheuermann sharply defines Austen s view of the social contract.
Three years after news of her scandalous husband’s death, Adelaide Fiske is at the altar again, her groom a soldier on the Marquis of Wellington’s staff. The prospects seem bright for one of the most notorious women in Kent—until Jane Austen discovers a corpse on the ancient Pilgrim’s Way that runs through her brother Edward’s estate. As First Magistrate for Canterbury, Edward is forced to investigate, with Jane as his reluctant assistant. But she rises to the challenge and leaves no stone unturned, discovering mysteries deeper than she could have anticipated. It seems that Adelaide’s previous husband has returned for the new couple’s nuptials—only this time, genuinely, profoundly dead. But when a second corpse appears beside the ancient Pilgrim’s Way, Jane has no choice but to confront a murderer, lest the next corpse be her own.
Jane Austen completed only six novels, but enduring passion for the author and her works has driven fans to read these books repeatedly, in book clubs or solo, while also inspiring countless film adaptations, sequels, and even spoofs involving zombies and sea monsters. Austen’s lasting appeal to both popular and elite audiences has lifted her to legendary status. In Jane Austen’s Cults and Cultures, Claudia L. Johnson shows how Jane Austen became “Jane Austen,” a figure intensely—sometimes even wildly—venerated, and often for markedly different reasons. Johnson begins by exploring the most important monuments and portraits of Austen, considering how these artifacts point to an author who is invisible and yet whose image is inseparable from the characters and fictional worlds she created. She then passes through the four critical phases of Austen’s reception—the Victorian era, the First and Second World Wars, and the establishment of the Austen House and Museum in 1949—and ponders what the adoration of Austen has meant to readers over the past two centuries. For her fans, the very concept of “Jane Austen” encapsulates powerful ideas and feelings about history, class, manners, intimacy, language, and the everyday. By respecting the intelligence of past commentary about Austen, Johnson shows, we are able to revisit her work and unearth fresh insights and new critical possibilities. An insightful look at how and why readers have cherished one of our most beloved authors, Jane Austen’s Cults and Cultures will be a valuable addition to the library of any fan of the divine Jane.
While in Derbyshire, Jane Austen investigates the murder of a maidservant who was wearing her master's clothes.
A female undertaker in Victorian London suspects death by unnatural causes in a mystery “rich with historical incidents and details” (Publishers Weekly). Only a woman with an iron backbone could succeed as an undertaker in Victorian England, but Violet Morgan takes great pride in her trade. While her husband, Graham, is preoccupied with elevating their station in society, Violet is cultivating a sterling reputation for Morgan Undertaking. She is empathetic, well-versed in funeral fashions, and comfortable with death’s role in life—until its chilling rattle comes knocking on her own front door. Violet’s peculiar but happy life soon begins to unravel as Graham becomes obsessed with his own demons and all but abandons her as he plans a vengeful scheme. And the solace she's always found in her work evaporates like a departing soul when she suspects that some of the deceased she's dressed have been murdered. When Graham disappears, Violet takes full control of the business and is commissioned for an undertaking of royal proportions. But she's certain there's a killer lurking in the London fog, and the next funeral may be her own. With equal parts courage, compassion, and intrigue, Christine Trent tells an unrestrained tale of love and loss in the rigidly decorous world of Victorian society. Praise for the novels of Christine Trent “Genuinely engrossing.”—Publishers Weekly “Exuberant, sparkling, beguiling. . .brims with Dickensian gusto!”—Barbara Kyle, author of The Queen's Lady “Winningly original…glittering with atmospheric detail!”—Leslie Carroll, author of Royal Affairs