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The “stakes” are high and vampires rule when legendary author Jane Austen joins the ranks of the undead in Janet Mullany’s bloody wonderful literary mash-up, Jane and the Damned. In the bestselling tradition of Pride and Prejudice and Zombies; Sense and Sensibility and Sea Monsters; and Mr. Darcy, Vampyre, comes a supremely smart and wickedly fun novel that renders the beloved creator of Persuasion and Emma truly immortal—as Mullany pits a transformed Jane Austen and her vampire friends against savage hordes of invading French!
It is 1810, and the Damned are out of favor—banished from polite society. Jane Austen’s old undead friends have become new neighbors, raising hell in her tranquil village just in time to interrupt Jane’s work on what will be her masterpiece. Suddenly Jane’s niece is flirting dangerously with vampires, and a formerly respectable spinster friend has discovered the forbidden joys of intimate congress with the Damned (and is borrowing Jane’s precious silk stockings for her assignations). Writing is simply impossible now, with murderous creatures prowling the village’s once-peaceful lanes. And with the return of her vampire characteristics, a civil war looming between factions of the Damned, and a former lover who intends to spend eternity blaming her for his broken heart, Jane is facing a very busy year indeed.
Think adolescence is hell? You have no idea... Welcome to Dante's Inferno, by way of The Breakfast Club, from the mind of American fiction's most brilliant troublemaker. "Death, like life, is what you make out of it." So says Madison, the whip-tongued 11-year-old narrator of Damned, Chuck Palahniuk's subversive homage to the young adult genre. Madison is abandoned at her Swiss boarding school over Christmas while her parents are off touting their new film projects and adopting more orphans. Over the holidays she dies of a marijuana overdose--and the next thing she knows, she's in Hell. This is the afterlife as only Chuck Palahniuk could imagine it: a twisted inferno inspired by both the most extreme and mundane of human evils, where The English Patient plays on repeat and roaming demons devour sinners limb by limb. However, underneath Madison's sad teenager affect there is still a child struggling to accept not only the events of her dysfunctional life, but also the truth about her death. For Madison, though, a more immediate source of comfort lies in the motley crew of young sinners she meets during her first days in Hell. With the help of Archer, Babette, Leonard, and Patterson, she learns to navigate Hell--and discovers that she'd rather be mortal and deluded and stupid with those she loves than perfect and alone.
Almost Persuaded In this Regency tale of Robert and Jane, New York Times bestselling author Mary Balogh brings together former lovers who have seen beyond their past mistakes, and are determined to be together in this life and forever. Northanger Castle Caroline's obsession with Gothic novels serves as good training for a lifetime of destroying the undead with her newfound beau in this Regency by Colleen Gleason. Blood and Prejudice In fast-paced present-day New York City, Liz Bennett joins Mr. Darcy on his hunt to cure vampirism in New York Times bestselling author Susan Krinard's version of the classic story. Little to Hex Her Emma, a witch with a wizard boyfriend, runs a paranormal dating service in modern-day Washington, D.C., in this story from Janet Mullany.
Playhouse of the Damned is an anthology of short horror plays, hosted by Gus the Ghoul. As Gus says, Welcome to the Playhouse of the Damned. This is the playhouse. Guess what part you play. Heres a hint. In just a few minutes, youll find yourself agreeing with hundreds of theatergoers who have attended our playhouse and said, I'll be damned if I'm going to sit through any more of this!
Jane Austen may be undead, but she longs to let the world know who she is. Will the inimitable Austen be able to keep her cool in this comedy of manners, or will she show everyone what a woman with a sharp wit and an even sharper set of fangs can do?
I have always had people who knew my mother tell me that someday someone should write a book about that woman. While I sometimes had the inclination to write her story, I never seemed to find the time. However, I was forced to have a spinal fusion and the recovery period meant months away from my golf game. I now had the time to write my mothers story, which turned out to be my story as well. Because this would be a totally new venture for me, I was looking for help and input from many directions. Undoubtedly, Martha, my wife, was my biggest helper and supporter. I want to thank her for putting up with Jane and her bizarre ways all those years. Martha also has a degree in English, which came in very handy when editing the book. Next I would like to acknowledge our four children, Mark, Michael, John, and Shannon. They all had to deal with Jane. They reminded me of some of Janes eccentricities which are mentioned in this book. Most of all, I want the kids to know that I sincerely regret that Jane was not a better Grandma to them. Grandmas are wonderful people and our kids missed out on that joy in life. I appreciate the input of Rosie Browning, our friend and accomplished teacher of English, who read the first draft and made many suggestions that I welcomed and incorporated into the book. I would also like to thank Sandi Faber for her contribution and editing skills. Many thanks to Dee Domingo, our neighbor and computer guru. I could not have put this book on a flash drive without her. I would be remiss if I did not acknowledge all of my friends who gave me such positive encouragement. My friend Jeanie Williamson suggested the title, and Nancy Campbell, my former secretary, shared some of her memories with me. Every story about Jane in this book is true and is written exactly as remembered by folks who dealt with her directly. To my brother-in-law Jerome Carrigan, my nephew Jay Carrigan and his wife Lisa, my niece Michele, and certainly John Nelson, I just want to say thanks for remembering.
This is Capote’s In Cold Blood for serial killer enthusiasts: meticulously researched, superbly written, and incredibly vivid. Don’t miss it.” —Gabino Iglesias, author of Coyote Songs America’s First Female Serial Killer novelizes the true story of first-generation Irish-American nurse Jane Toppan, born as Honora Kelley. Although all the facts are intact, books about her life and her crimes are all facts and no story. Jane Toppan was absolutely a monster, but she did not start out that way. When Jane was a young child, her father abandoned her and her sister to the Boston Female Asylum. From there, Jane was indentured to a wealthy family who changed her name, never adopted her, wrote her out of the will, and essentially taught her how to hate herself. Jilted at the altar, Jane became a nurse and took control of her life—and the lives of her victims. “A thoughtful and inspired take on one of the greatest poisoners in history. America’s First Female Serial Killer: Jane Toppan and the Making of a Monster seethes with rage, compulsion, and a righteous condemnation of the servitude of the underclass. A chilling and sobering read.” —Robert Levy, author of The Glittering World “McBrayer offers us a complex—and terrifying—portrait of a killer who seemed almost doomed from birth.” —Kate Winkler Dawson, author of American Sherlock: Murder, Forensics, and the Birth of American CSI “Brings the horrifying true story of Jane Toppan to lurid, novelistic life, and forces the reader face-to-face with the thoughtlessness and cruelty that helped turn a gifted, damaged child into one of America’s most legendary killers.” —Shaun Hamill, author of A Cosmology of Monsters
The Desperate and The Damned is an erotic thriller about the perils of sexual addiction. Jacob is a social worker who falls into the perils of sexual addiction through a series of murders that He is accused of committing. The story covers the addicting nature of an open lifestyle and the perils that come with it.
“A landmark work of lesbian fiction” and the basis for the acclaimed film Desert Hearts (The New York Times). Against the backdrop of Reno, Nevada, in the late 1950s, award-winning author Jane Rule chronicles a love affair between two women. When Desert of the Heart opens, Evelyn Hall is on a plane that will take her from her old life in Oakland, California, to Reno, where she plans to divorce her husband of sixteen years. A voluntary exile in a brave new world, she meets a woman who will change her life. Fifteen years younger, Ann Childs works as a change apron in a casino. Evelyn is instantly drawn to the fiercely independent Ann, and their friendship soon evolves into a romantic relationship. An English professor who had always led a conventional life, Evelyn suddenly finds all her beliefs about love, morality, and identity called into question. Peopled by a cast of unforgettable characters, this is a novel that dares to ask whether love between two women can last.